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The Offical Sailor Moon Topic

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Re: The Offical Sailor Moon Topic

Postby Sabrblade » Tue Apr 29, 2014 5:53 pm

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Sailor Moon Crystal will have 26 episodes, 30 minutes each.
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Re: The Offical Sailor Moon Topic

Postby Sabrblade » Sat May 17, 2014 12:06 am

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WARNING: What you're about to see may result in death by your heart exploding with joy.



























Viz Media has attained the licence for all of the original Sailor Moon anime, AND for the new Sailor Moon Crystal anime. The old anime is getting resubtitled and fully redubbed in ENGLISH! For DVD, Blu-Ray, and Digital release!

Crystal will likewise get the same sub/dub treatment
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Re: The Offical Sailor Moon Topic

Postby -Kanrabat- » Sat May 17, 2014 5:28 am

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Sabrblade wrote:Viz Media has attained the licence for all of the original Sailor Moon anime, AND for the new Sailor Moon Crystal anime. The old anime is getting resubtitled and fully redubbed in ENGLISH! For DVD, Blu-Ray, and Digital release!

Crystal will likewise get the same sub/dub treatment


No mommy-who-do-some-immoral-things way! :shock:


Does that mean we will have AAAAAALLLLLLL the Sailor Moon episodes AND movies, with at least as a good DVD quality? UNCENSORED AND UNCUT? With professional and decent voice acting?

It's been years and years since I never bought any anime with my own money. THIS time, I will. That poor quality fansub DVDs that I bought waaaaay back will FINALLY be replace by some officail product! I'm rerally, really looking forward to this release. Sure, this thread is pretty much a zombie with only 2 or 3 members lurking, but Sabrblade, I'm counting on you to keep me updated.

Thanks for all the info! :APPLAUSE:
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Re: The Offical Sailor Moon Topic

Postby Sabrblade » Sat May 17, 2014 7:30 am

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Yyyyyup! They got everything! Classic, R, Super, SuperS, Sailor Stars, movies, specials, Crystal, the works!


90s anime announcement - http://www.animenewsnetwork.com/news/2014-05-16/viz-licenses-original-sailor-moon-anime-franchise
Viz Licenses Original Sailor Moon Anime Franchise

All 200 TV episodes, 3 films, & specials unedited with subtitles & new dub

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North American anime distributor Viz Media announced after its Anime Central panel on Friday that it licensed the original Sailor Moon magical girl anime franchise. The streaming, digital, and home video licenses include all 200 episodes from the five television series, the three feature films, and the assorted tie-in specials. This will include the first North American release of the final television series, Sailor Moon Sailor Stars.

Viz is offering the franchise without edits in its original uncropped 4:3 aspect ratio, with the original Japanese names, story elements, and relationships. It is also producing an uncut English dub with a new voice cast.

Viz aims to release the franchise digitally with English subtitles starting this summer, followed by the English dub starting in late 2014. It also plans DVD and Blu-ray/DVD combo releases in half-season sets starting this fall.

The first four television anime episodes will stream with English subtitles on Viz Media's NeonAlley.com service and the Hulu Plus service on Monday. Two more episodes will then debut every Monday ("Moon-day," as Viz's representatives deemed it).

Viz will celebrate "Sailor Moon Day" on Saturday, July 5 (the same day that the new Pretty Guardian Sailor Moon Crystal anime premieres worldwide) at Anime Expo. Viz will host panels with announcements of the new dub cast and staff, as well as what Viz hopes will be the world's largest Sailor Moon cosplay gathering.


Viz notes that the above trailer features a preview of the voice actresss for Sailor Moon in the new dub. Original manga creator Naoko Takeuchi will personally approve the new dub's cast.

Takeuchi launched the original magical girl team manga series in the shōjo monthly manga magazine Nakayoshi in 1992. It soon spawned anime, a live-action television project, musicals, and other adaptations, and it also sparked a worldwide boom. The 20th anniversary project began in 2012, and featured the first musical in eight years at the AiiA Theater Tokyo last September. Kodansha has been republishing the original manga in a complete edition since last November, and Kodansha USA Publishing's Kodansha Comics imprint has been publishing the manga in North America.


Crystal anime announcement - http://www.animenewsnetwork.com/news/2014-05-16/viz-licenses-new-sailor-moon-crystal-anime
Viz Licenses New Sailor Moon Crystal Anime

Pretty Guardian Sailor Moon Crystal to premiere on July 5 online

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North American anime distributor Viz Media announced after its Anime Central panel on Friday that it licensed the new Pretty Guardian Sailor Moon Crystal anime series. Viz will announce more details on its release of the magical girl anime in the future.

The anime's website gave a synopsis of the story inspired by Naoko Takeuchi's original manga:

    Usagi Tsukino is a second-year middle school girl who is a little clumsy and a crybaby, but she is full of energy. One day, she meets Luna, a black cat with a crescent moon on her forehead, and she transforms into Sailor Moon, a sailor-uniformed pretty guardian of love and justice! As a chosen guardian of justice, Usagi seems to have a mission to find the Illusionary Silver Crystal with the other guardians and to protect the princess.

    Meanwhile, the queen of the Dark Kingdom, Queen Beryl, also sends minions to the town where Usagi lives to obtain the Illusionary Silver Crystal, which has immense power. This causes strange events to unfold….

    Can Sailor Moon really find the Illusionary Silver Crystal with the other Sailor guardians, and protect the princess…!?
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The new 26-episode series will stream worldwide twice a month for one year with Kotono Mitsuishi reprising the starring title role. The anime will also star Hisako Kanemoto as Ami Mizuno/Sailor Mercury, Rina Satou as Rei Hino/Sailor Mars, Ami Koshimizu as Makoto Kino/Sailor Jupiter, and Shizuka Itou as Minako Aino/Sailor Venus.

The new anime will run the Niconico service on the first and third Saturdays every month, beginning July 5 at 7:00 p.m. (6:00 a.m. ET).

Munehisa Sakai (One Piece, One Piece: Strong World, Suite Precure) is directing this new adaptation of Naoko Takeuchi's original manga at Toei Animation, the studio behind the first anime. Yūji Kobayashi (scripts on Saint Seiya Omega, Smile Precure!) is in charge of the series scripts, and Momoiro Clover Z is performing the theme song.

Yukie Sako (chief animation director on Majestic Prince, Nyan Koi!) is designing the characters, and Yasuharu Takanashi (Naruto Shippūden, Fairy Tail, Precure franchise) is composing. The art directors will be Takashi Kurahashi (Mononoke, Gatchaman Crowds, Hakaba Kitarō) and Yumi Hosaka (Mononoke, Gatchaman Crowds). King Records is producing the soundtrack.


Interview with Viz Media on their acquisition of Sailor Moon - http://www.animenewsnetwork.com/interview/2014-05-16/exclusive/viz-media-charlene-ingram-and-josh-lopez-on-sailor-moon
Exclusive Interview: Viz Media's Charlene Ingram and Josh Lopez on Sailor Moon

Charlene Ingram is the Senior Manager of Animation Marketing for Viz Media; Josh Lopez is a producer on Viz's upcoming Sailor Moon release. We sat down with them both in advance of the show's big announcement to get all the details.

