The One Where Grimlock is Possessed by Unicron
(Spoiler free-ish)
(Spoiler free-ish)
Synopsis
Make a list of every single DECEPTICON. Remove the warriors, the high-rankers, the loyal foot soldiers, the over-achievers, and anyone who’s ever made even a modest contribution to The Cause. You should now have five names left. Welcome back, guys.
IN STORES NOW!!!
Story
Let's leave aside the storylines being run so far in More Than Meets the Eye, and dip into the lives and troubles of the bunch of misfits introduced all the way back when the DJD was still just a name. In issue #45, MTMTE brings back the Scavengers, Grimlock, and their ship - the Weak Anthropic Principle. Has anything changed? Read on and find out.
Same here.
James Roberts knows these characters, and the Scavengers are in fact one of the best example of how he operates as a writer, giving the spotlight to minor, lesser-known faces, in order to (sometimes) address a wider narrative. That has been the case for MTMTE, but Krok, Spinister and the crew show it even more.
Sounds.. sensible (goodie?)
There is a narrative, obviously, though it will feel really quite distanced from everything else currently happening in the IDWverse for the Transformers - at least until much later in the book. What I find both a positive and negative here, are the parallels with the group's first introduction to the readership, in terms of plotlines.
Some parallels are wonky, fine
Nevertheless, the read is extremely enjoyable, the humour is plentiful, the characters all have their voices, and we do circle back in time for tea to the wider plots left dangling in season 1, while also exploring the single characters along the way. More thoughts overall included below.
Art
Alex Milne and Brian Shearer team up for some slick linework (layouts, pencils and inks), and the initial pages are an excellent nod to the regular ongoing issues with a Scavenger spin (check out this article, too). The flexibility and dynamism of the different styles condensed in the opening alone are enough to reinforce the rep of the visual team of the book - and it only continues strong from there.
Just a matter of..
The visual team, of course, also features the excellent work that Joana Lafuente brings to the colours, complementing and complimenting the lines and inks that the artists provide. Shading, mood, tone, and the same dynamism of layouts are accentuated and made even more lush to look at throughout.
ScAVengERs
There is a specific running gag relating to the Scavengers, too, and Tom B. Long's work is the only means of achieving it - which is a nice recognition of the importance of lettering in the medium, even to convey humour. As for covers, the main recurring group shot by Milne and Josh Perez stand triumphant, as Nick Roche and Josh Burcham take on cover B (thumbnailed) a little less seriously. We've seen Kei Zama and Yamaishi's take on MTMTE's big baddies of the past too, but still pretty, yes?
Thoughts
Spoilerish ahead
This issue is definitely filler material, until it's not. Not entirely, at least. But until that point, a lot of what you're reading is predominantly Roberts enjoying his own writing skills with a bunch of misfits, and their interactions, dragging in popular culture references and callbacks (though much less so than the Swerve issue from a couple of months ago). It's a fun romp, with exceptional visuals, and both good characterisation and well-placed twists.
ANGER GOOD?
However, and I realise this may just be me, so far it just sort of hangs there, at the periphery of the wider story, much like the first time we came across the WAP and its crew. The next issue will undoubtedly fill us in more, given that last sequence and last page, but I kept finding myself thinking about the overall relevance of the issue in terms of narrative. Think of it as a bottle-episode, with a twist, if you will. It may be more your thing.
. 
½ out of
½ out of
