Activision just sent us the official press release for Transformers Fall of Cybertron as well as the official logo for our use.
Activision wrote:FOR IMMEDIATE RELEASE
TRANSFORMERS: FALL OF CYBERTRON VIDEO GAME OFFICIALLY ANNOUNCED FOR 2012
Details of Successor to the Critically Acclaimed War for Cybertron Game Revealed in Upcoming Game Informer Magazine Cover Story
Santa Monica, CA - October 6, 2011 - Gamers will finally experience the epic battles that shaped the history of the AUTOBOTS and DECEPTICONS with the fall 2012 release of Activision Publishing, Inc.'s (Nasdaq: ATVI) TRANSFORMERS: FALL OF CYBERTRON for the Xbox 360® and PlayStation®3 computer entertainment system. Currently in development by the acclaimed team at High Moon Studios, TRANSFORMERS: FALL OF CYBERTRON takes fans through the final, darkest hours of the civil war between the AUTOBOTS and DECEPTICONS as they fight for control of their dying planet, ultimately leading to their storied exodus from home.
More information about the upcoming game can be found in the November 2011 cover story of Game Informer magazine on sale beginning October 14, which will feature never before seen artwork and dual, limited edition covers. Eager fans can visit http://www.GameInformer.com for updated news, features, interviews and videos throughout the next few weeks.
"High Moon Studios is an extremely talented development team having raised the bar of gameplay and TRANSFORMERS authenticity in their games," said David Oxford, Executive Vice President at Activision Publishing. "TRANSFORMERS: FALL OF CYBERTRON is an extraordinary project both for the studio and the TRANSFORMERS gaming legacy - the stakes are higher and the scale much larger than ever before, and we absolutely cannot wait for fans to see all the new characters and epic action that awaits them."
"Hasbro has worked hand in hand with Activision to create a fully original storyline that details the climactic battles leading to the famed exodus of the TRANSFORMERS characters from CYBERTRON," said Mark Blecher, SVP of Digital Media and Marketing, Hasbro. "Our team at Hasbro is looking forward to exploring and expanding the TRANSFORMERS story again with an incredible blockbuster video game that will blow fans away next year."
Hasbro, Inc. (NASDAQ: HAS) is a branded play company providing children and families around the world with a wide-range of immersive entertainment offerings based on the Company's world class brand portfolio. From toys and games, to television programming, motion pictures, video games and a comprehensive licensing program, Hasbro strives to delight its customers through the strategic leveraging of well-known and beloved brands such as TRANSFORMERS, LITTLEST PET SHOP, NERF, PLAYSKOOL, MY LITTLE PONY, G.I. JOE, MAGIC: THE GATHERING and MONOPOLY. The Hub, Hasbro's multi-platform joint venture with Discovery Communications (NASDAQ: DISCA, DISCB, DISCK) launched on October 10, 2010. The online home of The Hub is http://www.hubworld.com. The Hub logo and name are trademarks of Hub Television Networks, LLC. All rights reserved.
About Activision Publishing, Inc.
Headquartered in Santa Monica, California, Activision Publishing, Inc. is a leading worldwide developer, publisher and distributor of interactive entertainment and leisure products.
Activision maintains operations in the U.S., Canada, the United Kingdom, France, Germany, Ireland, Italy, Sweden, Spain, Norway, Denmark, the Netherlands, Australia, South Korea, China and the region of Taiwan. More information about Activision and its products can be found on the company's website, http://www.activision.com.
Cautionary Note Regarding Forward-looking Statements:Information in this press release that involves Activision Publishing's expectations, plans, intentions or strategies regarding the future are forward-looking statements that are not facts and involve a number of risks and uncertainties. Activision Publishing generally uses words such as "outlook," "will," "could," "would," "might," "remains," "to be," "plans," "believes," "may," "expects," "intends," "anticipates," "estimate," future," "plan," "positioned," "potential," "project," "remain," "scheduled," "set to," "subject to," "upcoming" and similar expressions to identify forward-looking statements. Factors that could cause Activision Publishing's actual future results to differ materially from those expressed in the forward-looking statements set forth in this release include, but are not limited to, sales levels of Activision Publishing's titles, shifts in consumer spending trends, the impact of the current macroeconomic environment, the seasonal and cyclical nature of the interactive game market, Activision Publishing's ability to predict consumer preferences among competing hardware platforms, declines in software pricing, product returns and price protection, product delays, retail acceptance of Activision Publishing's products, adoption rate and availability of new hardware (including peripherals) and related software, industry competition including from used games and other forms of entertainment, litigation risks and associated costs, rapid changes in technology, industry standards, business models including online and used games, and consumer preferences, including interest in specific genres such as music, first-person action and massively multiplayer online games, protection of proprietary rights, maintenance of relationships with key personnel, customers, licensees, licensors, vendors, and third-party developers, including the ability to attract, retain and develop key personnel and developers that can create high quality "hit" titles, counterparty risks relating to customers, licensees, licensors and manufacturers, domestic and international economic, financial and political conditions and policies, foreign exchange rates and tax rates, and the identification of suitable future acquisition opportunities and potential challenges associated with geographic expansion, and the other factors identified in the risk factors sections of Activision Blizzard's most recent annual report on Form 10-K and any subsequent quarterly reports on Form 10-Q. The forward-looking statements in this release are based upon information available to Activision Publishing and Activision Blizzard as of the date of this release, and neither Activision Publishing nor Activision Blizzard assumes any obligation to update any such forward-looking statements. Forward-looking statements believed to be true when made may ultimately prove to be incorrect. These statements are not guarantees of the future performance of Activision Publishing or Activision Blizzard and are subject to risks, uncertainties and other factors, some of which are beyond its control and may cause actual results to differ materially from current expectations.
