Vulture.com, which is the entertainment destination from the team behind New York magazine, recently learned the history of Seibertron.com friend Stan Bush's Transformers hit 'The Touch'. Learn about the origins of the song inspired from the movie Iron Eagle and which movie Stan had in mind while writing. Check out some excerpts below or you can read the entire article here.
Vulture.com wrote:Listening to it, one might think, With lyrics like "it's in the mighty hands of steel," this must be a song written about Optimus Prime. But no. Bush says he had never even heard of the Transformers until after the song was already finished. Bush had written it with visions in his head of other iron bodies: Sylvester Stallone and Lou Gossett Jr.
Vulture.com wrote:"We wrote the song with the Stallone movie Cobra in mind," Bush said in his amiable southern drawl, picked up during his childhood in northern Florida. "We wanted to get it on the soundtrack. But the record label, they got it in the Transformers movie instead. We thought, What in the hell is that? An animated movie about robots? Really?"
Making the news on quite a number of entertainment websites around, we can report that the current CEO and president of the extremely successful and award-winning Hasbro and Discovery Communications TV channel, has announced her departure from the company. Read more on the future of the home of Transformers: Prime and re-runs of old 80s series (and possibly the coming Robots in Disguise show) below, or head to Deadline for the full story.
The veteran executive oversaw the 2010 launch of the kids cable network, a joint venture between Discovery Communications and toymaker Hasbro, and has run it ever since.
“After five years at the Hub Network as its founding President & CEO, I am announcing that I will be leaving at the end of the year when my contract expires,” Loesch said in a statement to Deadline. “I am very proud of the work we have done and the accomplishments we have achieved at the Hub. The network is now in excellent financial shape, its ratings are up year-to-year, our programming has won more than 30 awards, including 12 Daytime Emmys, and the Hub Network has become a TV home for quality programming that kids and their families come together to enjoy. I will be working closely with our parent companies, Discovery and Hasbro, to assist in the leadership transition. I want to thank both companies for the opportunity they extended me and thank my wonderful team at the Hub. I have loved my job and am proud of the achievements we’ve made. While my career has spanned over four decades, I look forward to evaluating future opportunities and writing the next chapter.”
The JackedUpTales bunch were at Tulsa Comic Expo a couple of weeks ago, and had the opportunity to chat to the excellent Neil Kaplan, voice of Optimus Prime in the Robots in Disguise cartoon series. Check out the video embedded below, in which they touch upon the joys of the soundbooth, favourite voices, Starcraft and IDW comics!
We're back here at Seibertron.com with another full-length chat with one of the minds behind the hands behind the Transformers comics offered by IDW Publishing - and it's time to go full colour: ladynuts and gentlebolts, please welcome colourist extraordinaire Josh Perez!
Va'al - Josh, it's a pleasure to be able to talk to you at last. We've all seen your amazing work on Robots in Disguise, and then the magnificence that was your power-through with the whole of Dark Cybertron, it's only fair we find out more about you! So, to begin from the beginning: when did the Transformers enter your life? What's your first memory?
Josh - Pleasure is all mine, buddy! Transformers was kinda always there when I was a kid; mostly in the background of a toy visit or seeing some kid playing with "a cool robot that turns into a gun, or a car, or a jet, or a...", and so on. I can't say what my first TF memory was, but I remember when I was about 5, we were sent the TF movie on VHS, and I spent the whole time worrying Bumblebee would die. I mean, the other Autobot deaths, Prime included, were major deals, but once I knew Bee was okay, I was a happy burrito.
Va'al - I have to say, that's not a feeling we're used to hearing in the fandom these days! Would you say Bumblebee is still your favourite character? Are there version of him that stand out, or that are not worth remembering?
Josh - He most certainly is still my favorite character! I'm always going to be partial to the G1 Gilvezan Bee, but the Pretender and Action Master Bumblebees are nostalgic favorites. I have the Action Master Bee as a kid, and he was, surprisingly, my only Bee toy from the G1 era. A friend of mine had the Pretender Bee, and the Marvel TF stories made me really like him as a character. Transformers Animated Bee is the only recent Bee I've found myself excited to see. His design is great!
