Error. Please Repeat.
(Spoiler free-ish)
SynopsisDays of Deception begins with… PEACE AND HAPPINESS! To be honest, there's not much we can say about this issue without giving away the life-changing events of last issue. What we can say is this: everything’s fine. There’s no conflict, no sadness, no angst. Why is this a problem?
..s fineTimelines have met each other and collapsed. Old friends and lovers are reunited, though something is obviously not quite right yet. Other friends and allies have revealed a different set of colours entirely. And as we explored some of the past events last issue, we delve once more in the days before the Decepticons were a thing - or do we?
Ah, good old daysJames Roberts' script is heavy. This is an issue that will require time to spend on reading, rather than a quick skim-through. The play on the different time settings is clearly marked, and cleverly linked, though that is not the critical part of the connection between the two, as what they have in common may in fact be diverging once more, but further away than expected.
Megs channelling Roberts (and readers)While in the present Megatron finally had a bit of a breakdown aboard the Lost Light, as the rest of the crew investigate Brainstorm's doings (and part of the yellow briefcase's secrets are sorta kinda revealed!), the past sees Rewind and Minimus Ambus dealing with Functionists, and the cunning and seditious Dominus Ambus himself.
Understatement of the YearDoes something feel off yet? It seems like something is a little off. No? Make sure you read *everything* that takes place in the issue, as details are constantly changing, for what seems to be a very good reason indeed in the grand scheme of things, and the upcoming Elegant Chaos event in particular, for which this issue a prelude of sorts.
ArtAlex Milne and Brian Shearer, with the latter helping on inking duties, have some great visual fun, despite everything happening in the script as it already is. A lot of Unicron Trilogy body types have been spotted, without being subtle at all, already in the first couple of pages, and there may be a reason for all of it being there after all. Though character design does not stop at that, with some twisted ..er.. twists elsewhere, too.
Plus a Dredd BotOn top of the busy script and busy backgrounds, colourist Joana Lafuente clearly had a busy time coordinating all the multiples of the same type of Cybertronian, yet marking them as individual entities (much to the ruling classes' disappointment, one might guess). I am very impressed at the result, especially with the final product in hand.
Where's..?Tom B. Long keeps on keeping on with the fantastic letter work, making sure to maintain the space that Roberts does not leave to the art, and . The issue also comes with an excellent array of variant covers, on top of the ominous Milne/Josh Perez main one. In the thumbnail is the eerily appropriate Nick Roche/Josh Burcham Functionist, and make sure to keep an eye out for the Andrew Griffith 30th Anniversary special incentive art, too.
ThoughtsSpoilerish aheadIt's mind-bendy, it's space-bendy, it's time-bendy - it just pushes the envelope and watches it bend for most of the plotlines being teased up to this point, and some intriguing social commentary to boot. Out of all of this week's releases, this is the most dense and emotionally compromising, without any doubt, so be warned before you dive into it.
Everything is fineWe vaguely know what has happened with the Functionist Council in the past. We've seen something of Brainstorm's character so far. We know what Rewind used to do in the days of Dominus Ambus, and the House of Ambus overall - be ready to have all of that questioned. Again. And again. Elegant Chaos is here.
. Though what you said about the UT cameos makes it seem that armada Megatron will appear.