Ever since last November's announcement that Transformers: War for Cybertron would receive a sequel fans have been eagerly awaiting further details. Today we get our first taste of what the highly anticipated follow up will have in store for us. gameinformer has revealed the sequel's title as Transformers: Fall of Cybertron and posted the two covers for their upcoming November issue which features art based on the game.
Transformers: Fall of Cybertron continues the story of the Autobots and the Decepticons and their bitter civil war, but changes and improves upon so many of the fundamental ideas that the developer considers the game a natural successor rather than a true sequel. We have over 12 pages of exclusive details on High Moon's new project, including extensive story and gameplay explanations, concept art, and dozens of screenshots. Whether you love the Transformers, or you just love hearing about the next great story-driven action game, Fall of Cybertron should be on your radar.
Head on over to gameinformer to read their full article and take a closer look at the covers. They promise much more information on the game over the next month.
Just a quick reminder, Alex Irvine's Transformers: Exiles was released today.
The epic battles between Optimus Prime and Megatron have long thrilled Transformers fans. But these two giants weren’t always great leaders and bitter foes. This new novel continues the electrifying saga that started with Transformers: Exodus, unveiling the origins of the conflict—the explosive events that unfolded before Optimus and Megatron arrived Earthside, forever altering the destiny of their kind.
Once allies, Optimus and Megatron are now enemies in a civil war. To prevent Cybertron from falling into Megatron’s hands, Optimus jettisons the planet’s heart, the AllSpark, into space, then sets out to find it with Megatron hot on his heels. Optimus is determined to defeat Megatron, bring the AllSpark home, and restore Cybertron to its former glory.
But a saboteur lurks aboard Optimus’s spaceship, and ahead lie lost colonies, some of them hostile. Optimus needs help of the highest caliber, but from whom? Heroes such as Solus, Nexus, and Vector Prime are just names from make-believe stories of long ago. Or are they? Maybe it’s time for Optimus Prime to find out. Maybe it’s the only chance he has to vanquish mighty Megatron.
About the Author
Alex Irvine is the author of Transformers: Exodus, as well as the novels Buyout, The Narrows, and A Scattering of Jades, and the novelization of the film Iron Man 2. He also is the author of nonfiction books including The Vertigo Encyclopedia and John Winchester’s Journal, as well as the comic series Daredevil Noir and Hellstorm, Son of Satan: Equinox. A past winner of the Locus, Crawford, and
The UK's Play.com has listed a pre-order for a Transformers 1-3 DVD Box Set featuring a previously unseen package art. The set is listed for £24.99 and scheduled for release November 28th. The listing notes the artwork is subject to change.
Transformers: Their war, our world...
Dueling alien races, the Autobots and the Decepticons, bring their battle to Earth, leaving the future of humankind hanging in the balance.
Transformers 2: Revenge Of The Fallen: When Sam's college experience sours amidst nerdy roommates (Ramon Rodriguez), sexy stalkers (Isabel Lucas) and strange, unexplainable visions, he seeks to understand what the Decepticons know only too well. A normal life will have to wait, because an ancient enemy is on its way to destroy Earth! Can Sam, Optimus and co. save the day in the ultimate battle of good vs. evil?
Transformers 3: Dark Of The Moon: The Autobots learn of a Cybertronian spacecraft hidden on the Moon, and race against the Decepticons to reach it and learn its secrets, which could turn the tide in the Transformers' final battle.
Shia LaBeouf, Megan Fox, Jon Voight, John Turturro, Josh Duhamel, Tyrese Gibson, Rosie Huntington-Whiteley, Rachael Taylor, Anthony Anderson, Hugo Weaving, Patrick Dempsey, Frances McDormand, John Malkovich & Ken Jeong
2007 ; 2009 ; 2011
English - Dolby Digital (5.1)
Region 2 - Will only play on European Region 2 or multi-region DVD players.
We jump into the time machine back to the year 2008, when Toys'R'Us put their Voyager Movie exclusives on the shelf. Not only do these figures allow the Seibertron.com galleries to surpass the milestone of 2400 galleries, but they are also repaints of Cybertron Mudflap, and Armada Red Alert with Longarm. The toys we are talking about are Mudflap (not the same as the annoying one), and Inferno with Longarm. Both were released in the Allspark Battles packaging, but neither is painted with the notorious Allspark teal. Mudflap certainly makes a great Classics-verse Erector, while Inferno, at the time, gave new fans a chance at a mold originating in 2002. Both figures are also notorious for being shelf-warmers during their time, so much that they are both still available for purchase at site sponsor BigBadToyStore! (Mudflap/Inferno) Check out each figure's gallery by clicking their respective pictures or links below!