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ANN: When did Viz start looking into getting Sailor Moon licensed and how important was it to the company?

Charlene: Sailor Moon is kind of that unlicensed "big" show that anybody would love to have, and I'm sure everybody has tried for it. So it's been well over a year at least, trying to acquire it. The process started before I began working at Viz so I don't know a lot about the initial rumblings, but it was just one of those very big and very important shows for us. It really fits in that wheelhouse with the types of shows that do really well with Viz. But with Sailor Moon being unlicensed for so long, there's a "will anybody even believe it when it happens?" aspect to it, because it had a reputation of being completely unlicensable. So needless to say, when it finally looked like it was going to happen, there was still unsureness on our side. "Okay, well that would be nice, we'll believe it when it comes in." Then it started going along, all these negotiations were happening, and I'm sure everybody put in bids for it. At the end, Viz was chosen and it was quite "Holy crap!" That was the reaction, like "Really? Really? Oh my gosh, this is really going to happen." Even still, it didn't feel completely real until a big box of tapes landed at your desk, right Josh?

Josh: Yeah. Seeing "Sailor Moon 1-46" was a very real moment. (laugh)

Charlene: Yeah, you're just holding a big piece of history. So it was a long drawn-out process, and I think everybody in executive acquisitions, marketing, just everybody felt like it was a no-brainer that we all wanted it, but it had just been held back for so long for a multitude of reasons. We made the best pitch we could for it, we wanted to put it out as true to the Japanese version as possible, so we just feel amazed and honored that we were chosen to embark on this magical journey with a show that meant so much for so many of us. Sailor Moon and Ranma and Dragon Ball Z were the first anime that a lot of our team had ever seen, so it's a little surreal and exciting. The gravitas of it is not lost on anybody in the team. I think a lot of us felt like we had our very own Luna show up in a box and say, "You've been chosen! Just say this magical phrase. Now you must put this out!" So okay, not exactly a "Moon Prism Power" setup, but close.

It sounds like it wasn't a traditional bidding war for a license, but that you were "selected" by Toei to finally be the ones to release this show.

Charlene: Well, we obviously don't know what other companies were doing for it, but we know that there were many competitive bids for the show.

Yeah, you have to figure that for something like that, companies like Shout! Factory would try to go after it.

Charlene: Yeah, we hear there were even some Hollywood outfits too. It's one of those few anime series that has real recognition outside of the anime space. You can ask just about anybody who has even a little familiarity with cartoons, let alone anime, about Sailor Moon and they know what that is. That's a very rare item, right up there with something like Dragon Ball Z or Naruto or Bleach. So while there wasn't a typical licensing bid process to it, partially because of its age and history, it was still competitive.

You mentioned Naruto and Bleach, and I would put it in a more rarified air than even that, as a gigantic nostalgia-bomb for 90s kids. The show has been unavailable for a really long time.

Charlene: Over ten years! The last official home video release of the title was right about ten years ago, and then it all went out of print across the board.

I wanted to ask about your personal experience with the franchise. Were you guys fans in the 90s? Was it a pivotal thing for you in the early stages of your anime fandom?

Charlene: Yeah, Josh, coming from a dude's perspective, how did you know about Sailor Moon back in the day?

Josh: Well, there were all the younger sisters or younger cousins that would fight over the channel-changer, so I wasn't necessarily watching it back then, but I knew its importance early on, definitely.

Charlene: For me, Ranma was my first anime that I knew was anime, and my first manga. I started getting those inklings like "Ooh, this is the fan niche for me, this anime and manga thing, this is where I belong." But the Sailor Moon dub came on Cartoon Network in between my classes in college, so I would have my TV on, and I'd catch it and become a little transfixed by it. Thinking back on it, Sailor Moon was the anime title that fully solidified me as a fan for life. That was the defining experience. That was the one where I knew I would be locked and loaded forever. In that way, it's very special, and it's special for a lot of people who saw it in that timeframe too. It's got that sort of magic to it that brings you into that world of anime and makes you feel like you can be a little something greater than you are. You're not just a normal girl, you've got something magical inside you, something special. It's one of those series that people find some part of it that resonates with them. There's Sailor Moon anime fans, there's Sailor Moon manga fans, there's Sailor Moon live-action fans. Where I ended up settling was as a Sailor Moon musical fan. I love the manga, I love the anime, I love everything about it, but it was experiencing those musicals that really got me. After watching Sailor Moon in English and then going to a convention and watching the Japanese version, and hearing the differences for the first time blew my mind. It blew my mind to hear things in Japanese besides Ranma, hearing how high-pitched Usagi was, or how the transformation sequences were different and had a disco beat. It became a whole new thing, and it triggered that switch a lot of fans experience where they just want to start consuming everything "anime." So even though I'm well past that kind of fandom now, for Sailor Moon I'm most excited about bringing that experience to a whole new generation. You never know, someone may watch this and decide they want to come into this anime lifestyle. In that way, it's very important.

Just giving people the chance to relive the earliest days of their fandom, because it's been out of print for so long, that's a big deal too, I think. That show means a lot to a lot of people, and they're finally get the chance to legally see it again.

Josh: We've had fans and friends alike approach us on a regular basis, begging us to bring it back at any cost.

Charlene: It's one of those things where everyone who works in the North American anime industry has a story about a fan following them around insisting they release Sailor Moon.. Working on the show now, having not experienced it in so many years, and looking at the scripts and the translations, the thing that hit home the most with me and got me really excited about bringing it back out is just how many progressive themes are in this show from the early 90s.

In your announcement, there are plenty of details about how you're planning to release this show, and I'm sure much of that was dictated by Toei, but what was your own biggest priority for this release?

Charlene: We'd been talking about that as a team for a while, but we really solidified it when looking at the initial feedback on the Ranma sets. With a big title like Sailor Moon, do you make the release more like the Naruto sets or do you go with something that's a little more collector? There's two prongs to that here. There are the fans that were born and raised on Sailor Moon, and then there's the new people coming into it so we wanted to make sure those fans from back in the day who remember it fondly have something that's like a trophy to put on their case to remind them of that time. Give them that beautiful release that they've always wanted and they deserve, reward them for being patient. That LE strategy is going to be, well not a Ranma clone, but it'll take a page from the Ranma release because it was so well received. It's going to be unique and special in its own way, fitting Sailor Moon. There's going to be a combo pack that will be the limited edition, but there will also be the DVD version accessible to more mass-market retailers, that's going to be positioned for new fans that might not know anime. Hopefully people will discover it that way or through the Hulu streams, too. For the limited editions, we want it to be beautiful and worthy of what Sailor Moon means to anime and deserves to have. It's more than just making it pretty because it's Sailor Moon. It needs to be an avatar for a great anime title, and have a full release look across all five seasons. We want that shelf continuity, we want that pride, and we want the fans old and new to look at it and say "Yeah, that's the way it ought to be done."

