Netflix and Siege
A Review of Transformers: War for Cybertron, "Chapter One: Siege"
Spoiler Free-ish
Images in this review courtesy of Netflix
A Review of Transformers: War for Cybertron, "Chapter One: Siege"
Spoiler Free-ish
Images in this review courtesy of Netflix
In a mere two days' time Transformers fans will finally get to watch the highly anticipated, much speculated about first chapter of the Transformers: War for Cybertron Trilogy, known as "Chapter One: Siege". You'll need a Netflix account to stream the show's 6 episodes, and in case you need a brief overview, here's the official synopsis provided by Netflix:
It is the final hours of the devastating civil war between the Autobots and Decepticons. The war that has torn apart their home planet of Cybertron is at a tipping point. Two leaders, Optimus Prime and Megatron, both want to save their world and unify their people, but only on their own terms. In an attempt to end the conflict, Megatron is forced to consider using the Allspark, the source of all life and power on Cybertron, to “reformat” the Autobots, thus “unifying” Cybertron. Outnumbered, outgunned, and under SIEGE, the battle-weary Autobots orchestrate a desperate series of counterstrikes on a mission that, if everything somehow goes right, will end with an unthinkable choice: kill their planet in order to save it.
After the debacle that was the Prime Wars trilogy of streaming shows, fans looking for something different in (perceived) tone from the outstanding Transformers: Cyberverse have eagerly awaited the arrival of this latest installment. Many of us are happy to see toys that we've had for a year and a half reach the silver screen. All of us are wondering if it will be good - read on to find out.
The main plot of the series is summed up well in the synopsis above, and most fans will likely find the "30,000 foot view" of the plot to be about what's expected. While stories about the end of the war on Cybertron are as old as the franchise itself, the past decade or so has created so many disconnected permutations of this story that it's starting to become Transformers' version of Bruce Wayne's parents being killed. It makes sense for this first chapter to play things relatively safe in this context, given the amount of casual fans likely to be exposed to this series that haven't experienced the wide combination of movies, video games, books and other Transformers TV shows covering the same general story as much as those hanging out here on Seibertron.com on a daily basis have in recent history. For the most part, the good guys are the Autobots, the bad guys are the Decepticons, they're in a war which is bad and has been long, and events occur with big, sweeping consequences for the Transformers. The show keeps it simple on a high level, and to be honest, it works.
Those backgrounds are nice.
One of the reasons the somewhat standard main plot works is because the side plots with tighter character focus are then able to grasp the spotlight and provide the series' most compelling moments. The first hour of the show does feature a great deal of talking and walking but it's worth sitting through because the characters you should really be paying attention to, such as Jetfire and Bumblebee, gain foundational characterization that pays off as the episodes progress. The cast is a little big and there's maybe one "B" plot too many running in the middle of this first chapter given its length, but this isn't a problem that sticks around for long.
Slow and low
The aforementioned cast of characters is kept somewhat small and if you're expecting anyone that doesn't have a Siege toy, temper that expectation now. Heck, if you're expecting any Battle Masters or Micromasters from the toy line, I'm going to go ahead and bring you that disappointment now too, because they're not present. Optimus Prime and Megatron receive the most spotlight as expected, with Jake Foushee reprising his role as Optimus Prime after performing him in Cyberverse. It's one of the weaker Optimus Prime performances that I can recall, but Foushee does kick some more emotion in nicely during some of the more action-packed sequences. Marnocha's Megatron sounds tired, which feels character appropriate, but is overall so low and slow that if you were only listening to audio you might mistake the character for Unicron or some other giant Transformer. It's worth noting this could be entirely on the provided direction and not the actor himself, to be fair.