TFcon has let us know their 2011 dealer room has sold out, see further details below.
The TFcon 2011 dealer room has sold out all available tables with just under 3 weeks until the convention. This is a new record for Canada’s largest dealer room for Transformers merchandise. The room will be packed with exhibitors selling Transformers toys from all eras including but not limited to Generation 1, Generation 2, Machine Wars, Beast Wars, Beast Machines, Robots in Disguise, Armada, Energon, Cybertron, Universe, Classics, Animated, Crossovers, Commemorative and Encore Reissues, Alternators and Binaltech, Masterpiece, Titanium, Alternity, Generations, plus Movie toys from all 3 films; Transformers, Revenge of the Fallen and Dark of the Moon and 3rd party companies.
Seibertron.com's review of Transformers Dark of the Moon: A Fan Perspective
Dark Side of the Moon
I saw Transformers Dark of the Moon tonight. I am not a professional reviewer. In fact, I strongly dislike writing reviews of any sort. Yet from time-to-time I am strongly inclined to share my thoughts in hopes that some of you might want to hear what the owner of one of the largest Transformers fansites has to say. So without further ado, here's what I've been writing for the past 5 hours.
First and foremost, if you don't want to read any spoilers, just stop reading this review. I don't hold back anything in my reviews. It's all here that I was able to jot down since midnight. If you want to be spoiled, please be my guest and read on ...
I'll cut to the chase right off the bat before I go into comments that only us Seibertronians will enjoy reading. If you're looking for the next Academy Award winner or Oscar winner for best picture, go see something else so we don't have to hear you complain about Transformers Dark of the Moon. If you are just looking for a great, fun summer blockbuster with TONS of action, lots of special effects, a pretty girl, some very cool cars (and robots too), and destruction galore -- you should, without a doubt, see this film. If you're a Transformers fan, then this is 100% required watching in my book.
Is this the best film in the world? No. Is it another very enjoyable summer blockbuster? Of course it is. Are there some problems with the storytelling? Yep. But hey … it's Transformers, it's not Revenge of the Fallen, and it was a fun couple of hours watching exciting craziness unfold before my very 3d weary eyes. While Transformers Dark of the Moon didn't surpass the first Transformers film from Michael Bay, it was better than Revenge of the Fallen. However, it shared some of the same flaws from which the previous movie suffered.
As I have said for the past four or five years, I think Michael Bay was the perfect person to be the director of the first Transformers live action film franchise. I liked some of his previous movies such as Bad Boys and Armageddon. Michael Bay is well known for delivering what he promises. He makes larger than life fun movies that appeal to a very large audience. I truly believe that it was his vision that helped introduce our beloved Transformers to people not as passionate about them as are we. The Transformers are a toy line that have overcome many obstacles over the years and have reached the point of becoming a household name and a billion dollar film franchise.
The special effects were absolutely truly amazing. I hope nothing I say in this fanboy "review" plays down the fact that this movie is an amazing feat of technology. The destruction of Chicago is an incredible technological achievement. It looked like they destroyed the city. And it wasn't far away or brief shots like Battle: Los Angeles. It was complex digitally animated (?) extremely detailed and extremely believable mass destruction bestowed upon the city I've called home for the past 9 years. It was truly amazing to see what they did to this city. The Transformers themselves seemed to be more detailed, but in a good way. I didn't have much difficulty telling who was who, even when they were fighting. There even seemed to be some improvements to the facial expressions on some of the robots. There was a moment with Optimus Prime's face that I remember seeing that I thought, hey that's cool that they got him to make that face, and the same with Ratchet in another scene. Academy Award winning movie or not, I think the special effects teams on this movie should get all sorts of awards. Kudos to all of the people who worked on special effects for this film.
If you wish to read the rest of my thoughts, simply highlight all of the text below by using your mouse, touchpad or by clicking "ctrl" + "a" on your keyboard to highlight all of the text.
Houston, we have a problem
A lot of the problems I had with this film was the fact that there was just too much going on. You shouldn't have to read the novel adaptation to understand what exactly was happening during the film. I think the overall story was good. It just needed to be tightened up, and some time that was given to other scenes could have been used to develop some of the characters.
Speaking of characterization, the Transformers continue to serve more as plot devices than actual characters that you know and love. There are few scenes which show the Transformers interacting on their own without humans and many of them get little character development. I love the Transformers characters, I've grown up with them, but without the bond that I have with these characters through three decades of reading the comics, watching the cartoons, and collecting the toys, I don't understand how the general movie going audience is supposed to have a bond with these characters (aside from Optimus Prime and maybe Bumblebee). It is my hope that now that the general world wide audience has been well introduced to the concept of the Transformers brand, that we can movie into a film franchise where the story can be told more from the Transformers' perspective(s) and less from the humans'.
The Chernobyl scene seemed like the they went through a lot of trouble for us, and the Autobots, to find out that the humans had a piece, or pieces, from the Ark on the moon. I get that they were trying to show us that the Russians had tried to harness the power, which caused the 1986 Chernobyl disaster, but it just came across as really forced to me and a very unnecessary scene.
