MAKE CYBERTRON GREAT AGAIN
(Spoiler free-ish)
SynopsisTITANS RETURN! Following the literally-Earth-shattering events of last issue… OPTIMUS PRIME establishes a new base of operations—AUTOBOT CITY! Its first visitor: a newly-revived SENTINEL PRIME, who sees a potential ally in OPTIMUS.
Gotta four cheeses pizza fer 'imDespite the distribution and release mix-up, meaning that this issue - which directly follows the Titans Return one-shot - is coming out after More than Meets the Eye #56, and the unclarity with which the whole Titans Return event is supposed to be ordered (apparently it's both TF then MTMTE, but also TF-MTMTE-TF-MTMTE; I know, I don't get it either): we're here! New issue! Backstory! Saltinel Prime!
Alpha Trion doing bad impressions of Rorschach!We have been introduced to the newly resurfaced, orange-clad, extremist view-holding, weapon-toting, supremacist, belligerent candida-- ex-ruler of Cybertron, and we get to see more of the joy he brings to the galaxy in this issue - but with actual plot and plan and details. And violence. I am not rooting for him, in any way, but there is a perverse enjoyment in seeing how ruthless John Barber is playing him, and wondering how the story will develop - even
with the knowledge of MTMTE 56.
Er.. there are a number of ruthless characters, yesThat does come to the detriment of pretty much everyone else involved, with Optimus Prime and Soundwave forced to have a tete-à-tete with the orange (but also black) tyrannical egomaniac, Arcee facing him head-on, and Alpha Trion ultimately headed elsewhere. While we're at it, we also make sure continuity and characters are kept and established, with (arguably) secondary characters such as Kup, the Victorion team, Jetfire and others, used fairly well in the mix, all considered.
o hai SideswipeThe book also quite
loudly sets the stage for the upcoming Revolution event, though how successfully it does that is yet to be seen. The story does make sense, yes, but it takes a lot of suspension of belief and some 'let's see'-ing efforts, with the introduction of some of the characters and plot points that will play a major part later, apparently, such as Blitzwing (as we saw in the Revolution
prelude) and *other things*.
ArtWe have Livio Ramondelli on art duties again, after the Titans Return introduction, and still rocking the new visual direction he's had in these later books. There is clarity in line purpose, good layout on the page and within the panels, and one particularly amusing detail on the body of Ego-Lord Infinitus: the giant screw in his chest. (There's a particularly dynamic panel too, but it's a fairly big spoiler for this review. Screw it is.)
Anyone else loving this?He also takes the colour control on the art side, as is customary, and there's a really intriguing palette at work here, with a lot of orange (mainly down to Sentinel and his ego, but not entirely), reds, blues, but also some ominous and significant purple, paired with nice light/dark effects and alternate light-sources, too.
Good lighting, hereTom B. Long is tirelessly still taking care of the lettering for the book, and playing with some good fonting as Ramondelli's style allows for it, plus giving some distinctive voices to the ever-growing cast and communication devices - helpful, really, in this sort of situation! As for the covers, the main Ramondelli one shows a bit of Prime-on-Prime action, and a potential consequence found in the Casey Coller and Joana Lafuente wonderfully scaled variant, but I chose Kei Zama and Josh Burcham's (arguably) MVP art for the thumbnail, for a taste of the post-revolution style too.
ThoughtsSpoilerish aheadBarber is somehow able to bring together the last strands of the storylines happening in The Tranformers, and the beginning of the new line starting with Revolution, while at the same time creating two separate paths that can be used at will - an impressive feat, that borrows heavily from the work he has established in the TFverse since his first involvement (writerly and editorial), and a sign of skill, undoubtedly.
Been there, manThe resulting effect, in my opinion at least and with the help of the visual work from Ramondelli and Long, is a highly enjoyable issue: good pacing, good continuity, good character use, good referencing to previous stories and hinting at new ones/their continuation, good interactions in a very big cast, and one that does not seem to be decreasing any time soon. Good read.
We should give Michael Bay that franchise so it can be great again.