As for forgettable Bees, I think that his movie incarnation hasn't done much to justify the shelf space he tends to take up. I like his design, but you could make him any other Autobot and nothing would really change. I felt the same way about Transformers Prime Bumblebee for a while. He was just a background character (which, honestly, he kinda needed to be after how much the movies shoved him in everyone's faces), but towards the end of Prime he became interesting and I felt his presence was necessary outside of being the guy that beepbooped.
Va'al - Aha, so the kid appeal character appealed to you as a kid, when that was its intention - I'm sure someone at Hasbro was very happy about that! You mentioned the Marvel Transformers comics just now, were they a regular appointment for you, an avid reader, or were you not that invested in them?
Josh - I started reading the Marvel comics late in the game - around Matrix Quest. Before I left Germany, I remember seeing Wildman's cover for "The Price of Life", and maaan that cover messed with me head! It was so twisted and different and gorgeous. If it wasn't for that cover, the Marvel books would have just faded out for me when we came to the States.
I remember getting a trade of the first four issues that I would read over and over again at school, and then my dad would take me to a now-out-of-business-but-amazing-at-the-time bookstore called "Keep On Bookin' " where I'd buy back issues and read them through most of my elementary/middle school existence. I also bought issues of G2, but I lent the ones I had to a friend and never got them back..! I was pretty invested in the Marvel stories when I got to the States since we had local comic places all over.
Va'al - That is quite the unsettling cover, isn't it? And something we almost saw again, relatively recently. But how long did it take you from readingthe comics to making your own doodles and scribbles? Did you start drawing and colouring *on* comics before moving *into* comics?
Josh - Oh man! I would never have dreamed of defacing those books. I tried to make several Transformer comics as a kid in elementary school; around 4th grade was when I realized I really wanted to be in either comics or animation. In early high school I got to play with Photoshop 5.5 and I started to focus more on learning how to use the program to color artwork.
Va'al - I see it as interactive enjoyment rather than defacing! So was colouring your first venture into the world of comics creation, or were you into the writing, drawing, inking and such?
Josh - I was drawing/inking little comics I'd irritate my friends with before I ventured into coloring- and I remember a friend had a short lived/now deleted webcomic that I drew/lettered/storied a few pages of - but luckily those are gone forever because they're prime examples of how to not do anything art, color, letter, or story related to comics, haha! Oh, those days of high school and early college... Professionally speaking, though, coloring was definitely where I began input in comic creation.
Va'al - I'm sure there was something salvageable in those early ventures, too! (And I'm even more sure that some collector out there would love to get their hands on them.) So we're up to your actual debut as a comics creator: was it with IDW Publishing directly, or did you work with and for others first? How did you rise to technicolour stardom?
Josh - Back in 2003 my name was suggested to Dreamwave Productions when they needed help coloring their More Than Meets The Eye profile book; I got to color Wheeljack and the Terrorcons/Abominus in issue seven; work started coming in after that!
Va'al - Yet another Dreamwave-induced artist! Can you remember your first full-length gig in a comic? Anything you are particularly proud of from the earlier stages of your professional career?
Josh - My first full length comic was after Dreamwave shut down on a comic called "100 Girls" by Adam Gallardo and Todd Demong; another Dreamwave colorist and friend, Cil Chueng, was leaving as colorist because of college or something (sorry, Cil! I forget!) and offered the gig to me.
I can't say I'm too fond of anything I've done back in the Dreamwave days- my contrast was bland and my value colors lacked punch. BUT I have a sweet spot for the profile book pieces I've done for the G1 and Armada MtMtE books; and Energon issue #26 was when I first started working with Alex Milne on actual comic issues, even if they're not my best work, I'm happy with them.
Va'al - Dreamwave had its peaks, that is definitely true. But we also do have to admit loving your current work on IDW Publishing titles! How did you get into those? How does it feel to be recognised by fans and on the front cover of monthly comics?
Josh - Alex [Milne] and I had formed a kind of duo after Dreamwave, and when he got work, I got work; I think our first IDW piece was a cover for Spotlight: Kup (I also got Nick's cover for Spotlight: Kup as well); it was a lot of cover work, but then came Megatron: Origin and the Movie Adaptation and stuff.