Human Characters and Actors
Overall, the acting was pretty good. I don't recall thinking that anyone had any overly cheesy lines, or poor acting. The only one that really stood out to me was John Duhamel's Lennox. I wasn't a big fan of him in ROTF and I had much the same feeling about him in DOTM. It might have nothing to do with his character and is just how the writers are depicting him. I liked him in the first movie, and I've liked him in other movies that I've seen him in. Tyrese Gibson's Epps was better portrayed in DOTM than ROTF. Shia was much the same … I liked him in all three movies. I think he's a good actor. As much as I love John Turturro's "Agent" Simmons, I just felt his involvement was either too forced or unnecessary. I felt like he didn't really bring anything to the story. Yeah, he wrote a book, yeah, Bill O'Reilly interviewing Simmons because of his new book was entertaining, but not needed. If you felt his involvement was forced in ROTF, you'll definitely feel that way here.
The ever so beautiful Rosie Huntington-Whitely filled her role, and her tight dresses, perfectly. The Transformers film franchise triumphantly shows the world that all you need is some pretty t-and-a to play the out-of-his-league love interest for Sam Witwicky which could've continued to have been played by Megan Fox had she been able to keep her mouth shut. As a fan, I was happy to have Rosie onboard as Carly, who was the love interest of Spike Witwicky in the original 1980s animated cartoon series. I could've done without the gratuitous underwear/butt shot as she was walking up the stairs. Nice to look at in a men's magazine, just 100% unnecessary in a Transformers flick especially in the first ten minutes or so (though I'm sure many would argue that it's the same demographic).
I was both surprised and disappointed at how small John Malkovich's "Bruce Brazos" role was. His eccentric character went unused through the second half of the film. I thought that he and Patrick Dempsey were miscast and should have had the other's role. Malkovich could've played a perfect live action Dr. Arkeville, which would have been a very nice nod to the Transformers mythos. He even looked the part in my book. It would've even fit in perfectly with the whole "humans working for the Decepticons" plot. Patrick Dempsey's "Dylan Gould" was quite the villain surprisingly. Dempsey was definitely "McBadAss" in this film, and not so "McDreamy".
While I always enjoy the onscreen presence of Sam's parents (played by Kevin Dunn and Julie White), I felt the inclusion of Ron and Judy Witwicky was completely unnecessary for the story. Their roles were merely there for the comedic inconvenience and embarrassment that they cause their son.
Pleasant surprise "cameos": real-life Buzz Aldrin, Nixon, JFK, President Obama, and Fox News' Bill O'Reilly.
Toned Down Humor – Smaller Funny Bits
The sexual humor that many found offensive in the previous two films was significantly reduced in this movie. No more lubricating jokes, no more masturbation jokes, no more boxer jokes, no dog humping, no robot humping, no racially degrading comments. There was an oral sex innuendo from Carly to Sam, and a comment from Sam's mom about him being well-endowed, and a brief comment from Brains about Carly's panties or underwear drawer or something, but all of those comments were fairly brief and didn't seem to distract from what else was happening in the scene.
There were no words like "pussy" or "bitch" in this movie, which made me feel a little squeamish in ROTF. Either Wheelie or Brains says "dickhead" if I recall correctly, but it seemed rather appropriate.
The Sound of Music and the Music of Sound
Steve Jablonsky's music score for DOTM continued to please me. Nothing struck me as out-of-place, but at the same time nothing caught my attention emotionally like "The Arrival" from the first film's score. I was glad the "corny" music from the first and second film (cue the music from when Sam arrived at the lake in the first movie) was absent from the third. I'm looking forward to purchasing Jablonsky's score when it becomes available on CD. Linkin Park's "Iridescent" was present in the film if I recall correctly, and I think the Goo Goo Dolls "All That You Are" is as well.
The sound quality of the film seemed great. I don't recall my ears hurting nor do I feel like I was ever having difficulty understanding anything. I don't recall a G1 transformation sound, hopefully someone catches one and can point it out. No complaints here from me about the audio.
Cartoon References or Coincidence
Several elements of Dark of the Moon reminded me of the fan-favorite three part cartoon "The Ultimate Doom". In that story, the Decepticons enslave mind-controlled humans and bring Cybertron into Earth's orbit via a space bridge. In Dark of the Moon, fearful or deceived humans are working for the Decepticons who want to bring Cybertron to Earth in order to use our planet's resources to repower their homeplanet. Very similar concepts.
One other similar concept that seemed pulled from the cartoons, was the Autobots' exile from Earth. While this scene seemed huge, and the Autobot shuttle looked magnificent, I couldn't help but feel that Megatron's Master Plan pulled this exile concept off better somehow … or at least with more emotional attachment. The whole scene should've felt more powerful in my opinion.
My personal favorite character, Soundwave, is still Frank Welker's Dr Claw voice minus the voice processing we all know and love from the original cartoon. Soundwave was one of Megatron's right hand "bots", standing by his side during what will be a very memorable on screen moment that had all three big time Decepticons in the same scene standing side-by-side (Megatron, Starscream, and Soundwave). While I was initially disappointed to hear that he transformed into a Mercedes-Benz SLS AMG in DOTM, his role as Decepticon spy was served just as well by going undercover posing as Carly's car, which her Decepticon loving boss gave her as a "gift". His robot mode looked awesome and he has an awesome moment battling the Autobots before he gets slagged.