Have you decided on a release format for stuff that isn't the television seasons, like in a box set of films and shorts, or will you release those separately? Have you decided any of that yet?

Charlene: It's a little too early to tell. We're still looking at all the material that's available. Getting a release plan complete for the TV sets is the first priority. Movies will be slotted in there, but there just aren't nearly as many details at this time .

The subtitled version will be streaming soon on Hulu and Neon Alley as well. I think Neon Alley is just Hulu at this point though, right?

Charlene: Well, Neon Alley is a network on Hulu.

Right.

Charlene: When you watch it on Neonalley.com , you will have the ability to interact with it and be in that social ecosystem, but if you want to watch it on a device or kick back and watch it on your TV, you would use the Hulu Plus app. But it will be available free on both Neonalley.com and Hulu.com starting May 19. It's important to us, because this is such a big title, to have a free option available. Sailor Moon has never been free, legal, and official online here.

So this show's coming out on Bluray and it's an old show from the 90s, just like Ranma. What kind of restoration are we talking about here?

Charlene: In 2009, there was a restoration done. Those are the very best materials available for Sailor Moon, and it is a 90s shojo anime, so there are challenges there. But we've been working with some companies that are really great at what they do and they've developed a way to not just do the inverse telecine but to really remaster that video. It looks significantly better than any other DVD that's come out, lots of care was put into it. You don't have to worry about any fake-widescreen, it's in a fully uncropped pillarbox, all the original colors are preserved, and a lot of care was taken to go along with our official style guides and official materials to make sure all of the colors are the way they were intended to be. Everything looks nice and crisp and clear, but you still have to understand that season 1 is a 1992 TV Anime.


Click the images below for larger resolution.


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You got really high marks for the work you did on Ranma, so would you compare it to that in terms of quality?

Charlene: It's different from Ranma because there were different materials to work from and it was a completely different production. When we were evaluating, and I know Josh was a part of that team, we all took some good hard looks at the assets available, what type of Blu-ray restoration could be done, from key scenes to casual scenes to transformation scenes, just doing all kinds of Blu-ray tests on them and being brutally honest in deciding whether or not to even attempt it. It had to be a beautiful restoration that does it justice and doesn't make it look like something it's not. We didn't want to futz with the animation at all, we just wanted to make it as clear as it possibly could be. The first couple versions we tried were not-so-much, and we said "Mm. No." Then the teams went back and came up with some more workflows, more refinements to take it very slow and detailed instead. For that last Blu-ray test, we all watched it in the QC room and I was amazed. I said "Wow, this looks like a Sailor Moon Blu-ray, I'm sold." So that's when we all made the decision. I think the fans are gonna be impressed with it. The sets will be a DVD/Blu-ray combo pack so if for some reason they don't want to watch the Blu-ray, the content will be there on DVD as well.

Well, old farts like me may remember that last time the first season was available, it was from ADV more than ten years ago, around 2003. Those sets looked bad and sounded worse, and they were just going with the materials that were available at the time. That would have been five or six years before that restoration happened, so at least we can look forward to an upgrade from that. Those were even in mono, they didn't have stereo audio for it.

Charlene: I cherished those though, because I missed the boat at the beginning, and they sold out very quickly. I remember having to hunt them down in the Gen Con dealers room for two hundred dollars a pop. I saw all four of them and went up to that poor guy like "All of the money. Take it!" And then I watched them and it was just not the quality I was hoping for but I was so happy to own them because of what they represented. The quality between those sets for season 1 and 2 and the 2009 restoration is night and day. From the 2009 restoration to what we have now is at least as much of a striking difference, because the 2009 restoration, while a considerable improvement due to having those materials, still has some issues in it. Some of the color balances are off, like Sailor Moon' skin is very very pink, some of her skin tones are like bubblegum pink, practically. So we wanted to keep the quality, but also preserve the colors. We took the utmost care with it.. In some ways, I think the difference is more stark than Ranma. It's hard to explain in words without just having the picture in front of you and saying "Dude, look at this."

Will the stuff that shows up on Hulu at least give people an idea of what it will look like? Generally the bitrates are not quite high enough there to give you an accurate picture of what the bluray's gonna look like, but that'll be from your current masters at least.

Charlene: Yeah, it'll look much better on Hulu in HD than it does on DVD, but any time you stream something, it depends on your connection. We will be premiering two episodes at Anime Expo and we will at least have screengrabs of those previous releases shown in the presentation. The difference will definitely be clear. I remember watching that transformation sequence with Josh and when you originally saw that scene way back when, some of the little stuff in the background seemed like "Oh, there's a lot of little dots and bubbles in the background." Now, you can tell that all those little bits and bobs in the background are actually stars. You can see all the pleats on the skirts, you can see all the little strands of hair, you can see all of that detail. It makes me think like "Wow, I wish I had that when I was cosplaying Sailor Moon characters because clearly I did it wrong before!"

So let's talk about the new dub, or at least as much as you can talk about it at this point. I know it's still in its infancy at this point, but is it fully cast and when does production on that start?

Josh: We've just begun recording. We recorded a couple of the key characters, so we're just establishing our main characters at the moment. We're going to cast as we go, though. We're just in our first season at the moment.

Charlene: The main Sailor Guardians have been cast, Tuxedo Mask, Luna, all the people who show up in the early parts. Recording actually kicked off last week, Josh was down in L.A. last week, and I went down for the first day on Tuesday. So it's very very very new.

Josh: It's becoming even more real now, though. We have a Sailor Moon, and she's been recording for the last week and a half. She's fantastic. We've recorded Queen Beryl and Jadeite--

Charlene: --and Tuxedo Mask!

Josh: And Tuxedo Mask! I think our fans are going to be very pleased with who has been chosen by us and our licensor.

Charlene: It was really cool being down there for the recording because it's impressive that the licensor cares so much. It's become a little rare to have licensors in the booth with you. When I was down there Tuesday, it was me, Josh, and the licensor team in the booth the whole time, observing, going through notes, doing retakes, and working with those key characters. You can tell that everyone involved in the production just loves it and cares about it so much. It's so cool seeing Josh and the director and the actors all working together to make those characters super-accurate. We're not going to be announcing the cast until Anime Expo, but it's a really interesting mix. I especially like our Moon and Tuxedo Mask so far.

Josh: Yeah, they're fantastic.

You mentioned it's being recorded in Los Angeles. Can you tell us the studio that's handling it?

Charlene: That will be announced at AX too. It's a very highly regarded studio that is definitely up to the challenge of an important title like Sailor Moon. It's probably one of the nicest recording studios I've sat in.

Josh: The dub of this show is definitely being handled with the sensitivity that it deserves. We have so many fans that have brought up that they just want to see a release, anything really, and it's not just our production staff or our cast or our studio or our sales and marketing department that are excited about this title, it's everyone. We're more than ecstatic to be a part of it right now, and working closely with the licensor has already been a great success, along with casting the show and breathing some life back into these scripts.

Charlene: Well, it was a long and extensive casting process because you went about it a little bit differently, with that whole wide net.

