Always Two There Are...
(Spoiler free-ish)
(Spoiler free-ish)
Synopsis
"If you want to break someone—mentally, physically, emotionally—wait until they're happy. Let them live and love and thrive. Once they recognize the value of a life well lived... THAT'S when you move in for the kill. Because you can't take anything from someone who has nothing to lose." --Tarn
Promises
Story
There is one big story being told here, and it's quite clear who the main character is - despite what Rodimus may think, what the various pairings have brought, this is now Megatron's tale, and his relationship with the Decepticon credo, its precepts, its inception, its ultimate corruption and downfall, and how all that reflects back onto him through his greatest admirer and follower: Tarn.
Sorry Rodders
If the main story concerns Megatron, his decisions and his past and present colliding, there are so many other spotlights allowed across the entire cast, especially on the Lost Light/Team Rodimus side. Swerve and Ten, in particular (but not just them), get some excellent advancement in their own personal arcs, especially the latter.
Ten, ten ten, Teeen
And then we have the other side, the freakily, scarily, horrifyingly charismatic leader of the DJD, and the expression of what Megatron has been in the eyes, minds and lives of innumerable lives across the galaxy: Tarn. We begin - begin - to see what will be coming soon in the arc, and the tension is really just kept to build and strain.
Ooh, morbid!
The moments are heartfelt, there are tough choices and decisions, and even tougher talks to be had. The tension is still building up, and there is no resolution as yet of course, but this issue takes the story into some heavy territories, while drawing on some narrative beats we have encountered before in James Roberts' writing, and this series in particular.
Art
Alex Milne brings some excellent composition to the table, for the issue. We have several shots of ensembles, but the solo poses are probably some of the best in a while in this run, and not just for the major players in the game. We get magnificent layouts, linework, plus strained cheerfulness for Swerve, some actual affection shown among the crew, and some of the saddest/most mortified Megatrons around.
All together now!
The emotional turmoil running through Megatron and the Lost Lighters, even with Swerve and Whirl, is particularly highlighted by the impressive colouring and lighting contrasts, deftly deployed by Joana Lafuente. Once again, and yes, I'm falling into repetition, Tarn and Megatron get some nice specular and parallel treatments, in terms of how shadows fall (and who casts them), and the whole book carries the weight of it.
Ominous shadowwwwsss
While a lot of the action is contained to the initial pages, even just the title page is a wonderful example of what Tom B. Long's good lettering can do to a book. I mean, look at the first image of this review. There are a number of instances where the font and letters make or break a panel, again, still, always. As for covers, I am still wondering where the colourist credit for the Andrew Griffith (gorgeous) Tarn variant, but we also get Livio Ramondelli's first venture in DJD territory (thumbnailed) and the regular, terrifying slot with Alex Milne and Josh Perez.
Thoughts
Spoilerish ahead
You will have noticed, I have used mostly images from the public preview in this review - there are some many excellent pages and panels that I'd rather readers took time and space to enjoy themselves, I didn't want to ruin the experience. One passage in particular is almost moving, and the writing and visuals are a masterful blend to convey the number of emotions (particularly on one side of the spectrum) in the book.
Still not showing - have an explosion
As fellow critical comics reader ScottyP said to me, as I was preparing the review: The Hype Was Real. This is a truly well done, well thought out, well crafted book, touching on all the major themes that the series has explored so far, and venturing into a new one altogether, with some returning elements that were almost left to one side, and some that have been a long way coming.
. 
- out of
- out of
Only thing I think I liked in the whole issue was the last page.