Laserbeak speaks, to which I feel indifferent about it. I kept having moments of nostalgia from the Japanese version of the original Transformers cartoons when Laserbeak and Ravage would speak. He's a cool little character that really kicks some butt in this film (albeit mostly humans, more about that later). He transforms into a multitude of objects in the movie. It'd be neat to see Hasbro come up with some other toy versions of Laserbeak. He even transformed into a small human sized red Bumblebee-looking robot to pose as a playmate to a daughter of one of his victims. There was an awesome nostalgic moment when Laserbeak rested/landed upon Soundwave's right arm. While he doesn't look exactly like the Laserbeak of old, I think this is a great representation of this character in live action form.
Mirage was named Dino (pronounced "dee-no"), who looked very awesome. I mean, what Transformers fan doesn't love having an Autobot that transforms into a sexy, red Ferrari 458 Italia? Sucked seeing him share onscreen time with Sideswipe, who's basically the same character, when a red sports car should have been Sideswipe all along.
Wheeljack was named Q (Cue? Que?), who was a very disappointing addition to the Autobot roster. It wasn't so much the characterization (or lack thereof; who's onscreen role could've easily been given to the Autobot weapons specialist Ironhide), but the head design basically looked like a robotic skull with Albert Einstein's facial features and hair. I'm assuming they were trying to convey that this is an Autobot scientist or a really smart Transformer, but I'd like to think that most of the movie going audience is above having things shoved in their faces like that. The original Wheeljack has such a unique head design that it was a shame to not see that translate to the big screen. If you didn't like him either, don't worry, Soundwave executes him later in the film during a rather tense moment when it seems like all is lost to the Autobots.
For as big of a deal as it seems everyone has made about the Autobot subgroup known as the "Wreckers" (Leadfoot, Roadbuster, and Topspin), they really had minor roles for the most part. They were part of the crew working alongside the humans on the Autobots ship which they were exiled in, and the other major part they had was going with Bumblebee into the city when they ripped apart a Decepticon pilot who had crashed, and saving Optimus Prime when he got tangled in some wires after battling the Driller that was attacking the falling skyscraper Sam and the other humans were trapped in. I didn't think I'd like how Leadfoot looked onscreen, but he was easily one of my favorite product placements in the film. While I couldn't pinpoint any connection with the Wreckers voices, I can assure all of you that they did NOT have redneck voices which was a huge relief to me.
Ratchet was in it considerably more than ROTF, however he still had few lines. Same voice actor as far as I could tell from the first film. He also seemed to have a modified face, but I'd have to get another look at it. He was with Optimus when they went to the Ark.
Sideswipe had at least one line, perhaps more. I felt like his onscreen time was replaced with that of Mirage Dino.
Sentinel Prime, voiced by Star Trek's Leonary Nimoy (who also voice Galvatron in the 1986 animated Transformers film), was one of the few Transformers to receive some characterization. His character underwent a harsh transformation from being Optimus Prime's predecessor and hero to being one of the major antagonists in the film. His ideals seemed to align more with that of Megatron and his Decepticons than with the heroic Autobots. He seemed far more concerned with saving the Cybertronian race and planet, which seems like all movie Megatron has wanted. There was no foreshadowing of Sentinel's betrayal. After bringing Sentinel back online, there was a nice moment where Optimus tried to give the Matrix to Sentinel, but oddly Sentinel declined. It seems like if he was inevitably going to betray the Autobots, that he should have taken the Matrix. His death at the end of the movie was very fitting, though I think it sucked seeing the heroic Optimus Prime killing his Autobot mentor.
Sentinel's betrayal wasn't the moment that I wasn't expecting. It was how Sentinel viciously attacked the Autobots, and killed Ironhide! I didn't see that coming. I hadn't even heard any rumors of that happening. It was the only moment during the film that I was shocked at. I was especially shocked since Hasbro has heavily promoted Ironhide by having at least five toys of this character available at retail by the release date of the film.
Still no voice for Bumblebee! If you're wondering why he's holding his hands up to his head in the trailer, it's not because the sound is too loud … it's because his holding his hands up before he's almost executed by Soundwave and the Decepticons. Very tense, cool scene.
Shockwave's character was a waste to me. He looked awesome. He looked evil. But without even a full line (he said something at the Chernobyl scene but I think it was just "Optimus Prime" or something very basic), there was zero characterization. He could've just been another drone for all we know, well, a drone leading other drones. I was hoping for just a couple of lines to Megatron about something being logical or illogical, something that says that this is the character we've known and loved over the past 27 years. He was killed during the Chicago battle.
I wasn't sure what to make of Starscream in this film. His character had been reduced to the worst traits of Starscream. Cowardly, whiny (?). He had two moments in the film that should have been more monumental and awe-inspiring … when he single handedly takes out the exiled Autobots' shuttle and when he takes on the sky divers by the Willis tower in the skies over Chicago. One of my favorite scenes in the Transformers film franchise is in the first movie during the final battle when Starscream takes on the other F-22 Raptors going back and forth between his robot mode and jet mode. That scene is one of the best uses of their ability to transform in the film. I was waiting for that "wow, that's so cool" moment to hit me with either of those scenes but that moment never happened.
