Ipsofacto wrote:Because i'm guessing the studio had ALOT of stock sound effects
That's my point entirely. Animation studios have VAST libraries of generic space spounds and effects at their disposal. That being the case, why pay royalties for a background 'swoosh' sound that is copyrighted by the BBC?
Ipsofacto wrote:I mean you're hardly paying top dollar for the sound of the Tardis door opening are you?
The BBC have a copyright system in place on their sound effects that effectively treats them as incidental music. It'd be like paying to have a Beatles song on the soundtrack - imagine how much
that would cost. And then there's repeat fees, DVD rights etc etc. It's a HELL of an expense, certainly a lot more so than using stock effects.
Ipsofacto wrote:With the amount of money TF made back in the 80s im sure they could afford it anyways...
The 80s cartoon was quite a low budget production. Sure, it made a load of money but was produced for very little. Look how many times they re-used certain stock shots, such as Optimus' transformation. The incidental music was always the same, and the production turnaround was very quick, thereby resulting in MANY animation errors.
Other than the excellent voice cast and direction, the programme was made by jobbing hacks for a saturday morning kids' market. It was essentially a 22-minute-long toy commercial. That it turned out so well is nothing short of miraculous.
I reckon they just bought a load of old effects records, then used whatever they wanted, hoping nobody would notice.