IDW Rom Vs. Transformers: Shining Armor - John Barber, Christos Gage, Alex Milne Interview
Posted: Wed Jul 12, 2017 8:40 am
The back matter of this week's issue of IDW Publishing's Optimus Prime #9 - review coming soon, so keep an eye out for that - includes an interview with the three creators behind Rom vs Transformers: Shining Armor: writers John Barber and Christos Gage, and artist Alex Milne (who will be joined by Josh Perez on colours)! We've copied below what the three have to say to support the book and new character Stardrive - check it out!
John, Christos—does this series mark the first time that Rom and the Transformers meet? We
saw them together in IDW’s Revolution event, but this story is set 200 years in the past!
CNG: Yes, this is the first time Rom has met a Transformer. As we begin the miniseries, the Solstar Order and the Cybertronians are aware of each other's existence, but until this story they have
stayed in their own territories. But the end of the Wraith War—which led to the Dire Wraiths fleeing throughout the universe—has changed things!
JB: It's also the first time the Dire Wraiths meet the Decepticons. We've never seen what happens when a Wraith takes over a Cybertronian body before... and the results aren't pretty.
Stardrive is a unique character for a crossover like this—a Transformer that’s also part of the Solstar Order. How does this conflict affect her personality?
CNG: The interesting thing about Stardrive is that she has never met another Transformer before this miniseries. She has only been given the Solstar Order's take on them: that Cybertronians are destructive machine monsters that rampage through world destroying organic life. She's told that
she's "better" because she was raised differently, but it's unmistakable that she's been brought up to feel there's something wrong with her. Now, for the first time, she's actually meeting beings of her own species—and they're from opposite factions, so she's more torn and confused than ever!
JB: Stardrive's been an outsider her whole life, and when she meets other Cybertronians, she doesn't expect to feel even more alone. She's not part of their war; she doesn't want to be destructive
like they've actually become.
Working with Alex Milne on this—did you approach it any differently than previous projects? Were the scripts very specific or did you give him a lot of leeway on the art?
CNG: We worked plot-first and I think it was the right approach. John told me Alex loves to add detail, and boy, does he! We'd give him a four-panel page and he'd turn it into a nine-panel page chock-full of aliens (all different species) and sci-fi tech. I love it! I grew up on George Perez so Alex's stuff is right up my alley!
JB: Alex had an amazing run on More Than Meets the Eye for so many years, where he started out as a fantastic artist and only got better. I'd seen a lot of his sketches and his conceptual work as that
series went on, so I definitely wanted to make sure he had the opportunity to design this series—new worlds, new characters, new aliens, new space ships. It's not even just a visual thing—Alex thinks this stuff through from top to bottom, and that definitely shows through in the comic.
Alex, your art on this story is just on another level—crazy amounts of detail and panel-heavy layouts! Can you tell us a bit about how you approached the art for this project?
AM: The script for the book is written in a plot style—it leaves me with a lot of options on how to approach it. Unlike past scripts I've worked on that have had full dialogue and descriptions for the
panels, here it's all up to me, so I'm not worrying about trying to fit a lot of different actions into one panel. It's a very interesting creative freedom I feel working on this book. It pushes me to try different things and to see what I can come up with not just in the art but in the storytelling as well. It's a nice change for me!