Josh: Yeah, we definitely reached out as far as we could to find the best fit for every character in the show, and it hasn't been difficult so much as fun, so far, because once you pair one actor to the next, you can just see the show unfolding in front of you. Once we had Moon, we had everybody else. It's been a treat, really.

So, awkward question: anybody reprising roles?

Charlene: We can't say at this time, that's an AX reveal! I know that's the logical next question, but we want to save all surprises and a real rockstar rollout for that.

It's interesting that the whole cast of the original DIC dub will all be there!

Charlene: One of the things about the previous dub is that there were so many cast changes throughout that there's no one Sailor Moon, there's almost no "one" of anybody. It's partially because it's a product of its time, but the expectation in anime now is to try and keep the most consistent cast possible throughout. In doing this new dub true to the Japanese version, all the Japanese names, situations, everything, we wanted a real cohesive cast that could go the full 200 episode journey, really grow with their characters and make it consistent across the board.

Speaking of that, based on this announcement, you don't have the DIC dub, you don't have the old syndicated television version of the show and it will not be made available at least through you, correct?

Charlene: It's just not available.

So what you're saying is, "please don't ask us about it ever again"?

Josh: (laugh) There's absolutely nothing wrong with a comparison to the old dub or to what DIC put out, especially because that's what some people can recall loving about the title and that's just fine. We're not trying to just do things different from them, what we're trying to do is make something that pays honor and respect to the original version of this, and that means we're offering everything to fans this time. It's not going to be censored, we're not going to hold back any episodes or seasons, you're getting everything.

Charlene: That's the thing, the original dub cut and spliced episodes together, shortening them, changing genders, changing relationships, changing a lot of stuff. There were complete episodes never shown before. So this will be the first time all 200 will be fully intact.


Is there a particular season of the show that either of you are looking forward to working on the most?

Josh: Well, we're just getting into the meat of the first season right now, and I think that's something that I'm never gonna forget. It's probably the thickest I've been involved in this series, so just being reintroduced to all the characters and all the old monsters is the most exciting part.

Charlene: Everything from the third season onward, I'm most excited about. I'm really excited about Haruka and Michiru's relationship, and keeping it true to the original. I think we're living in a really exciting time where that won't be seen as scandalous. I think it'll just be seen as a beautiful romance. I'm happy that it's not just "Oh no, there's lesbian characters, scandal!" It's like "No, these are two people that love each other and they make sacrifices for each other, isn't that beautiful no matter what gender they are?" I'm also just excited about all of Sailor Stars. For the first time, people will get to see the end, and it's finally going to be all complete. The show's got that cool soap-opera-cartoon kind of feel, like you know it's going to be monster-of-the-day, you know it's going to be character-development-episode, but you find yourself rooting for the heroes all the way through it.

Josh: We were just grinning when hearing her do her call-outs and everything, it's really exciting. I don't know if you mentioned this, but all the original music will also be involved in the series. That's something that the original dub did not have.

Obviously this will not be in really tinny-sounding mono like the ADV sets, right?

Josh: Oh no, stereo!

Charlene: Yeah, real audio with separate M and E tracks and real music cue sheets to work with! I know we got the big box o' stuff and of course me being the marketing person, I was like "Let me look at all the style guides, let me look at what we've got to work with for packaging art," and then I got to see a lot of the translated scripts and music cues and everything. A lot of it was scanned from way back in the day and I was like "Wow, this is super in-depth," like there was a cool historical nerd part of it all. It's like you're going back and looking at an old microfilm.

Josh: There's something really nostalgic about hearing the music cues, you know exactly what's going on in the show when you hear certain songs. We heard our voice director humming along while recording. It's just one of those things you can't get out of your head.

Charlene: Speaking of the recording, the really cool thing about the cast, when Josh was casting all the Sailor Guardians, because it is a very musical series, he wanted to make sure that all the Sailor Guardians, should the need arise--

Josh: --could sing.

Charlene: Yeah, they all had to have pipes on them. All of our key girls that sing a lot, just wow. They are good singers. Sends little chills up my spine.

Obviously, this show has been considered unlicensable for the last ten years, so it's going to be considered a minor miracle that anybody managed to get it back out over here. How closely are you working with Toei, and how tight is that level of control? Are you going through rigorous approvals on every last little tiny thing?

Charlene: Well, in my past I've worked with this licensor, and the really great thing about them is that they're so detail-oriented. It's super-great that they have an office in the US, so we can talk to them every day, several times a day, back and forth through e-mail, text message, , phone calls, everything. While it can be a little time consuming for approvals when you need to get a whole lot done on a major brand, knowing that every little bit is considered and gone through and that if there's a question, they ask you about it, is great.. We try to give the fans the best experience possible and be true to that property, so it's been super-involved with them on a daily basis, and it's wonderful.

Josh: It's fantastic actually, some of our approvals go directly to the creators of the show as well.

Charlene: Yeah, quite a few.

Yeah. I don't think anybody who knows the backstory of all this is surprised by that.

Charlene: Even though it makes for a longer lead time, it's actually very heartwarming to me that the upper echelon of a title really cares about the other versions of it.

Well yeah, you just get to spend the rest of your life living in fear of the creator!

Charlene: They know their show, they know what they want, they have the vision. That's all it is. It isn't just a Sailor Moon thing, any time an anime company licenses a title, it is not really their title, it belongs to the IP owner, it belongs to the author. You're just spreading that art to a bigger audience. So we take that commitment very seriously. It's a very exciting time to be in, where we have a multiple-year project where everybody's gonna be working their butts off and loving every second of it. I know Josh is slowly becoming a magical girl.

Josh: (laugh) Yeah...

From a retail standpoint, here you have a show that's 200 episodes and the fans who are aiming to buy it have been waiting for that last season most of all, just because it's legendarily unavailable. So you might have a committed group of people that are going to buy all of this release, like people do for Dragon Ball.

Charlene: It's so much more than that fifth season too. To anyone who's like "Well I already have all of that, I'm just gonna wait for Sailor Stars," I would say "No, please consider getting all of it just to see that true translation, uncut, with that really nice picture quality, consistent cast, everything." The reason Sailor Stars is so powerful and such a good ending is because of that four season journey all those characters took to get there. Sailor Stars is the end, it's the cherry on top, but it's that journey that everyone goes through that makes it so good.

Thanks a lot, guys.
Last edited by Sabrblade on Sat May 17, 2014 7:01 pm, edited 1 time in total.
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Re: The Offical Sailor Moon Topic

Postby RK_Striker_JK_5 » Sat May 17, 2014 4:03 pm

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Oh, wow! Thanks for the links and info. :D My wallet's not ready... but I don't care. All five seasons of Classic and Crystal are coming home!
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Re: The Offical Sailor Moon Topic

Postby Sabrblade » Sat May 17, 2014 7:31 pm

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I made a correction above. I had posted the wrong images for the comparison between the 2003 U.S. DVDs, the 2009 Japanese DVDs, and the upcoming Blu-Rays, showing only the 2003 U.S. DVD image for all three. They're fixed now.