And now, when people open their RiD books or when they buy the right MtMtE cover, there I am, ruining their experience! ah-hah-hah-hah-hah-hah. But honestly, it's weird- especially now that IDW has been putting colorist credit on their covers... or when really awesome fans tell me they like my work in the books. Never gonna get used to it!
Va'al - I can assure you that no one's day, experience or comic is ruined with your colours! Not even when you repaint *everyone* to look like Bumblebee. (We have proof, do not deny it.) Before you leave us to return to slave away on art tasks, is there anything we can expect in the future of the Perez verse? Convention appearances, different titles, pencil or ink work, writing?
Josh - Well, I'll be doing BotCon this year, as well as TFCon- assuming nothing goes wrong, of course, so stop by and say hi!
Aside from Transformers, I've colored a few new Matt Frank Godzilla covers that look pretty snazzy (more on his part, less on mine, haha!), and the team I worked with on ShiftyLook's/ Namco-Bandai's Bravoman Webcomic (Matt Moylan and Dax Gordine) are in the planning/design phase for a new, creator-owned book called "Avian Odyssey". You can check out updates at AvianOdyssey.com; right now it's design stuff, videos on characters being drawn; very neat!
Va'al - It sounds like you're ridiculously busy, as usual, so even further thanks for taking the time to chat with us! I think we should let readers know how they can follow your work if they want to, too - wouldn't you agree?
You've heard the man! Make sure to check out Josh's work, including that amazing Starscream print we posted above, chat to him on social media, and until next time, we've been your usual comics creator fix here at Seibertron.com.
We heard from voice actor Peter Cullen not too long ago, about his portrayal of Optimus Prime in the past and in the upcoming Transformers: Age of Extinction movie. Thanks to LA Times' Hero Complex, we now get even more insight into the voice of Optimus Prime and his approach to the character. Check it out here, and a snippet below!
Auditioning with director Michael Bay for the role of Optimus Prime in 2007’s live-action movie adaptation of the beloved animated series “Transformers,” Canadian-born vocal artist Peter Cullen was aware that his previous accomplishments hardly guaranteed his place in a big-budget Hollywood movie.
“It’s kind of surreal to audition for a character that you basically created,” said Cullen, who originated the Autobot’s stentorian voice in TV performances from 1984 to ‘87. “But I didn’t expect Michael to know what I knew about ‘Transformers.’ I was ready for anything.”
Contractually obligated to continue voicing Optimus in at least two more “Transformers” sequels, Cullen has no plans to retire his robot-in-disguise alter ego anytime soon. Moreover, having based the characterization on his older brother, a decorated Marine Corps officer who served in Vietnam, the actor feels a sense of responsibility to the franchise’s faithful.
“My brother said, ‘Peter, be a real hero. Don’t do all the bravado stuff and pretend to be tough. Be strong enough to be gentle. Be understanding — and calm,’” Cullen said. “When I began the audition, his voice came right out. I read the lines the way I could hear my brother doing it.
“Now, maintaining those characteristics — courage, trustworthiness, integrity, loyalty — you’re responsible for something to the kids who watch Optimus Prime. I want to be a positive influence rather than just fighting and sock, bang, boom!”
In an interview with LA Times Hero Complex, Mark Wahlberg talked about the difficulties and experience of acting around a bunch on non-existing robots in the upcoming Transformers: Age of Extinction, mentioning how working on Ted (2012) helped him out. Check out a snippet below, and read the whole thing here!
Before Mark Wahlberg ever attempted to test his mettle vis-a-vis giant metamorphosing robots from outer space, and before he befriended a heroic battle-bot named Optimus Prime on-screen, the actor prepared for his latest part with an unlikely foil: a talking teddy bear with an outsize taste for prostitutes and cocaine.
Which is to say that before Wahlberg signed on to appear in Paramount Pictures’ mega-budget sci-fi thriller “Transformers: Age of Extinction,” he got a first taste of acting opposite computer-generated imagery in a certain raunch-comedy that became 2012’s surprise breakout hit.
