And then there were threeSynopsis
THE WAR FOR CYBERTRON! Optimus Prime versus Megatron. Autobots versus Decepticons. At the dawn of the conflict, battle lines are drawn and sides are set… now legends will be made. The war that would define a planet begins in earnest—and its revelations will shake the TRANSFORMERS’ world to the core!
did some really interesting things by taking politics to a whole other level. Monstrosity
brought 'the Quintessons' and Trypticon back into the game. Primacy is supposed to shape the IDW Transformers universe as we know it - so what is the missing link between the fall of Trypticon and the rise of Megatron? It looks like issue 1 starts answering that question.
The focus of Chris Metzen and Flint Dille appears to be shifting between Optimus Prime and Megatron as they both 'recover' from the happenings in the previous two mini-series, with the latter in particular sometimes questioning (?) his actions - and yet, at the same time, we also have some nice interactions between Grimlock and Rodimus, Optimus and Ironhide, Megatron and.. well. You'll see.
There is one major snag in the issue, during Optimus' sections, which I'm hoping will get explained later in the series - but for now it's not too distracting (for me at least), and considering John Barber is editing the work, some kind of patching could always take place at another stage, or there's a better reason for it happening as it does.
All in all, there are some big set-ups for this run, with some nice interactions between the key players, and some past exploration and world-defining, delving into pre-established elements of the franchise and plots hinted at in both Autocracy and Monstrosity, and the wider IDWverse.Art
Livio Ramondelli resumes his task of showing us the beginning of Cybertron's dark ages, with his trademark darker style and colours, shining on big splash pages and spreads, and I mean BIG. The characters, the scope, the layouts - there's a sense of size and scale that follows from some of the later chapter in Monstrosity sliding into here, and not just in the art itself.
Big city lights
The colours obviously work well with the linework, and there are some nicely contrasting tones in some flashback sequences. The eye differences are a nice touch too, with Grimlock, Optimus and Megatron showing off different optics. And a very nice touch comes from letterer Chris Mowry, helping with giving a voice to the different characters, each in its own slightly unique way, and some great translucent sound effects.
I'll take a little longer on the covers, as the main one by Ramondelli is but a fourth of the series' run, but it is joined by an amazing Optimus Prime revealing the matrix by Windblade's Sarah Stone (a nice echo of one of the moments shown above) and an excellent 30th Anniversary variant by Casey Coller and JP Bove, commemorating the smelting pool and poor Scrounge (see thumbnail).ThoughtsSpoilerish ahead
Metzen and Dille's writing is slightly different from the rest of IDW's current output, but still holds its appeal with both older audiences and fans of the more modern ongoings. And their style fits the tone and time of the story, without any doubt, focusing on the two main players of the beginning of the war. Ramondelli's art returns to complement them, and I very happy to have Barber on editing, making sure it all fits in together - even with Omega's confusing statements.
And so do we
It's an easing into the story again, definitely. Some big stuff went down in what leads us to this point, and with this issue we're discovering bigger things still slowly emerging from Cybertron's past and leading into its future. And there are much much bigger things to come, if the last pages are anything to go by. Big things indeed.