In other news, Viz was asked on Twitter about what they'll do for Canada since Hulu is U.S.-only:
@VIZMedia Any news for Canadians? We can't use your streami g service and do not get Hulu. :-(

@OcassionalVlog we're actually hoping that our sempai @ytv might give us a call about broadcast
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Re: The Offical Sailor Moon Topic

Postby -Kanrabat- » Sun May 18, 2014 2:36 pm

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Let's hope that they are true to their words and Zoisite stay MALE.

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Re: The Offical Sailor Moon Topic

Postby Sabrblade » Sun May 18, 2014 7:51 pm

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I don't know if you guys have ever heard of this person or not, but there are dub fans, sub fans, and then... there is this person.

http://nangbaby.com/post/86155385443/sailor-moon-boycott

Read it and behold.
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Re: The Offical Sailor Moon Topic

Postby -Kanrabat- » Sun May 18, 2014 10:52 pm

Motto: "I will be your blade. I will be your shield."
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Sabrblade wrote:I don't know if you guys have ever heard of this person or not, but there are dub fans, sub fans, and then... there is this person.

http://nangbaby.com/post/86155385443/sailor-moon-boycott

Read it and behold.


Wow. Some troll try really, really hard.

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Re: The Offical Sailor Moon Topic

Postby RK_Striker_JK_5 » Mon May 19, 2014 3:38 am

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Well, that was... dumb.
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Re: The Offical Sailor Moon Topic

Postby Sabrblade » Mon May 19, 2014 6:14 am

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That ain't the extent of it - http://www.wewantserena.com/saying-no-to-the-other-name.html

The sad thing is that she isn't trolling. This is how she genuinely thinks about the Sailor Moon series.

Though, I wouldn't rope in too many of the old dub's fans in with her since she's really a one-of-a-kind. Having conversed with her online for a few years (as civilly as I could be) before she left the board I was on, it must be stated that there are really none others like her.
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Re: The Offical Sailor Moon Topic

Postby -Kanrabat- » Mon May 19, 2014 6:25 am

Motto: "I will be your blade. I will be your shield."
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Sabrblade wrote:That ain't the extent of it - http://www.wewantserena.com/saying-no-to-the-other-name.html

The sad thing is that she isn't trolling. This is how she genuinely thinks about the Sailor Moon series.

Though, I wouldn't rope in too many of the old dub's fans in with her since she's really a one-of-a-kind. Having conversed with her online for a few years (as civilly as I could be) before she left the board I was on, it must be stated that there are really none others like her.


For the love of sanity, NO ONES CLICK THAT LINK. This would give way too much attention than she deserves. Beside, 5 posts on that matter is more than enough.

Let's ignore the nutjob and return to celebrating Viz and Sailor Moon, shall we?
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Re: The Offical Sailor Moon Topic

Postby Sabrblade » Mon May 19, 2014 7:10 am

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Yeah, in a way, Nangbaby is to Sailor Moon what Raksha was to Transformers. :|
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Re: The Offical Sailor Moon Topic

Postby RK_Striker_JK_5 » Mon May 19, 2014 2:41 pm

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Sabrblade wrote:Yeah, in a way, Nangbaby is to Sailor Moon what Raksha was to Transformers. :|

Ouch, that's bad.

You know, I will admit I have some fond memories of the dub of Classic and R. Yeah, I know how bad it is, but Sailor Moon was my gateway anime. So it's a good kind of bad. S and SuperS on the other hand...
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Re: The Offical Sailor Moon Topic

Postby Sabrblade » Mon May 19, 2014 6:52 pm

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RK_Striker_JK_5 wrote:
Sabrblade wrote:Yeah, in a way, Nangbaby is to Sailor Moon what Raksha was to Transformers. :|

Ouch, that's bad.
Ouch is right, but it's sadly a fairly accurate comparison.


In other news, today is the day that Viz Media begins posting their official subtitled release of the Japanese version of the 90's anime on Hulu and Neon Alley. Episides 1-4 have already been uploaded, and two more episodes will be added every Monday from here on out.

Here is the official press release for this - http://www.animenewsnetwork.com/press-release/2014-05-19/viz-media-acquires-complete-sailor-moon-anime-eps-1-4-now-available-on-hulu
Viz Media Acquires Complete Sailor Moon Anime, Eps. 1-4 Now Available on Hulu

May 19th 2014

VIZ MEDIA ACQUIRES NORTH AMERICAN RIGHTS FOR SAILOR MOON ANIME FRANCHISE

North America's Leading Anime Distributor Gains Digital, Streaming And Home Media Rights For Legendary Anime

Free Streaming Episodes Debut Today Exclusively On Neon Alley And Hulu!



San Francisco, CA, May 19, 2014 – Viz Media, LLC (Viz Media), the largest distributor and licensor of manga and anime in North America, is proud to announce the acquisition of the SAILOR MOON anime franchise. Viz Media's North American rights cover digital streaming, EST (Electronic Sell Through) and all home media products in the U.S. and Canada. Tokyo-based Toei Animation Co., Ltd. is the producer and global licensor for the SAILOR MOON anime property.

As part of the new agreement, Viz Media has licensed all 200 episodes of the original SAILOR MOON anime series (rated ‘TV-PG’), including the never before licensed for North America fifth and final climatic season, "Sailor Stars." The three feature films and additional specials for the long-running show are also part of the acquisition. SAILOR MOON will be presented digitally for the first time, with subtitled EST sets available starting Summer 2014 and dubbed editions late 2014, and DVD and deluxe limited edition Blu-ray/DVD combo packs are planned for Fall 2014. The uncut and uncensored Viz Media release of SAILOR MOON, featuring its original uncropped 4:3 aspect ratio, will also feature all original Japanese names, story elements and relationships, as well as an all-new, uncut English dub with a new voice cast.

Viz Media will premiere SAILOR MOON Episodes 1-4 (subbed) today on its free NeonAlley.com anime streaming destination and also via the subscription-based Hulu Plus in High Definition. Two new SAILOR MOON episodes will premiere every Monday. Visit http://www.NeonAlley.com and Hulu.com/sailormoon for more information; the trailer may also be viewed at http://www.hulu.com/watch/635233 and http://youtu.be/RWPyM9afQ-w.

Viz Media has also acquired the new SAILOR MOON CRYSTAL, and more details are forthcoming.

“We're pleased to partner with Viz Media to bring the beloved SAILOR MOON anime series back to North America," says Masayuki Endo, General Manager, Toei Animation, Inc. “This fresh uncut and uncensored release of SAILOR MOON featuring the most accurate adaptation available will be just as creator Naoko Takeuchi intended. We look forward to fans current and new discovering and falling in love with this classic series all over again!"

"SAILOR MOON is one of the extremely rare breed of anime series truly deserving of the title of ‘Legendary’," says Charlene Ingram, Viz Media Senior Manager, Animation Marketing. “Since its initial debut in the mid-1990's, SAILOR MOON has been unavailable to English-speaking fans for nearly a decade. It has also never seen a complete and proper unedited release in North America...until now!"