The rumors about the cowardly villain Starscream meeting his maker were unfortunately true. Thankfully, he didn't get taken down singlehandedly by one of Epps buddies, which was the rumor we heard last summer. Disappointingly, he was taken down by Sam, who used a grappling hook device given to him by Q. Sam used the weapon to attach the hook to one of Starscream's eyes, which damages it. Starscream is ranting about his eyes and not being able to see. All I kept thinking during this scene is … can't Transformers "see" without their eyes. Seriously … how else would they "see" when they're in their vehicle modes if they didn't have alternative methods to see? If Starscream had just transformed into jet mode, would he have been able to "see" again? Starscream deserves a much better death scene than this. Fortunately, we have his far superior death courtesy of Galvatron in the 1986 film.
Ever wonder what happened to my favorite police car Decepticon Barricade? He went M.I.A., literally, during the final quarter of the first film, was M.I.A. for the entirety of ROTF, but finally makes a miraculous return during the Chicago battle scene. I was very happy to see him return. If I saw correctly, it looks like he received an update or two to his character model. It'd be nice to see some comparison shots of this. My happiness at Barricade's return lasted only momentarily as he was destroyed shortly thereafter.
Skids and Mudflap were indeed missing from the film. I didn't even see them as additional robots during the scene where the Autobots were exiled from Earth. I didn't miss them though I do think they would have served as great cannon fodder.
Optimus Prime gets the movie version of his battle axe that reminded me of the axe he had during the Hoover dam battle against Megatron in a G1 "More Than Meets The Eye" cartoon episode.
Megatron says something to the affect of "what would you be without me" to which Optimus replies "Let's find out." and he proceeds to kill Megatron.
Random Scenes and Thoughts
The scene on the highway en route to Chicago turned out very cool. You might remember this as the scene where the infamous accident happened last summer in Hammond, Indiana that left Gabriela Cedillo, an extra in the film, permanently brain damaged and paralyzed. I meant to see if there was any mention of her in the credits, I'll have to look again tomorrow night. The "Dreads" were a very cool group of Decepticons. I really like their overall look, which is odd because I'm not a big fan of dreadlocks. Their unified and unique look just really stands out to me. I wasn't sure what to make of their "Mexican stand-off" with Ironhide and Sideswipe, but they seemed pretty cool in my book.
I felt confused as to why the Decepticons space bridged to Washington, D.C. then proceed to travel to invade Chicago. Why not either space bridge directly to Chicago or invade D.C. instead? The D.C. scene did give us a nice moment at the Lincoln Memorial where Megatron blows off President Lincoln's head, and the proceeds to remove Lincoln's statue so that Megatron could sit in his chair. One of the Decepticons scans a WM garbage truck after arriving in DC (I want this Transformer!).
Lots of humans get killed in this film. The Decepticons have a weapon that just kind of vaporizes a human after it blasts apart. In one scene, we see a human skull roll toward someone's foot after they were killed. Pretty graphic and intense. Not something I'd recommend for the kiddies to see.
I felt very uncomfortable when the Wreckers tore apart a Decepticon pilot. I just kept thinking "Autobots wouldn't do that!" Kind of reminded me of some of the Abu Ghraib situation a few years back.
The Autobot ship did indeed look awesome. Massive. They missed the opportunity to call the ship something like "Omega Supreme", maybe Hasbro will give us an Omega Supreme toy out of it just yet, but I wouldn't count on it. Someone in the film mentions that there are 9 Autobots, but I can't 11 if you count Wheelie and Brains (Optimus Prime, Bumblebee, Ratchet, Sideswipe, Topspin, Roadbuster, Leadfoot, Dino, and Que) who were aboard the ship if I recall correctly. The shuttle scene was a good scene, it just seemed to lack the emotion that such an important scene should have … especially when Starscream takes out the ship after it launches and apparently kills all of the Autobots aboard.
The whole Cybertron coming to Earth plot seemed a little much to me for the general movie going audience to understand. Without showing the full planet of Cybertron in DOTM, it seemed like it was a lot to ask people to understand that "Cybertron", the Transformers planet which much of the audience has never seen before, was being transported to our orbit. As a fan, I had a very difficult time seeing the large object that was coming through the space bridge portal as Cybertron. It seemed so unmonumental and so unnecessary to a Decepticon invasion of Earth that I felt distracted by that entire plot element (though it's what united Sentinel with Megatron). In addition, I couldn't tell what Cybertron's fate was. It looked as if Cybertron had imploded upon itself when the space bridge was destroyed yet without any dialogue in the film or concern from any of the Transformers, it's fate was left uncertain to me.
After seeing more of the same storytelling problems from ROTF creep into DOTM, I can't help but feel that it's time for Michael Bay, Shia, and the rest of the crew to move onto other projects and make way for some new, fresh ideas to brought into the life of the Transformers films. I'd like to see what someone else can do with the Transformers now that they have proven that it's a successful toy-to-film franchise. I'd also like to see what other types of films Michael Bay wants to make as I can't believe that he would want to be best known for making the Transformers films. I think the movies are very entertaining films for what they are. No one claimed these would, or should, be Oscar award winning movies. The people who have worked on these films have done an amazing job, considering the source material started out as a toy line so many years ago.
