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I had a wonderful experience creating and working with Simon, and I think we had a good relationship.. I did my best to let the creative team know what was going on, but everyone is entitled to his or her opinion on what transpired.
I don’t recall firing Alex [Milne]. I expressed to him via email in May 2007 that I understood he was paid in full. I also expressed to Alex that DE had always tried to pay him promptly, which the company did. He was the first artist to get paid because frankly he was the best comic penciler on our roster at the time. I enjoyed working with Alex and I would have wanted to keep a relationship with him, not screw him over. He was my friend and there was no intention to let him go. Again, there are always going to be multiple perspectives based on each person’s personal experience on the matter.
Supreme Convoy wrote:Wow, Rich Johnston asked some pretty hard hitting questions. Not surprised Pat Lee skirted around the issues.
I'm also curious how/when he'll pay back all those creators.
Rich Johnston: Pat, Simon Furman, the man who wrote Transformers, tells me that a month before the bankruptcy announcements, you were enthusiastic with him, even though he hadn’t been paid, assuring him that everything was rosy and asking him for more work. That was a conversation between you and him, not anyone else. And other creators agree with this assessment that you, personally, were assuring freelance creators that everything was fine, despite late payments, without any indication of tough times. The accusation is not that you weren’t talking to creators, but that you were lying to them.
Pat Lee: I am unable to account for everyone but as far as I know, most creators at Dreamwave were aware that we were going through financial difficulties. We didn’t announce it, but people were not being paid in full, and it was pretty obvious. When things got really tough, I tried to keep the team and myself motivated and push on with production. I had a wonderful experience creating and working with Simon, and I think we had a good relationship.. I did my best to let the creative team know what was going on, but everyone is entitled to his or her opinion on what transpired. I respect that.
morphobots wrote:I recall a Dreamwave art contest for Transformers in which a requirement was you had to draw "in the Dreamwave style." Nine times out of ten that meant Lee's blocky, bulky way. After reading this I can't help but wonder if that was a tactic to draw in another sucker whose work Lee could again claim was his. Also, could this have something to do with Don's announcement at the beginning of the current TF ongoing series that he never liked drawing TF's with the G1 style? IMO, there's no way Lee could truly lay claim to Don's artwork because D was simply that much better. However, if the boss tells you to work the way HE wants you to work . . . sort of leaves the door open for taking the credit as happens everywhere with managers and underlings. And if he had the brass to claim Milne's work was his, why not Don's as well?
T-Macksimus wrote:Wow, interesting reactions from the peanut gallery. It's pretty obvious that the majority of you folks have never owned and operated your own business and that you also seem to have blinders on and got only what you wanted to read out of that interview. Yeah, the guy screwed up but he wasn't alone in it. He was the public face that took the heat for it all but it was a team effort that drove the company into the ground, not just 1 man. Aww, screw it... it's a waste of time trying to explain it to you people. Like I said, you all see only what you want to, not all of what's really there.
Jeep! wrote:Why do I imagine Dead Metal sounding exactly like Arnie?
Intah-wib-buls?
Blurrz wrote:10/10
Leave it to Dead Metal to have the word 'Pronz' in his signature.
fenrir72 wrote:Good or bad, DW really did put TF back into the map back in the early 2000.
But, well without it, we wouldn't have been introduced to the pencilling wizardry of DonFig,Guido Guidi and the rest of the gang
T-Macksimus wrote:Wow, interesting reactions from the peanut gallery. It's pretty obvious that the majority of you folks have never owned and operated your own business and that you also seem to have blinders on and got only what you wanted to read out of that interview. Yeah, the guy screwed up but he wasn't alone in it. He was the public face that took the heat for it all but it was a team effort that drove the company into the ground, not just 1 man. Aww, screw it... it's a waste of time trying to explain it to you people. Like I said, you all see only what you want to, not all of what's really there.
Dr. Heavy B wrote:this is incredible. my computer suddenly smells like bull sh*t. anyone eles getting this?
RK_Striker_JK_5 wrote:Dr. Heavy B wrote:this is incredible. my computer suddenly smells like bull sh*t. anyone eles getting this?
I thought that was just me...
Good lord, what a piece of **** he is. And I like(d) DW's plot and direction too, back in the day.
JazZeke wrote:RK_Striker_JK_5 wrote:Dr. Heavy B wrote:this is incredible. my computer suddenly smells like bull sh*t. anyone eles getting this?
I thought that was just me...
Good lord, what a piece of **** he is. And I like(d) DW's plot and direction too, back in the day.
I still do. Just because Pat Lee is an ass, doesn't detract from the (unpaid) work done by others in the company before it went kaput.
fenrir72 wrote:@JazZeke, let me be clear, let's give credit where credit is due. No matter what fan nostalgia there was available, if the comic sucked...........well it will continue to suck. DW presentation was kick @ss for it's time. The computer effects reminded me of an anime on paper, heck, it even rivaled the 1986 Movie at one point. And show cased a lot of talents from the fan base.
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