THE DEAD UNIVERSE! ORION PAX—the ’bot who was once OPTIMUS PRIME—joins RODIMUS and the crew of the Lost Light in a desperate bid to outmaneuver SHOCKWAVE—by returning to the legendary Dead Universe! Meanwhile, BUMBLEBEE faces down the biggest—literally biggest—threat he’s ever seen on CYBERTRON!
After the setting up and minor reveals in DC#1, it's time to get things going. But first - We get another brief 'Previously' page, which while nice (and bit melodramatic), did not feel as necessary this time round. We'll see if it becomes customary, and if it overstays its welcome in the next issues. The Roll Call page was nice, on the other hand, even if just to convey a sense of the cast, and its major players.
Drama! Excitement! Exclamation marks!
fire and the Auto/Dinobots stand around on Cybertron not doing much, Orion Pax and his crew now aboard the Lost Light concoct their plan to approach the Dead Universe, to which we've been introduced for so long now it feels like that relative you always dread at family reunions - though Brainstorm seems fascinated by it.
Unsurprisingly, to be fair
It seems as though the dialogue has picked up again, and it may or may not be more of Roberts' words than Barber's this time round. But it does feel welcome. The two writers manage to approach the characters of Orion and Starscream in a good, more nuanced way, giving us a better look at what might be happening below the surface.
..that also works
It is gaining some momentum, and we're developing a much better sense of what is at stake and what may happen, with the focus shifting to other characters than the ones we're all execting (though I worry about falling back onto the same ones eventually) - but I feel it'll work a lot better in TPB format than as a single issue.Art
Now, the artwork. I'm having some trouble making my mind up about this. I welcome the introduction of new names into the franchise, and it's good to see variation between different styles. But having three artists (Raiz, Rojo and Ramondelli) with very different styles in the same story does not convince me as much. They all do an impressive job, though Rojo's faces can seem a little off in proportion, but I feel as though Raiz and Rojo could've been swapped, with the latter on the Lost Light and the former, darker style, on Cybertron.
Though that is a gloriously dark Starscream
The colours, however, are Perez' usual goodness. They play really well with the sources of light and shadows in the panels, and the two different art-styles, without jarring with Raiz' darker or Rojo's lighter lines. Ramondelli, as usual, colours his own art, and does an equally good job in terms of tone and mood setting. The new letterer, Gilberto Lazcano, is intriguingly light-touched, and I would like to see more from him in the future.
Red meets orange, in dim light
The three styles work by themselves, with some shining moments for each, but I have a hard time deciding whether I like their juxtaposition or not. I have nothing to complain about the colours, and even though I chose not to show any Ramondelli images in the review, his work is good and definitely well suited to the tone of that part of the story. The cover by EJ Su is also excellent!ThoughtsSpoilerish ahead
The story seems to be gaining its ground, and seeding some future plot elements nicely. It still reads as a bit jumbled though, even if just because of the sheer scale of the cast and settings for the action to take place. I'm fully confident, though, that by next month, once this and RID have had a chance to settle, we'll be back to the usual, expected greatness.
There's a prophecy with PUNS!
The confusion is not entirely helped out by having so many artists work on different parts; even if it does make clear where we are, the styles don't always work with the tone. The colours, on the other hand, always suit the style. I am curious to see what will happen as this goes on, and if it is to be the new standard to differentiate settings.