Let It Slide
(Spoiler free-ish)
SynopsisYOUTH IN REVOLT! As Unicron approaches, Optimus Prime’s colonist soldiers take matters into their own hands. With Autobot forces spread thin, will anybody stand in their way? And–more importantly–SHOULD anybody stop them?
that solicit feels more like last issueWe continue, after a fashion, the almost parallel story being told between the Unicron mini-series and the Optimus Prime ongoing, after the latest events in the two series and the splitting up of the stories, as they reconnect in Unicron #5 - the review for which will follow this one, as the story does so in the books. But for OP? Read on below!
brutal recapThe story, or rather stories, that are taking place in this one issue have seemingly little to do with the opening - very funny - scene with Thundercracker retelling events from the GI Joe books. I say seemingly, as the leitmotif of the TF universe has effectively been 'stories are just stories being told in different ways from different storytellers' - and that leads us into, finally, a conclusion to Slide's grief, anger and legitimate (but dragged out) resentment towards Optimus himself.
FINALLYThis latter frame, while needed, can create some confusion on the overall book, as the subsequence of multiple perspective flashbacks and present time retelling of the flashbacks, with a shift into the actual present time actions that follow that retelling... Nonetheless, several of the cast members here, and it's an impressively enormous cast by now, get their character moment, even if just one line, one panel, one frame.
This one's Snarl'sThat said, there isn't ..that much happening in the issue overall, though some serious conversations and interactions take place. Which is, again, an odd choice, being so close to the end - with Unicron #5 and #6 continuing this story before we fall into the conclusive issue #25 - and that may not sit well with everyone still along for the final rush to the finish line, despite what good comes from the single moments - such as the final two pages.
ArtOn art duties, we find both Andrew Griffith and Sara Pitre Durocher, working more or less in tandem on the different timeframes of the overall story: Griffith has a specific task with Thundercracker, of course, and SPD works particularly well with Jazz and Prowl scenes - but both deliver some excellent panelwork, and the multiple splash pages and spreads are a testimony to their skill, and the synchronicity of their collaboration.
DOC MISSES BUSTERSomething that Josh Burcham's colouring work only seems to highlight, as on the first read - bar some obvious exceptions, such as the opening scenes - I wasn't entirely sure on which pages were done by which artist, and that is something the colours have been able to do for the entire series, just even more so here. And I am so very impressed.
Your New Robot Monster GirlfriendTom B Long doesn't have an easy job of keeping track of the multiple time and story frames, but the story progresses nicely with his help too - and the captions, the colour coding of the stories being told in them, and their placement, ensure that readers are really on board with who's speaking at what moment, and why that matters. Because it does.
As for covers, you can find all three (admittedly two, given the Kei Zama retailer incentive in black and white lineart) in full size in our Vector Sigma Database
entry, and the one found in the thumbnail is the Griffith / Joana Lafuente B Cover, with yet again the leitmotif in plain sight.
ThoughtsSpoilerish aheadIf you're looking for a big fight against Unicron, or even under Unicron at this stage, last issue is where you want to look for, as the breather - an odd choice of pacing for an ending series, admittedly - is what we find here. And it may not be John Barber's most political issue overall, but it has some of his most poignant reflections on the themes he's explored so far, from leadership, to community, to tyranny and fascism, via personal loss and anger.
Till All Are ...ohSo even with the odd 'breather' pacing issues, I enjoyed the book - but more so on a second read, and I'm glad it's coming out close enough to Unicron #5 as we'd otherwise have too much space of not much happening in the same storyline across two books. Visually, the last Griffith page is magnificent, SPD's Prowl is brutal, and Stardrive is still as great and sharp as she is (/will be) in Unicron #5, with the full force of Prowl's influence on her after a long stint alone.
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