“‘Ted’ was definitely a good warmup,” Wahlberg said of the movie in which he plays a Boston bro who co-habitates with his hard-swearing, magically alive plush toy. “With ‘Ted,’ it was a more intimate setting. But this movie is much bigger and more intense. You’ve got eight Autobots talking to you at the same time. There’s nothing but a pole or a stick really there. You’ve got to believe and totally commit. The most difficult part of acting is when you look ridiculous and have to confront the risk of looking foolish. You’ve got to be on the whole time. You can’t phone it in.”
In an article published on USA Today, legendary Transformers voice actor Peter Cullen, the voice of Optimus Prime since the first iteration of the Transformers (though not all of them since), including the upcoming Age of Extinction version, gave some background information on the big bot's personality. Check it out below!
Optimus Prime has undergone quite a few vehicular makeovers in the past 30 years of Transformers projects, yet his earnest and heroic voice has never wavered, thanks to Peter Cullen.
For the big-budget Transformers: Age of Extinction, the actor once again reprises the role he's been playing since the 1980s Transformers cartoon. Now Prime and his Autobots have a new human ally (Mark Wahlberg) but they are in conflict with the evil Decepticons as well as the U.S. government.
"He is exactly who he was from the very original concept," Cullen says of Prime. "I've always felt a hero should have the qualities that are inspiring and helpful and fatherly and at the same time (be) courageous. I don't see those character traits changing at all."
Transformers is more than a lifetime gig as a transforming big rig for Cullen. It's also a family affair: His son Clay is a stuntman on Age of Extinction, and Cullen's brother Larry, a Marine who served in the Vietnam War and died in 2011, continues to be the inspirational foundation for Optimus' steady and strong tone.
"Though Larry's gone," Peter Cullen says, "he lives on in my mind as Optimus Prime because he was my hero."
Thanks to Seibertron.com staff member Supreme Convoy, we get a look at what was said during the 'IDW Publishing and Hasbro: Transformers, G.I. Joe and More!' panel event over at WonderCon, on Friday evening! Below is a summary of the main points made by the various speakers: John Barber moderated the panel, which consisted of editor Carlos Guzman, and writers Mairghread Scott, Tony Fleecs, and Flint Dille. They touched upon Dawn of the Autobots, the new Decepticon leadership, G.I. Joe specials and a new Flint Dille book, sequel to Monstrosity - Primacy. Read on below, and check out some of the G.I. Joe crossover images courtesy of Tom Scioli's Tumblr!
Dawn of the Autobots started on Wednesday. Megatron has joined the Autobots, and is now captain of the Lost Light in More than Meets the Eye.
Windblade just started. The lead character is apparently a descendant of Cybertron.
Robots in Disguise, written by John Barber and art by Andrew Griffith, is set back on Earth and stars Optimus Prime, Jazz and Sideswipe (among others). The planet is probably not going to have a welcoming reaction to the return of Optimus Prime and the Autobots.
In More than Meets the Eye, written by James Roberts and art by Alex Milne, Megatron is now leading the Lost Light. The book was called "Really crazy, really lot of fun."
Windblade, the four-issue mini series written by Mairghread Scott and art by Sarah Stone, is billed as new reader friendly. Windblade comes into conflict with Starscream. Really fun and Mairghread believes it's an "expressive, hopeful book."
We were reminded that Windblade is the result of a series of polls taken by the fans. She recently made debut in the Dark Cybertron event, along with Nautica and Chromia.
The new book was announced! Primacy, written by Flint Dille and Chris Metzen, and art by Livio Ramondelli. This will be the last part of the trilogy starting with Autocracy and Monstrosity. Dille described it as a war book and "carnage fest." This is the moment where we see the characters become what we're familiar with. Dille teased that Sharkticons and Quintessons might show up.
They mentioned Transformers vs GI Joe, written by John barber and Tom Scioli, and art by Scioli too. Barber says it's probably the craziest book he's worked on. Things get nuts.
As GI Joe corners Cobra Commander, Starscream purses Bumblebee and the story takes off from there. It's pure comics. Guzman said that he had no idea how Tom was going to draw some of the story elements until he sees the pages that get turned in.
GI Joe: The Real American Hero #200 was just released and the series is still going strong. The slideshow showed issue #201 will have a Liefeld cover. Guzman joked that the series probably going to make it to #300.