"SAILOR MOON was groundbreaking in the way its storyline and main characters resonated with both a male and female audience, and these aspects continue to attract a new generation of fans eager to see this iconic series," says Brian Ige, Viz Media Vice President of Animation. “We're thrilled to be able to release this empowering action title uncut and in its entirety. We invite fans to catch the official premieres on Neon Alley and to enjoy the series on DVD and Blu-ray later this year!"

Viz Media will be celebrating SAILOR MOON at the 2014 Anime Expo, taking place July 3rd–6th at the Los Angeles Convention Center in Los Angeles, CA. Now celebrating its 23nd consecutive year, Anime Expo is sponsored by the SPJA and is the nation's largest anime convention. Viz Media will host a variety of special activities and panels throughout “Sailor Moon Day," on Saturday July 5th. More details forthcoming.

The smash hit SAILOR MOON anime series is inspired by the bestselling manga (graphic novel) series created by Naoko Takeuchi (published in North America by Kodansha). In the series, Usagi Tsukino is a clumsy but kindhearted teenage girl who transforms into the powerful guardian of love and justice, Sailor Moon. Meeting allies along the way who share similar fates, Usagi and her team of planetary Sailor Guardians fight to protect the universe from forces of evil and total annihilation!

Naoko Takeuchi was born on March 14. She is a Pisces and A blood type. In 1986 Takeuchi made her debut with the manga LOVE CALL. Her hits include Sailor Moon, Codename: Sailor V, and The Cherry Project.

For more information on SAILOR MOON, or other award-winning anime titles from Viz Media, please visit http://www.VIZ.com.

About Toei Animation Co., Ltd.
With headquarters in Tokyo and sales offices in Paris, Los Angeles, Hong Kong and Shanghai, Toei Animation (Jasdaq: 4816) ranks amongst the world's most prolific animation production studios. Toei Animation's operations include animation development and production, and worldwide marketing and program licensing. Since its founding in 1956, Toei Animation has produced more than 10,000 episodes of TV series (more than 200 titles) and more than 200 long feature films as of January, 2014.

About Toei Animation Inc.
Toei Animation Inc. (TAI), a wholly-owned subsidiary of Toei Animation Co., Ltd. established in Los Angeles in 2004, looks forward to spreading the world-renowned Japanese animation studio's extensive library and pursuing co-production projects in North and Latin America and other English-speaking territories worldwide. The main business operations of TAI include film licensing in all media and digital platforms, merchandise licensing and co-productions with local establishments.

About Viz Media, LLC
Headquartered in San Francisco, California, Viz Media distributes, markets and licenses the best anime and manga titles direct from Japan. Owned by three of Japan's largest manga and animation companies, Shueisha, Inc., Shogakukan, Inc., and Shogakukan-Shueisha Productions, Co., Ltd., Viz Media has the most extensive library of anime and manga for English speaking audiences in North America, the United Kingdom, Ireland and South Africa. With its popular digital manga anthology WEEKLY SHONEN JUMP and blockbuster properties like NARUTO, BLEACH and INUYASHA, Viz Media offers cutting-edge action, romance and family friendly properties for anime, manga, science fiction and fantasy fans of all ages. Viz Media properties are available as graphic novels, DVDs, animated television series, feature films, downloadable and streaming video and a variety of consumer products. Learn more about Viz Media, anime and manga at http://www.VIZ.com.
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Re: The Offical Sailor Moon Topic

Postby Sabrblade » Tue May 20, 2014 4:57 pm

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I have completed my notes for the Hulu stream Viz subtitles of all four episodes!

Before you read them, though, note that this is not, I repeat NOT a list of criticisms or complaints, but a list of neutral observations that merely caught my attention and made from an objective point of view. There are even some praises hidden within these notices.

Here the are:


Sailor Moon Hulu stream/Viz subtitle Observations – Oddities, Errors, and Other Notices

Episode 1

Hulu titles the episode “The Crybaby: Usagi's Beautiful Transformation”

The lyrics to “Moonlight Densetsu” are unsubbed.

Viz’s subs title the episode “The Crybaby Usagi’s Beautiful Transformation”

“Mama” is subbed as “Mom”.

The sign outside the school is subbed as “JUBAN PUBLIC MIDDLE SCHOOL”.

“Tsukino-san” is subbed as just “Tsukino”.

“Maboroshi no Ginzuishou” is subbed as “Legendary Silver Crystal”.

“Shihaisha” is subbed as “great ruler”

“Youma” is subbed as “Monster”, with an uppercase M.

The sign for the Juban-chō Shopping District is subbed as “Juban District”.

“Lucky!" is subbed as “score!"

“Papa” is subbed as “Dad”.

“Odango atama” is subbed as “bun-head”.

The sign outside the Tsukino house that lists the names of all four of its residents is subbed instead as “TSUKINO RESIDENCE”.

“Present” is subbed as “gift”.

“Senshi” is subbed as “Guardian”.

When Morga is choking Naru, her use of “Mama” is instead subbed as “Mother”. After which it switches back to “Mom”.

“Ai to seigi no… sailor fuku bishoujo senshi… Sailor Moon!" is subbed as “I’m the pretty guardian… who fights for love and for justice… I am Sailor Moon!"

“Tsuki ni kawatte oshiokiyo!" is subbed as “In the name of the Moon, you will be punished!"

Luna’s use of the word “Youma” is subbed as “monster” with a lowercase M.

“Kaibutsu” is also subbed as “monster”.

The lyrics to “Heart Moving” are unsubbed.

Not sub-related, but I just realized that I never noticed that there was a cityscape in the background of this end credits sequence this whole time.

In the next-episode preview, “Seigi no mikata” (meaning “ally of justice”) is subbed as “superhero”.

“Uranai House” (meaning “House of Fortune”, “Fortune House”, “Fortune-Telling House”, etc.) is subbed as “Fortune Teller”.

“Bishoujo Senshi Sailor Moon” is subbed as “Next time on Sailor Moon”.

The subs title the next episode “Punishment Awaits: The House of Fortune is The Monster Mansion”.

The closing tagline is subbed as “The moonlight is a messenger of love."


Episode 2

Hulu titles the episode “Punishment Awaits: the House of Fortune Is the Monster Mansion”

The pre-episode segment is moved from before the theme song to after it, just like what was done for the ADV DVDs.

“Kono Sailor Moon ga tsuki ni kawatte oshiokiyo” is subbed as “I am Sailor Moon. In the name of the moon, you will be punished!"

Usagi’s pre-title card introductory segment is subbed “I’m Usagi Tsukino, and I’m a 14-year-old middle school student. I’m a Cancer with blood type O. My birth stone is a pearl, and… I’m a bit of a klutz. I also tend to cry a lot… One day, this strange black cat named Luna appeared… and turned me into a guardian in a sailor uniform… and told me I had to fight bad guys! Boy, does that ever makes me really nervous! But I’m sure it’ll all work out fine!" (yes, the "does that ever makes me really nervous" typo is there in the subs)

Viz’s subs title the episode “I Will Punish You! The House of Fortune is the Monster Mansion”.

