Sonray wrote:So everyone stop acting like having an opposing taste means you are factually right about everything
Nobody was. The closest was you and one of the anti movie speakers saying you know what you're talking about, which implies (intentionally or not) that you're more qualified to speak or have better informed opinions, but no one else stated an opinion as fact.
A few people didn't say "imo" but unless you actually believe that the words good or bad are factual, there's no way you can mistake their opinion for statement of fact.
Sonray wrote:At the end of the day the subject matter is still just based off a kids toy, and thus it can NEVER, EVER, nor ever has been a high brow piece of film making or philosophy. It is only, and was only ever intended to entertain and the fact remains it is still doing that to this day.
Not high brow, just not dumbed down.
Here's one way to sum it up.
In G1 show, Grimlock was a Dinosaur so he was dumb. It was that simple. Dinosaurs are dumb, he was one, so they made him dumb.
They also built him as a dino in modern times, which made no sense.
In the G1 comic, Grimlock was highly intelligent.
However, he saw intelligence as a weakness. Intelligence leads to overthinking, reconsidering, hesitation.
So he acted stupid, impulsively, so as to never allow himself to give in to weakness. Nor be exploited.
The Me as opposed to I was to make him appear stupid to others, but he told his collegues who knew better that there'd been a glitch when he was reformatted and it affected his speech.
Oh, and he wasn't a dinosaur built in modern day. The Ark built them in prehistoric times, where they battled Shockwave.
He still kicked ass, it was still "ME Grimlock" smashing stuff up like a badass, it was still entertaining, but there was actual character with motivations, plots and arcs where he grew and developed.
Everything in the comic was handled in this way.
That's not highbrow, it's just decent writing in a children's comic.
It took on religion, and that went on to be used in BW/A/E/C.
It took on other issues too.
Whilst the show blew things up without consequence, the comic introduced us to actual casualties.
Whilst Archeville was putting chips in heads in easily reversable mind contol schemes, Proffessor Morris was using Swoop to murder a security guard.
And he went on to help the Autobots as a good guy.
That's not highbrow, it's doing things like other comics such as X-Men or Batman, in a universal way that credits it's audience with intelligence.
Like I said, if you grew up with the very simplified version of TF that the show delivered, that's your experience.
But many of us had a much different experience. Not an imaginary one, one that they gave us.
You can think it shouldn't have been like that all you want, but it was.
It outlasted the simple cartoon , it went on to inspire the series that kept TF going and it is a big part of Transformers.
It has as much right to be included as the big flashy explosions and high speed car chases.
Sonray wrote:800 million at the box office is obvious proof that people found the movie entertaining and embraced this new continuity of the franchise. You don't get stats like that if it "sucked because Micheal Bay directed it and the camera was too shaky, waah waah" (that there is fanboyism btw, but not in a positive sense.) now do ya?
Yes you do. It's called personal taste.
Would you honestly say that artistically, creatively, muscially, the Crazy Frog was good?
It was imaginative and funny originally, and kids loved the Frog himself.
And it was these things that made him popular, and through that highly successful financially.
That doesn't mean that the allegations of lazy, unoriginal, etc were wrong. It was these things too.
The movie is like that. It is undoubtedly popular, it does some things right for a great many people, but it gets a lot wrong for a great many people too.
Also, Bay has been attacked since he first made films for shaky camera work.
Again, among that 800 million dollars you bring up there are people who both liked and disliked the film who critisized the camera work.
Are they all fanboys?