IDW Publishing is working on a deluxe hardcover anniversary edition of GI Joe #21, The Silent Interlude. IDW is going back and reshooting original art as well as recoloring it.. and adding even more extra material and commentaries.
IDW teased Fall of GI Joe for September 2014. They're not ready to make announcement just yet. Barber claimed it will please a lot of fans.
As for the background on the decision on making Megatron an Autobot, it goes back to September 2011. James Roberts, Phil Jimenez, and John Barber broke down Dark Cybertron at Hasbro. Barber seems to remember Mark Weber (Global Brand Development Manager for Hasbro) suggested Megatron being an Autobot and was shocked Hasbro allowed it.
As for who's leading the Decepticons.. They have lost the war. Lots of Decepticons might defect to Autobot side. Some believe Megatron sold out. Galvatron gathers and forms new Decepticon group on Cybertron with new agenda. Soundwave and Galvatron will lead group, for now.
Thought we were gone for long? We are always here, lurking, waiting, and pestering IDW Publishing creators until they agree to sit down and graciously talk to us about what they're doing with the Transformers! We have a really recent newcomer to the franchise, comics and Seibertron, so please extend a warm welcome to the artist behind the soon to appear Windblade mini-series: Sarah Stone!
Va'al - Sarah, it's a pleasure to be able to have a chat with you, thanks again for agreeing to do this! My first question, as has been with everyone we've interviewed, is the following: where did it all begin? What was your first encounter with our favourite Robots in Disguise?
Sarah - Hello Va'al, it is my pleasure. Thank you for inviting me!
Image by Madman Entertainment
It all began with Beast Wars for me. I was a little too young to experience G1 in all its glory, so by the time I was old enough to watch TV on my own, Beast Wars was what was on. I remember that it was absolutely incredible for me because I was obsessed with dinosaurs so it played right to my interests. I had just seen Jurassic Park so dinosaurs were my world. I wanted to be an archaeologist or draw dinosaurs for the rest of my life, so robot dinosaurs just blew my mind. Actually come to think about it, maybe this was the beginning of my love for the 'cons since I clearly preferred the Predacons.
Va'al - Another of my generation! I had no idea what Transformers really were in terms of fiction, other than the Beast Wars series. Was that your only exposure to the franchise though? Were you interested enough to track down older comics, did you spring for some of the toys?
Sarah - I never heard anything about the comics back then unfortunately, and didn't do much looking into it, though I kind of randomly remember having a Dinobot toy. He probably had lots of fun with all my other dinosaur toys (poor dude was all alone).
Transformers sort of dropped off of my radar after Beast Wars, I'm sad to say. The Michael Bay movies put them back on my radar, but I was left sort of wanting. I was considerably more interested in the robots than the human characters, so sadly even after the movie I fell off the Transformers train again. It wasn't until I discovered Transformers Prime that I fell off the deep end and rediscovered my intense love for the world again. Through the Prime fandom I ended up finding out about IDW's More Than Meets the Eye, and Robots in Disguise and well... now I'm ruined forever.
Va'al - This is getting eery now, that sounds very similar to my own experience - though I had a few more toys back then! Before we move into the comics, though... What was it in particular about the Transformers: Prime animated series that caught your eye? The stories, the artwork/animation, the characters, something else?
Sarah - Haha, that's crazy! Hmm, It was a combination of a lot of things I think. The sort of more organic designs, the darker tone, great writing, really expressive animations... it was like a quadruple combo to everything I didn't even know I wanted.
I think after watching one episode I ended up marathoning every episode I could get my hands on in a single night. The team did a fantastic job sucking me into the world and I was insatiable. I wanted more - I had to know more about these characters and their history.
Va'al - Binge-watching is apparently a good thing, under some aspects. Do we endorse it? Not necessarily. But still... So where did you head to find more? Was it the two ongoing series by Barber and Roberts and the respective artistic teams, or did you go via some other fiction first?
Sarah - Yeah, the ongoings were my next target. I had some friends that were kind enough to lend me some trades to read while I was traveling, and honestly it was becoming a little hard for me to go anywhere on the internet without bumping into awesome fan art (read: spoilers) of both series, so I knew I had to get on board fast or else I was going to get everything second-hand.