Thankfully, there are standout voice performances surrounding the sub-par ones. Keith Silverstein brings in a fantastic performance as Jetfire, layering in his experiences playing Char Aznable in another globally huge robot franchise to create a take on the character that feels fresh while carrying appropriate emotion. Georgia Reed delivers punchy lines as Chromia in another more subtly notable performance, to me at least, while Frank Todaro's Starscream has evolved into one of the best interpretations of Chris Latta's original take on the character's voice that's ever been recorded.
Now if voice director Philip Bache could just get everyone to actually enunciate the first "r" in "Cybertron" we'll be getting somewhere very good.
Just enough transforming and rolling out. Usually.
Transformers shows are notoriously limited by budget constraints, as making complex CGI models of robots transform into CGI models of vehicles is, presumably, complicated and expensive. There's just enough transforming most of the time that it feels appropriately present throughout, and sometimes this is accomplished through clever-ish use of smoke and other camera panning effects leaving your imagination to fill in the rest. It works fine and is preferable to skipping out on opportunities to have the Transformers, you know, transform. There was only one moment early on where I wanted to pull my hair out because the Autobots were running away on foot from Decepticons, some with flying alt modes, who were also chasing them on foot. The rest of the animation is fine with the movements of characters looking infinitely better than what was seen in Prime Wars, though not quite as nice as other recent forebears such as Transformers: Prime or even Cyberverse with the characters in "Siege" moving their hands a little too much, too often while they speak. The backgrounds are also positively gorgeous at times, with large, sweeping vistas and massive buildings giving Cybertron a sense of grandeur and scale. Occasionally the characters stand out oddly against them, but this was something I only noticed once or twice during interior shots.
I'm going long on this part of the review, but need to mention that the action and battle sequences are crisp, busy, and ultimately quite satisfying.
Always a look of dull surprise...
If there's one thing I found to be a let down, it's the sound. The balance of voices to background music and sound effects was occasionally off, and I had to turn up my 5.1 system temporarily at times to make out what some characters were saying. The classic transformation sound effect from G1 is used effectively in some places, but they forgot to sample more than one version of it making me wonder why they even bothered at all. It's something that should be done with differences in tempo, levels and duration based on the character and what they transform into but here, a lazy, one-size-fits-all approach was used. Edward Bosco's voice performance as Soundwave is ruined by a poor attempt at his voice effect but at least he also plays Ultra Magnus well, proving he's not a slouch. The musical score by Alexander Bornstein is entirely forgettable and sounds like the Tron: Legacy score by Daft Punk was cut into small samples to avoid a lawsuit then rearranged into a generic bore-fest that adds no emotion to anything at any point. My apologies to Mr. Bornstein if generic, derivative music that sounds like everything else while also sounding like nothing whatsoever was precisely the musical direction desired by Hasbro and Netflix.
Producers of Transformers shows, if you take nothing else from this review, please take this: just hire Vince DiCola next time. Barring that, hire a good Synthwave artist that can provide some exciting electronic scoring to go with the action.
Verdict
Pictured here: the fandom after watching the "Prime Wars" trilogy
Pictured here: the fandom after watching the "Prime Wars" trilogy
:exhales:
It doesn't suck.
All I wanted was for this show to not suck, and it achieves that. The wider story is a bit blasé to this long time Transformers fan who rabidly consumes its media, but the side plots and character work help elevate it. Some of the character models are re-used as generics far too often, but the overall nice visuals make me care less about that. The voice performances are hit or miss and the score is terrible but excellent all-around work on characters like Jetfire, Ratchet, Mirage and even Impactor lead me to forgive. The really important thing here is that it was a fun watch that doesn't ask for a ton of your time. You'll have about 2.5 hours sometime in the next week where the Transformers will entertain you, and for many fans, that's a big increase.
I considered going a notch higher on the score below, but "Tarnhauser Gate" was too cringe-worthy to let go without some punishment.
Final Score
.
½
out of
.
½out of
Seibertron.com was provided with complimentary advance screening access to Transformers Chapter One: Siege by Netflix for the purpose of this review. "Thank you" to Netflix and Hasbro for this access!