The second name Haruna-sensei calls roll for is subbed as “Kenji Ohta” and the fourth one she calls is subbed as “Yuji Kimura” (ADV subbed them as “Kenji Oota” and “Yuuji Kimura”).

The diary in Umino’s fantasy about dating Usagi is subbed as “SECRET DIARY”, and the “Mama” and “Papa” on the backs of the silhouetted Ikuko and Kenji also seen in his fantasy are subbed as “MOTHER FATHER”.

“Uranai Game” is subbed as “fortune telling game”.

The heart logo on Umino’s game is subbed as “Happy Couple”

“Uranai House” is subbed as “House of Fortune”.

Naru’s use of “Jubangai” is subbed as “Juban District”.

The alley fortune teller’s use of “Jubangai” is subbed as “10th avenue”.

The logo on the Uranai House is subbed as “HOUSE OF FORTUNE”

“Motoki-oniisan” is subbed as just “Motoki”.

Usagi’s use of “Jubangai” is subbed as “Juban District” again.

After Mamoru leaves, Usagi’s use of “Mou” is subbed as “Cripes” instead of its usual “Jeez” translation.

Yuji’s use of “Sensei” is omitted from the subs of his line of dialogue.

“Sailor Moon henshin yo," is subbed as “Time to transform into Sailor Moon."

“Moon Prism Power, Make Up!" does not have a comma in the subs this time, whereas it did have one last episode.

Balm’s name is subbed as “Baum” (ADV subbed her name as “Bam”).

Umino’s use of “Haruna-sensei” is subbed as “Ms. Haruna”.

In the next-episode preview, the subs title the next episode “The Mysterious Sleeping Sickness, Protect the Girls in Love."


Episode 3

Hulu titles the episode “The Mysterious Sleeping Sickness: Protect the Girls in Love”

In the pre-episode preview, what was subbed as an “Abominable snowman!" joke by ADV is subbed here as an “And this isn’t a crosswalk!" joke.

“Kono Sailor Moon ga tsuki ni kawatte oshiokiyo” is subbed as “I am Sailor Moon, and in the name of the Moon, you will be punished!"

Usagi’s pre-title card introductory segment is subbed “I’m Usagi Tsukino, and I’m a 14-year-old middle school student. I’m a Cancer and a blood type of O. My birthstone is a pearl. And I’m a bit of a klutz. And some people might say I’m a little emotional. One day, this strange black cat named Luna appeared and turned me into a guardian in a sailor uniform and told me I had to fight bad guys! Boy, does that ever make me nervous! But I’m sure it’ll all work out fine!"

Viz’s subs title the episode “The Mysterious Sleeping Sickness, Protect the Girls in Love”

Jadeite’s use of “Queen Beryl-sama” is omitted from the subs of his line of dialogue about everything going according to plan but needing more time to assure his success.

Flau’s name is subbed as “Furau” (ADV subbed her name as “Flowa”).

Haruna’s pen name is subbed as “Haruna the Dreamer”.

“Jubangai” is subbed as just “Juban”.

Jadeite’s radio alias is subbed as “J. Daito” (ADV subbed it as “J-Dite”).

FM No.10 is subbed as “FM Ten”.

Luna’s yelling “USAGI!" is subbed as “Usagi Tsukino!"

Kenji’s newspaper headings are not subbed.

Ikuko’s use of “Papa” towards Kenji is subbed as “dear”.

Usagi’s uses of both “Sensei” and “Haruna-sensei” are subbed as “Ms. Haruna”.

“Lucky!" is subbed as “Lucky for me!"

Umino’s use of “Haruna-sensei” is subbed as “Miss Haruna”.

A different use of “Lucky” got subbed as “lucked out”.

“Neko-chan” is subbed as “kitty”.

Naru’s and Umino’s simultaneous “Dōshite?!" (“Why?!") is subbed as “What?! You’re jealous?!"

When Usagi is sent away from the radio station by the guard, FM No. 10 is first subbed as “FM Number Ten” and then again as “FM Ten” back in Usagi’s room.

The name of Haruna-sensei’s love letter that was read on the radio earlier is subbed as “Haruna in Love”.

Luna’s other yelling of “USAGI!" is again subbed as “Usagi Tsukino!"

The Hensō Pen is not named in the subs as its name won’t actually be spoken onscreen until episode 52.

Like last episode, “Moon Prism Power, Make Up!" is subbed without the comma it had in episode 1’s subs.

“Ai to seigi no sailor fuku bishoujo senshi … Sailor Moon!" is subbed as “The pretty guardian who fights for love and for justice… I am Sailor Moon!"

Like in the pre-episode segment, the ADV-subbed “abominable snowman” joke is subbed here as a “crosswalk” joke.

The Juban-chō Shopping District sign is not subbed.

Haruna-sensei’s use of “Tsukino-san!" at the end of the episode is subbed as “Usagi!" instead of just “Tsukino” like in episode 1.

In the next-episode preview, “nikuman” is subbed as “pork bun”.

The subs title the next episode “Learn How To Be Skinny From Usagi."


Episode 4

Hulu titles this episode “Learn How to Be Skinny from Usagi”

In the pre-episode preview, “Kono Sailor Moon ga tsuki ni kawatte oshiokiyo” is subbed as “I am Sailor Moon, and in the name of the Moon, you will be punished!" (same as last episode)

Usagi’s pre-title card introductory segment is subbed the same as it was last episode.

Viz’s subs title the episode “Learn How to be Skinny From Usagi”

Usagi’s scream is subbed as “What?"

“Haruna” is subbed as “Ms. Haruna”.

The gym’s name is subbed as “Shaperin” (ADV subbed it a “Shapely”).

The name of the actress in the promotional video for the gym is subbed as “Rie Goto” (ADV subbed her name as “Rie Gotou”).

“Shape Kōsen” is subbed as “Shape Ray”.

The sign above the door to the spa where Usagi is is subbed “SPA ROOM”

“Nikuman” is subbed as “pork bun” (ADV subbed it as “dumpling”).

“Onii-san” is subbed as just “Motoki”.

“Nice Catch” is subbed as “Good Catch”

“Ai to seigi no… sailor fuku bishoujo senshi… Sailor Moon… Tsuki ni kawatte oshiokiyo!" is subbed as “I am the pretty guardian… Who fights for love and for justice… I am Sailor Moon… and in the name of the Moon, you will be punished!"

The video for this Viz release has finally corrected the technical error that has existed in all previous versions (to my knowledge) of this episode! When Sailor Moon goes for the third enemy and dodges the weight he swings at her, the glitch that originally played a split-second of stock footage from Sailor Moon’s transformation sequence in the middle of this part for no good reason is cut out! However, the result of this is imperfect since it makes it look like the guy swinging the weight halts his motion mid-swing for that split-second before continuing the swing’s full range of motion after his quick pause. So it’s not exactly something that could be fixed with perfection.

“Chance!" is subbed as “Now!"

“Thank you!" is subbed as “Thanks, mom!"