But outside the comics I started retroactively checking out the other series like Transformers: Animated and G1 just out of growing fondness for all of the characters. I'm also currently mid playthrough on Fall of Cybertron but I'm stuck because it makes me so motion sick! It's really the saddest thing.
Va'al - So you did effectively branch out as much as possible! That is impressive, even I haven't got into the games yet. Too focused on the comics. And life, I suppose. Who would you say your favourite character, present or past, in any part of the fiction, would be? And why?
Sarah - Gosh that's hard, I have so much love for so many of them. I guess I always end up having a soft spot for Starscream in almost any incarnation. I just have a thing for the really slimy, insufferable ones.
He's such a fascinating mix of horrible yet sympathetic, but always entertaining. He'll stir up trouble anywhere you inject him, and I love him for that. I really can't choose. I'm loving the IDW Robots in Disguise/Dark Cybertron one right now.
Va'al - I think a lot of fans have a soft spot for Starscream, to some extent. Voice actors notwithstanding. So now we know about you as a fan, let's find out about you as an artist! How did you start out, personally? How did you first venture into artistic endeavours?
Sarah - I've always been drawing, at least as long as I can remember holding pencils and crayons. As a kid I always drew my favorite video game characters and cartoons, before I even knew that was a thing. I grew up with so many animated movies, especially Disney movies, I dreamed of working for them and being an animator. I was fortunate and my parents were always extremely supportive and provided me with Photoshop and even a Wacom tablet at an early age.
It only took a few forays into dabbling with hand drawn and 3d animation before I realized that I am actually a terribly impatient person. Working on a few seconds of animation could take weeks, and an illustration I could finish in an evening or two, so I started slowly gravitating toward illustration as I got older.
Va'al - And if Disney was your influence and aspiration for the animation that never was, what would you say the influences are in your illustration work?
Sarah - That's a tough one, I always feel like I have a hard time pinpointing influences because I'm honestly inspired by so much. Concept art for games and movies have always found space on my shelf in art books, and there are just so many amazing illustrators putting their work up on the net, and I've had the privilege of working with many -- I'm constantly inspired. But I also love taking cues from some more classic work, like J.C. Leyendecker and my recent discovery of Richard Macdonald.
When it comes to illustrating Transformers though, some of the concept art that comes out of Jagex for Transformers Universe has really inspired me to push the rendering of metal and the different materials the bots are made of. And when it comes to the comics, I have to admit being a huge fangirl for Milne and how expressive his bots are. I can only hope to be able to bring life to them in a similar way.
Va'al - Well, I think the time has come to ask *the* question -- how did you make it to not only IDW, but your own mini-series with Mairghread Scott? Did you pitch? Were you selected?
Sarah - I really believe it's because I'm the luckiest girl on the planet, it's really kind of a crazy road. Mairghread had actually messaged me once on Tumblr to tell me that she loved the human Soundwave [see above - V.] illustration I did, which, knowing that she was a writer for Prime and being a fan, was enough to just make my day. Or week. I was really happy.
It wasn't until I was tabling at a comic convention over a year later that the stars aligned and Mairghread and her husband actually bumped into my table, entirely by accident. I tried not to freak out at her too much, and they both actually invited me to help out on a project pitch that they were looking for an artist for. I very excitedly obliged and kept in touch with them over the next month or so while we worked together, and one day Mairghread gave me a call and said something like, "Hey we're kind of looking for someone to work on something Transformers related... would you like me to throw your name in the hat?"
I said yes, of course, and I submitted some work and did a test page, and I suppose they liked it enough to take a chance with me. I'm eternally grateful to Mairghread for putting me under the eyes of the powers that be, and also to all the guys at IDW for giving me this chance.
Va'al - Wow, that does sound like a really lucky set of coincidences - but from what we've seen, they are working with the skills and output which is already of a really high standard. What's the most exciting part of working for IDW, on Transformers, and for a new character?
