REBOOTED AT POST 29: If you were asked...

Hello to all.
The subject is: "If a TF fan is busting to tell the TF moviemakers something about his feeling towards THE FUTURE of the TF movieverse, and the chance was given via the direct question "how do you think we (the moviemakers, without you) should do something?", what would you say to them in response?
Notes: With the trailer releases there's an influx of new blood joining Seibertron right now, so I feel strongly that it's a good opportunity to update this topic.
Folks can repeat themselves from other threads in this one (it's necessary for the subject matter to get a decent workout).Please try to go easier on newer members.EVERYBODY is welcome to post here, especially people who may assume they aren't.
Here goes:
Regarding the movieverse as a product line:
Everybody knows I personally want the movies to carry on for many years.I strongly feel an unhurried story and a STRATEGIC delay of Unicron (both on screen and behind closed doors) would be both entertaining and beneficial to the movieverse as a product line.Although there doesn't have to be 'a movie every year' I am not convinced that the lifespan of the movieverse should be determined prematurely.It has a life, and therefore a personality and talents of its' own.
There could even be a sub-game throughout the storylines amongst the creators, where every few films, a few moments of footage could show Unicron arriving somewhere and gradually, ponderously moving along on his journey to either Earth or Cybertron.A single group of refugees could easily find their way to Optimus Prime and tell him about Unicrons' appearance. The Autobots could then be busily trying to get ready, film by film, whilst Megatron and whoever else is gradually setting their efforts back, film by film, regardless of sub plots by film or by trilogy, there would then be an overhanging Saga theme.
The game could be that each director might have to show 45 seconds (or whatever) of Unicron by mandate, always closer to Earth or Cybertron, but also try to hold him back as well, long enough for the next director to give his Autobots and Decepticons (and Earthlings and Quintessons and whomever else) their opportunities to get ready whilst fending one another off.In this way, the whole story does have a natural lifespan, but it's also freeform.
Regarding directors:
I think it would be beneficially interesting and useful if individual directors & writers had a level of freedom regarding the amount of films they PROPOSED to make and the context of the film type- for instance, one director (or writer team) might be free to at least propose a trilogy, another a duology, and another a single feature film. I would personally consider the storytelling succesful as long as it was moving forward.The highest echelons of movie creators, in this way, could quickly end up with a lot of optional material to chop & change & string together into a production program of sorts, setting them up for years into the future, and even hotswap it out during times of crisis.
Regarding characters:
I suggest that the existing version of Megatron as the scarfaced, vagrant Phantom of the opera, still as sinister and dangerous as ever but now hidden and operating from a distance with intent to regain his old standing via other agents could be a very useful mid to long term plot tool covering multiple future stories-that is, heal Megatron, but don't heal him too fast.Wins here and losses there could play on viewer anticipations very effectively and keep the idea of every ending being a happy ending in a state of turbulence-thus generating a true saga if not the next,dare I say it, space opera?.Don't tell me the Movieverse doesn't have the potential for a space opera in it?!?
A non-combat oriented Autobot poplulation on Earth,(or the vicinity of), alongside the combat population, could be a powerful long term subplot driver, as the Decepticons would naturally wish to eradicate or enslave anything resembling an Autobot city.Machinations of Megatron (amongst others) to lure the military Autobots away from the settlement in order to then wipe it out or assimilate it could keep viewers stressing & biting nails over events and permit cliffhanger endings from film to film, especially if some Autobots begin to reproduce.Creches of Autobot 'children' growing into Gangs of adolescent Autobot Hotbloods,desperately needed to be kept alive long enough to mature and enter the thinning Autobot fighting ranks, could be a great storytelling aide.
An eventual son (or daughter)of Optimus Prime could be a very effective story device. Not only would the child gradually grow "up" from film to film, it would also be a logical target for assassination, together with its' "Mother", especially whilst younger.A film where the child is eventally actually killed could have the same impact as a full on reboot if the direction of a reboot was desired or deemed necessary.Bays' team has already set the Bar with Jazz: Transformers can die, and shouldn't come back, no matter how painful the loss.
I personally strongly encourage the eventual reunion of Sideswipe with his brother Sunstreaker, (and if later desired, "their other brother", Hotshot, if the gladiator twins' spotlight needed retouching further down the line). I believe the import of Sunstreaker would touch both sales and fan feedback positively.Sentimentally, I would prefer to see these two either die together or survive together.
Rant:
I've already discussed my personal (and slightly fanatical) feelings that for the existing state of Transformers films, a reboot (as opposed to just continuing the natural progression of the story to date) is absolutely unrequired, the absolute murder of something in perfect health, and a cover up for bad decisions taken at the beginning of events that lead to it.Even if the health of TF films actually fails at some later time,it will fail gradually, and in a way obvious enough to detect quickly. The reboot, especially if undisguised as a reboot, will always be the easy way out based on the existing state of TF films, especially since the existing state of film health is actively looking outwards with intent to predict or detect and then avoid unforeseen failure of health in the movies as a product line.
Rant over.
I naturally assume that what I wish for myself is what I should wish for all TF fans and the TFs themselves, and those were my two Energon points.