In the next-episode preview, the subs title the next episode “Scent Of A Monster: Chanella Will Steal Your Love." Even though this very same preview subs the pets’ name as “Chanela” (one L) in the parts before the title is spoken.
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Re: The Offical Sailor Moon Topic

Postby Sabrblade » Sat May 24, 2014 6:31 am

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For those curious on the availability of the old DiC dub, beyond the simple " It's just not available," given here, this is from the latest Answerman Q&A with Justin Sevakis - http://www.animenewsnetwork.com/answerman/2014-05-23/.74748

John asks:

With both NISA re-releasing Card Captor Sakura, and Viz re-releasing Sailor Moon, we're getting a bunch of classic magical girl shows on Blu-ray! But neither company managed to get the old dubs that aired on American television, which a lot of people remember fondly. Will we ever see these old dubs again, or are they just lost forever?

I don't know that they're lost forever, but they're certainly not going to resurface anytime soon.

A little background... It's hard to imagine today, but back in the 90s communication with Japan was anything but easy or cheap. Email wasn't common until the VERY late 90s (especially in Japanese companies), and forget about sending audio and video online. The only way to communicate was to call, send faxes (at very high international phone rates) or send something by international post. So, in the anime business, once a show got licensed to an American company, the Japanese licensor really couldn't do much to supervise the adaptation process.

Today, of course, is a much different story. Producers expect (and receive) a huge amount of control over the US packaging, dub scripts, casting, and everything else. But back in the 90s, the companies got away with just about anything. Usually things went fine, and sometimes permission was asked before anything too crazy was attempted. But quite often, the American company just went ahead and did things, and the producers of the show wouldn't find out about it until it was too late. A lot of shows were altered quite a bit during this period -- Sailor Moon and Card Captor Sakura among them -- but we can only guess as to what was authorized and what wasn't.

Another problem is that while Japanese copyright law and the entertainment system over there is supposed to let the original creators of a show sign off on creative decisions and otherwise maintain control over their creations, that often didn't happen back in the 90s. The publisher of the original work, acting as their agent, would just take care of things, and the creator wouldn't even be consulted. This was especially an issue with shoujo manga and female manga artists. Flash forward to today, and if those artists are now powerful and successful, then you can bet they're going to be a lot more controlling of their work... and probably are not willing to keep approving the existence of versions they never liked.

When a show gets licensed rescued, the licensor often doesn't even have the rights to the adapted version (especially if the company doing the adaptation before was a big company like DIC or Nelvana). A new company rescuing a show like that would have to track down the rights to the adapted show separately. But even if they did, the licensor would have to OK its use. If the licensor is embarrassed over what happened before, or the creator was frustrated that their show got heavily adapted, there is no way they'd OK a re-release of it.

Frankly, the only reason we're getting so many re-releases of 90s dubs is because a show is so old that often nobody in Japan cares anymore.
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Re: The Offical Sailor Moon Topic

Postby -Kanrabat- » Sat May 24, 2014 8:46 am

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The science behind the old dubs is really interesting. BTW, just to own a piece of History, I bought a random VHS of the old DIC dub years ago. I never played it, but if I have the desire to cringe real hard, I have it... err... forgot I don't own a VCR anymore. I'd have to track one down.
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Re: The Offical Sailor Moon Topic

Postby RK_Striker_JK_5 » Sat May 24, 2014 2:26 pm

Motto: ""I am a warrior. Let the battle be joined.""
Weapon: Electron Gun
I have the dubs of Classic, R and S on DVD. Classic and R I have mostly fond memories of. S...no.
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Re: The Offical Sailor Moon Topic

Postby Sabrblade » Sat May 24, 2014 7:36 pm

Motto: "FOR THE EARTH!!!"
Weapon: Saber Blade
We now have an official alternative to watching Sailor Moon Crystal on just Nico Nico Douga:

https://twitter.com/debaoki/status/470335584775319552
News! @Crunchyroll will be airing sailor Moon crystal on July 4 at 3:00 am PDT, new episodes on Fri. #fanime pic.twitter.com/4lsaQJoiwH

Image

https://twitter.com/debaoki/status/470338079404720128
.@fredjfrancis just so there's no confusion, Sailor Moon Crystal will *also* be simulcast on Hulu, @neonalley & @VIZMedia anime

Though, do note that the airdate in that image is actually a typo, as Crunchyroll will be airing the episode on July 5 at 6am EST (as will Hulu, apparently) - https://twitter.com/lugiamania/status/470341676784173057
CORRECTION: Sailor Moon Crystal airs July 5 at 3am PDT on @Crunchyroll ! I goofed and said July 4 in the Fanime panel.
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Re: The Offical Sailor Moon Topic

Postby Sabrblade » Mon Jun 02, 2014 11:32 am

Motto: "FOR THE EARTH!!!"
Weapon: Saber Blade
https://twitter.com/naoV47/status/473333899171352577
アベンジャーズのレイアウトが終わり、セーラームーンのレイアウト作業に入ります。昔、劇場作品の2原を1回やっただけなので初参加と言っても良いくらい、せっかく誘ってもらったので迷惑かけない様に全力で頑張りますm(__)m

https://twitter.com/JacobYBM/status/473336558695624704
Shida Naotoshi is working on Sailor Moon Crystal layouts. If ever there was a reason to watch this series, it's this one.

Naotoshi Shida is the guy responsible for animating the fight scenes all featured in this compilation:
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Re: The Offical Sailor Moon Topic

Postby Sabrblade » Thu Jun 05, 2014 1:38 pm

Motto: "FOR THE EARTH!!!"
Weapon: Saber Blade
TRAILER!!!



Luna - Ryo Hirohashi

http://www.animenewsnetwork.com/encyclopedia/people.php?id=8851

Mamoru/Tuxedo Mask - Kenji Nojima

http://www.animenewsnetwork.com/encyclopedia/people.php?id=4667

Opening song is called "Moon Pride", ending song is called "Moonbow", both by Momoiro Clover Z
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Re: The Offical Sailor Moon Topic

Postby RK_Striker_JK_5 » Thu Jun 05, 2014 3:11 pm

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Awesome trailer. This is really looking great. :D
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Re: The Offical Sailor Moon Topic

Postby -Kanrabat- » Thu Jun 05, 2014 5:10 pm

Motto: "I will be your blade. I will be your shield."
Weapon: Armor Axe
Sabrblade wrote:TRAILER!!!

Image


I fawking LUV TRAILERS!!! 8-}



Seriously, thanks for the upload! It look a bit strange to see Naoko's style in motion. However, it make the wait even more painful. Please, give use fans a notice in advance to where and when we can watch the stream (In Eastern Standard time and others).

Thanks again!
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Re: The Offical Sailor Moon Topic

Postby Sabrblade » Thu Jun 05, 2014 5:19 pm

Motto: "FOR THE EARTH!!!"
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-Kanrabat- wrote:Please, give use fans a notice in advance to where and when we can watch the stream (In Eastern Standard time and others).
I... did.

About five posts up. >:oP
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Transformers Podcast: Twincast / Podcast #103 - Road Trip
Twincast / Podcast #103:
"Road Trip"
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Posted: Sunday, October 19th, 2014