No need to stay until the very end of the credits.
Honorable 3D Mention
Why no mention from me about 3D yet? To be blunt: I'm not a fan of 3D. Not at all. I see it for what it is … a ploy to give people something special at the theater that they can't get elsewhere and to make it more difficult for the bootleg "market". I'm looking forward to seeing DOTM in good ol' fashioned 2D. When I watch a 3D movie, I feel like I'm staring at those posters that doctor offices had back in the early 90s where you have to cross your eyes to see the hidden image in the picture. I also can't stand wearing glasses in the theater. It's just not my thing. Did this movie seem like a technical achievement in the 3D field? I can't judge that as I haven't seen any other movie in 3D except for James Cameron's Avatar.
3D doesn't make me feel like I'm part of the movie at all, if anything, it makes me feel disjointed from the film because of how many times I notice the "3D" layers. It's extremely distracting and I don't recall ever thinking when viewing a 2D movie that I wished it had been in 3D. I keep thinking of that Best Buy "buy back" commercial where the girl is calling the guy a "silly head" because he bought a 3D TV instead of a 4D TV. I'm hoping 4D gets here soon because I can't stand this very "forced" 3D craze.
I hope someone important in the movie industry read my thoughts about 3D.
On a personal note, I think I'd prefer seeing a movie like DOTM with a regular audience any day. The press guys didn't laugh or gasp or anything during the movie. Either they thought DOTM sucked or they were all way too busy writing down notes on their pads of paper. To me, a big part of going opening night for a movie, or even some time during the opening week, is to catch the buzz that radiates through a movie theater that is excited about a film. I think it's unfortunate that the press people didn't get to experience this movie with the regular movie going audience. I'm looking forward to seeing DOTM on Tuesday night with family and friends and people from Seibertron.com who I know will be geeked and excited about seeing this film ... and are there to have fun and have a great time.
So you might be wondering exactly what I thought of this movie and what my recommendations are. I know I picked apart a lot of the movie above. I'm very, very passionate about Transformers. I'm also very protective of how we, the fans, see our Transformers. I just want our experience to be shared by everyone else. I want people to know why we like and love these Transformers characters. I gave it a 4 out of 5 on my Netflix account just now. If it wasn't a Transformers flick, I'd give it a 3 out of 5 mainly due to feeling that the story was confusing at times or incoherent. The special effects and technical achievements in this film were simply amazing … stunning even! They should win awards left and right for what pulled off with Chicago and for making huge leaps with the computer animation for the robots which continue to look better and better.
As I said at the beginning of this review, if you're a Transformers fan, you've got to go see this film so that you can tell the rest of us what you think about it. Don't base whether or not you see this movie based on my review. It's a fun movie. Go see it. You be the judge and tell us what you think after you see it.
Mimobots has come out with their new series called Transformers X. Mimobots are designer USB flash drives. The Optimus Prime and Megatron Mimobots come in capacities ranging from 2GB to 16GB. They come preloaded with special MimoDesk specific content such as wallpapers, icons, screensavers, and other digital extras. They retail starting at $22.95 each.
For 9 million years, Optimus Prime has battled Megatron over the Universe’s energy supplies and control of Cybertron. Now Optimus Prime is battling to defend your data!
The leader of the Autobots, Optimus Prime MIMOBOT® stands heroic with his trademark red, white, and blue armor, and matching helmet. He's travelled across the galaxy with a singular purpose: to protect your data from falling into the greedy clutches of the evil leader of the Decepticons, Megatron. Optimus Prime MIMOBOT, Transform and Roll-out
For 9 million years, Megatron has battled for control over Cybertron and the Universe’s energy supplies. Now he has set his evil mind on seizing control of your data!
With steel-colored armor, menacing scowl and piercing eyes, Megatron MIMOBOT® boasts his classic Transformers style and will stop at nothing, least of all the feeble attempts of Optimus Prime, to gain the Universe’s data, and that means your documents, music, pictures and more!
Greetings Seibertronians. Seibertron.com has recently got ahold of a couple of copies of the official comic book adaptations for the first two books in a four book series covering the upcoming film, Transformers Dark of the Moon, produced by IDW Publishing, and have reviewed them. Written by John Barber, with Art by Jorge Jimenez Moreno and edited by Carlos Guzman and Andy Schmidt, Transformers Dark of the Moon the comic gives us a look at what the movie will bring to the table when it hits theatres June 29, 2011, along with a bonus prose story by John Barber that seems to "tie the loose ends" of the three films. As with any comic review, MAJOR MOVIE SPOILERS are ahead and would urge you not to read this, at this time, if you wanna stay "in the Dark" about the film.
Do Not Read beyond this point if you do not want to read spoilers.