Sarah - Aside from the obvious of just working of something I absolutely adore (I used to draw this stuff just for fun, you mean I get paid to do it now?), I think it's just such an incredible time to be involved with what IDW is doing for Transformers. The stuff that Barber, Roberts, and Mairghread are doing is just really exciting, and it is crazy to be a part of it, even in the smallest way.
Windblade is just a puzzle piece (but hopefully a really cool puzzle piece) of an awesome picture they are painting, and I'm just really humbled to be working on it. It seems like kind of a cheesy answer, but I really am stoked.
Va'al - Surely you're the one painting it, and they're setting up the canvas! Sarah, may I say personally I am really looking forward to the new mini-series, and I know quite a few our readers are too. Before we let you get back to making art, and me to hunt down another creator to question, any final words to round off your first interview for the fandom?
Sarah - And thank you too, Va'al! It was really a pleasure, thank you for having me. I just want to say thank you to everyone who's been supporting and pre-ordering the mini-series, It means the world to me and I hope I don't let you down. If anyone's interested in seeing more of my stuff, you can check me out on my blog or DeviantART, or say hello on Twitter!
We will find out more of Sarah's work as Transformers: Dawn of the Autobots - Windblade hits. If you want to make sure you get your hands on this, and the other two ongoings - check out how to preorder the issues here! Thanks again for sticking with us for another interview on Seibertron.com, keep your optics tuned in, as there is still much much more to come.
Fun Facebook fan page Robots with Coffee have just posted an interview with IDW Publishing writer Mairghread Scott (Beast Hunters, Prime, Windblade), touching upon her own career and credits, and teasing what may or may not come out of the upcoming mini-series. You can read it all here, and snippets below!
Everyone, please welcome Mairghread Scott to Robots With Coffee!
You are part of the first all-female team to produce a Transformers comic book...unless you and artist Sarah Stone were ghosting for Pat Lee at Dreamwave and haven't been paid yet. But this isn't your first TF comic. How did you get involved with IDW, and did you choose Sarah to be your artist?
I got involved with IDW through an elaborate series of heists perpetrated by myself and Mike Johnson when we...I mean...when we co-wrote Rage of the Dinobots together.
As far as Sarah is concerned, I have to be serious. There are certain things I really wanted in an artist on Transformers Windblade: vibrant color, a sense of movement, diverse and identifiable body designs, and an emphasis on facial expressions. Sarah hit the nail on the head in each of these areas and they all combine to make (what I think is) a dynamic, emotive and easy to follow book perfect for old-school fans and new readers alike.
Windblade was a 'fan created' character, in that the fans got online and voted for what kind of figure it would be. What did you bring to the character once the fan voting had been tallied?
Quite a bit actually. Dark Cybertron was still being written when I came aboard and outside of the knowledge that she could speak to Metroplex, everything else was kind of free reign.
The most important thing for me was to make sure that even though Windblade was a fan-made character, she didn't feel like a composite or generic person. Windblade has a very clear character in my mind: hopeful, determined, empathetic, a little naive and in way over her head. If she was human she'd be the girl that puts on fancy eye shadow for a date and then keep forgetting she has it on and touching her eyes...
…and that's probably the first make-up to Transformer comparison ever made in a professional interview so...milestone?
Your series addresses the gender issue in the IDW TF comics continuity, beyond there originally being no gender (perceived to be "he") and Arcee being the lone female by forced transgender surgery. Was this something that IDW wanted to change, or something you were happy to grab the reigns and 'retcon'?
Argh! Don’t say the ‘r’ word! IDW definitely wanted to do a Windblade book and that obviously required a bit of a think to get Lady Bots back in continuity (outside of Arcee’s unique situation, as you mentioned), but 'retcon-ing' (actually saying something didn’t happen that’s already been established) is something I think of as a weapon of last resort. I still have plenty of tricks up my sleeve besides that and, while new information will be revealed, retcon-ing is not happening in Transformers Windblade.
I know Windblade is going to be a mini but, hey, if it does well enough, there's a possibility of a NAUTICA ongoing? How awesomely true is this? #nauticafanclub #ftw!
So awesomely true that I have no idea if it will happen/control if it does happen/information on the subject. Although I will take this moment to say that Windblade and Nautica fans should not be snipping at each other online. There's room for everyone in the pool, kids. Mom's watching.
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