Have fun with this thread.
The subject is: "If a TF fan is busting to tell the TF moviemakers something about his feeling towards THE FUTURE of the TF movieverse, and the chance was given via the direct question "how do you think we (the moviemakers, without you) should do something?", what would you say to them in response?
Notes: With the trailer releases there's an influx of new blood joining Seibertron right now, so I feel strongly that it's a good opportunity to update this topic.
Folks can repeat themselves from other threads in this one (it's necessary for the subject matter to get a decent workout).Please try to go easier on newer members.EVERYBODY is welcome to post here, especially people who may assume they aren't.
Here goes:
Regarding the movieverse as a product line:
Everybody knows I personally want the movies to carry on for many years.I strongly feel an unhurried story and a STRATEGIC delay of Unicron (both on screen and behind closed doors) would be both entertaining and beneficial to the movieverse as a product line.Although there doesn't have to be 'a movie every year' I am not convinced that the lifespan of the movieverse should be determined prematurely.It has a life, and therefore a personality and talents of its' own.
There could even be a sub-game throughout the storylines amongst the creators, where every few films, a few moments of footage could show Unicron arriving somewhere and gradually, ponderously moving along on his journey to either Earth or Cybertron.A single group of refugees could easily find their way to Optimus Prime and tell him about Unicrons' appearance. The Autobots could then be busily trying to get ready, film by film, whilst Megatron and whoever else is gradually setting their efforts back, film by film, regardless of sub plots by film or by trilogy, there would then be an overhanging Saga theme.
The game could be that each director might have to show 45 seconds (or whatever) of Unicron by mandate, always closer to Earth or Cybertron, but also try to hold him back as well, long enough for the next director to give his Autobots and Decepticons (and Earthlings and Quintessons and whomever else) their opportunities to get ready whilst fending one another off.In this way, the whole story does have a natural lifespan, but it's also freeform.
Regarding directors:
I think it would be beneficially interesting and useful if individual directors & writers had a level of freedom regarding the amount of films they PROPOSED to make and the context of the film type- for instance, one director (or writer team) might be free to at least propose a trilogy, another a duology, and another a single feature film. I would personally consider the storytelling succesful as long as it was moving forward.The highest echelons of movie creators, in this way, could quickly end up with a lot of optional material to chop & change & string together into a production program of sorts, setting them up for years into the future, and even hotswap it out during times of crisis.
Regarding characters:
I suggest that the existing version of Megatron as the scarfaced, vagrant Phantom of the opera, still as sinister and dangerous as ever but now hidden and operating from a distance with intent to regain his old standing via other agents could be a very useful mid to long term plot tool covering multiple future stories-that is, heal Megatron, but don't heal him too fast.Wins here and losses there could play on viewer anticipations very effectively and keep the idea of every ending being a happy ending in a state of turbulence-thus generating a true saga if not the next,dare I say it, space opera?.Don't tell me the Movieverse doesn't have the potential for a space opera in it?!?
A non-combat oriented Autobot poplulation on Earth,(or the vicinity of), alongside the combat population, could be a powerful long term subplot driver, as the Decepticons would naturally wish to eradicate or enslave anything resembling an Autobot city.Machinations of Megatron (amongst others) to lure the military Autobots away from the settlement in order to then wipe it out or assimilate it could keep viewers stressing & biting nails over events and permit cliffhanger endings from film to film, especially if some Autobots begin to reproduce.Creches of Autobot 'children' growing into Gangs of adolescent Autobot Hotbloods,desperately needed to be kept alive long enough to mature and enter the thinning Autobot fighting ranks, could be a great storytelling aide.
An eventual son (or daughter)of Optimus Prime could be a very effective story device. Not only would the child gradually grow "up" from film to film, it would also be a logical target for assassination, together with its' "Mother", especially whilst younger.A film where the child is eventally actually killed could have the same impact as a full on reboot if the direction of a reboot was desired or deemed necessary.Bays' team has already set the Bar with Jazz: Transformers can die, and shouldn't come back, no matter how painful the loss.
I personally strongly encourage the eventual reunion of Sideswipe with his brother Sunstreaker, (and if later desired, "their other brother", Hotshot, if the gladiator twins' spotlight needed retouching further down the line). I believe the import of Sunstreaker would touch both sales and fan feedback positively.Sentimentally, I would prefer to see these two either die together or survive together.
Rant:
I've already discussed my personal (and slightly fanatical) feelings that for the existing state of Transformers films, a reboot (as opposed to just continuing the natural progression of the story to date) is absolutely unrequired, the absolute murder of something in perfect health, and a cover up for bad decisions taken at the beginning of events that lead to it.Even if the health of TF films actually fails at some later time,it will fail gradually, and in a way obvious enough to detect quickly. The reboot, especially if undisguised as a reboot, will always be the easy way out based on the existing state of TF films, especially since the existing state of film health is actively looking outwards with intent to predict or detect and then avoid unforeseen failure of health in the movies as a product line.
Rant over.
I naturally assume that what I wish for myself is what I should wish for all TF fans and the TFs themselves, and those were my two Energon points.
Have fun with this thread.