Falling Pains
(Spoiler free-ish)
(Spoiler free-ish)
Synopsis
The Falling, Part 2: The arrival of Onyx Prime throws Cybertron into chaos—because he hasn’t come alone. Onyx’s treacherous companion forces Soundwave to finally make a choice: is Optimus Prime a friend... or foe?
...
Story
John Barber is extremely busy this week, with his handiwork appearing in two major stories for the Optimus Prime series, and one of his greatest strengths appears loud and clear in both: his knowledge of the franchise and how to weave together multiple pasts into something that makes complete and utter sense in a new story thread, be it through one line comments to Aligned, cameos from Beast Wars, or anything in the Annual (see review here!).
Hey, it's Alpha Bravo!
To add to all that, Barber's Soundwave is one of the better developed, multi-faceted, and narratively functional for experimentation in script and page layout characters that has emerged out of the IDW universe of Transformers - and this issue cements it. You almost miss the point of view just before the climax of the issue, until you realise you hadn't, you just skipped a beat.
my heart just did again
That said, I'll also reiterate what I had mentioned previously to ScottyP about Onyx Prime, with an added caveat that comes out of this issue specifically: he is terrifying, imposing, well-crafted and grounded in enough lore and versions of reality to make him come across as the threat that he is, and what his presence means to the different characters who face him.
More Beast Wars!
With those two major points in mind, though, there is one dangling issue I want to address with regards to the pacing and the narration: the story will most definitely feel chaotic, fragmented even, at times - but hold on to those fragments, as they serve a purpose, and they're never entirely unintentional.
Art
Kei Zama on lineart truly does wonders with her darker inks and shadows, even for an issue that deals a lot more with nuance than it might initially look like. The art, then, perfectly fits the script, the fear and threat that both Onyx Prime and Liege Maximo have brought to Cybertron are physically palpable. Additionally, the page and panel layouts are gorgeous and gorgeously functional, especially with Soundwave at the centre.
literally, at times
And if Zama's art is well suited to the script, Josh Burcham's colouring work on the lineart just makes sure that is most definitely indeed the case. It helps us work through the fragments and the parallels alike, where the art might at times throw a little more shade over comprehension than is perhaps necessary.
unf
What is left of the visuals, then, is what holds the narrative together - which would otherwise be a headache-inducing task, were it not for the balancing act of Tom B Long and his careful lettering of dialogue, captions, and placing on the page and in the panels. There is no unintended misdirection.
As for the covers, the one thumbnailed spotlights Casey Coller and John-Paul Bove's variant for this arc, with the silhouette suggesting the point of view taken in the issue. The other two, the main Zama/Burcham early Cybertron take on a happy family (*my heart*) and the Marcelo Matere (no colour credit given) Prime on Prime action can both be seen in our database entry here.
Thoughts
Spoilerish ahead
Any story that features John Barber's Soundwave is already looking good to me (there are some exceptions in the recent past, but let me have this), and linking current day situations with the character's parallels from his own personal and ideological past is a great way to frame a story that already did something similar, yet entirely different, with the Mistress of Flame last month.
lol jk
There is politics, there is personality, there is a strand of dark humour that just works when spoken deadpan (again, Soundwave) and with the artistic team working so hard to make this story come across for the weighty matter that it is, you might even miss a twist that may or may not be there - but if it is, and once it kicks in, you'll grin worse that Onyx Prime's apparently permanent grimace.
. 
out of
out of