Transformers: Dark of the Moon, The official comic adaptation #1
The first book starts us off in 1969, within NASA headquarters as the first moon landing occurs. According to the book, only a select few within the moon mission itself knew of its true intent, as the team on the moon "goes black" (sans radio transmissions) for a time, on purpose. The reason, to locate the object that caused a flare up on the Dark side of the Moon seven years prior. They find the original Ark ship, with a host of dead Cybertronians, and Sentinel Prime.
Flashing forward into the book, we see that the Autobots and Team N.E.S.T. have dug in even deeper with each other with, now, Colonel Lennox leading the way. Wheeljack makes his debut as a long haired "Professor Brown" ala Back to the Future, type bot who's alt mode is a classic Mercedes-Benz. The book must have been written before the script changes as Mirage is still referred to by name instead of the rumored "Dino" replacement. We get confirmation that a host of Autobots fell in the last movie as Optimus Prime vows vengeance for his fallen comrades. We also get a nod to the relationship held between Optimus Prime and Elita-1 once held in prior incarnations, as we get a pan shot of Elita-1's coffin and Optimus Prime motions to it affectionately.
The NEST team learns of new activity coming out of Prypriat, Ukraine. Colonel Lennox and the crew are in BioHazard suits while the Ukrainian Agent Voshkod is dressed regularly. He's about to tell them something when he spots Laserbeak in the sky and quickly quiets. They go to investigate the area famously known as Cherynobl. Upon arrival they find Cybertonian technology with Russian wrting all over it and this angers Optimus Prime. His anger is quickly directed to a huge threat as a Cybertronian Driller, said to be ruled only by Shockwave, attacks the Autobots and Optimus Prime battles it. Shockwave then appears with the Driller and escapes. Prime is hurt but he got what he was trying to keep from Shockwave, a piece of a Cybertronian engine. After all this, Laserbeak returns and kills Voshkod. Apparently the humans were working with the Decepticons in some fashion.
Optimus and the Bots then meet Director Mearing, who took over for Inspector Galloway, and Prime is not a happy camper that they've been witholding informattion. Mearing then goes on the inform them of the whole purpose of the Moon missions and Prime realizes there's a big problem.
Enter Megatron in some far off desert. After toasting an elephant that was in his way, he returns to a crude hideout to see Starscream and some form of animal Decepticons that may, or may not be, dogs. Starscream is there in true form as is Soundwave. Apparently, Megatron knew of the Ark crashing on the moon long ago and that is the reason Soundwave was there in the first place. Megatron opts to let the Autobots do "all the work" in getting Sentinel Prime and the artifacts back to Earth.
Optimus goes to the moon and retrieves Sentinel Primes body, the Cybertronian artifacts, and upon leaving, you see three Cybertronians, presumably Decepticons, watch his departure.
In the middle of all this, we see Sam Witwicky is moved in with his new girlfriend Carly. Mikaela dumped him for some reason, but he got to keep Wheelie and his pal Brains as a consolation prize. He's struggling to find a job when Carly arranges and interview and, essentially, gets him the job.
As far as the comic goes, as a comic itself, I give it two and a half out of four cubes. Given the degree of difficulty there must be to replicate the Transformers on paper, the artwork was good, but the human drawing was lacking and rushed at best. Some panels seemed just kind of thrown in there as filler space and there were some real opportunites that seemed to get missed, especially when Prime rips apart the Driller. The colors of the comic were decent, but it seems like the colorist went "outer glow" crazy on some panels. I can see it working on the Bots, but not on military cammies. None of the humans remotely resemble their real counterparts and the military uniforms worn by Lennox and his crew don't even look US issued. Storywise, I assume Barber did the best he could with what he was given. The story flowed well, but if this script holds true, then Dark of the Moon will make Revenge of the Fallen as pointless as ROTF made the first film.
The book did feature a special prose story by Barber at the end, in which we find Soundwave commanding a group of Decepticons on a space cruiser in search of the Allspark. The events of this story clearly occur prior to Revenge of the Fallen, as Soundwave follows a mysterious "voice" after an Autobot ship that goes through some type of dimensional gate and puts itself and the Decepticon space cruiser thousands of years in the future. This Autobot craft lands on a moon of a green a blue planet not far by. The rest goes on to try an attach the first two films to DOTM.
Overall the prose as a stand alone story is solid, but trying to connect the dots, in a movie franchise that clearly didn't do so in the films themselves, is going to be a heavy task to take on.
If you love Transformers comics, and dig the movieverse, the $3.99 pricetag is worth the investment to get in the know about what to expect from the upcoming film. This book is available at local comic shops now.
Stayed tuned for our review of Transformers Dark of the Moon The official comic adaptation #2, coming soon.
- In TRANSFORMERS UNIVERSE players will be able to create and play as their own AUTOBOT or DECEPTICON, designing and customising the character to fit their game play style, combat preferences and appearance.
- After looking at the mechanics, the iconic TRANSFORMERS IP, and the TRANSFORMERS heritage Jagex distilled this into core themes which are present throughout the TRANSFORMERS universe: conflict, teamwork, and social regard (the AUTOBOTS caring for the humans)
- TRANSFORMERS UNIVERSE sits within the "Prime" timeline, along with the book Exodus, the War for Cybertron games and the Prime cartoon.
- The game will be released in 2012.
Here is the concept art which was released in this asset pack for your viewing enjoyment ...