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Shadowman wrote:Burn wrote:Shadowman wrote:I think Spielberg knows if anyone is going to screw up Indiana Jones, he has to be the one to do it himself. And boy did he prove that with Kingdom of the Crystal Skull.
nah, think he's even come out and said it was more Lucas' fault.
I think both KOTCS and ROTF were more the Writer's Strike's fault than anyone's.Burn wrote:And from what i've seen of TinTin, it looks fine. If it proves to be a good movie then that just proves even more KOTCS was Lucas' fault.
See, could be worse, you could have George Lucas instead of Bay.
It's the visuals, especially the character design. They try to make the characters too realistic but that's impossible with current technology, and instead they fall face-first into the uncanny valley. It's the same problem with all those Zemeckis movies like Polar Express and Beowulf.
Shadowman wrote:Because there's a huge line of Academy Award winning directors willing to work on a movie series about children's toys.
Shadowman wrote:It's the same problem with all those Zemeckis movies like Polar Express and Beowulf.
RiddlerJ wrote:Each one will come with an autographed picture of Michael Bay sitting on top of a huge pile of money.
Shadowman wrote:SEXFIGHTER wrote:Jetfire was a disgrace.
Jetfire was awesome.
Go read Dinobot hunt and get back to me. Aside from a relative bitpart as an Armada character, Jetfire's done nothing of note since G1 until ROTF. I'm not gonna bother trying to change your mind, just point out they're NOT even close character or look wise.SEXFIGHTER wrote:Bay's whole approach to these films, ROTF inparticular, lack respect for what I thought were established characters.
No such thing as established characters in this franchise. Core character traits, maybe, but every character has gone through so many changes and redesigns you can't call any of them particularly wrong.
I think the Autobots were mainly ok, not great, but recognisable...wasn't keen on the Cons at all. I disagree, they were established for me.SEXFIGHTER wrote:but i bet he wouldn't let Bay do an Indiana Jones or Tin Tin film, no, time to get serious then eh Mr Spielberg.
I think Spielberg knows if anyone is going to screw up Indiana Jones, he has to be the one to do it himself. And boy did he prove that with Kingdom of the Crystal Skull.
And Tin Tin? That just looks awful.
I took the kids to see Tin Tin and it's bloody good stuff I assure you all. I've gotta side with Burn on Kingdom of the Crystal Skull, Lucas has completely lost the plot, look at what he did to the Star Wars franchise!!! My point is Spielberg wouldn't let him near a project that was more personal to him.SEXFIGHTER wrote:All I'm asking is that at some point, when we reboot, get someone credible in.
Because there's a huge line of Academy Award winning directors willing to work on a movie series about children's toys.
SEXFIGHTER wrote:Thats pretty negative mate, if you build it, they will come! Look at Bryan Singer doing X-Men or Nolan doing Batman, there are creative people out there who would jump at the chance to put a big franchise in a good place. Imagine Terry Gilliam or David Cameron doing it, very diferent styles but very well respected, I dont respect Bay. Hes a hard worker, his films make money, but they're braindead and lack heart imho.
Wigglez wrote:Just remember. The sword is an extension of your arm. Use it as if you're going to karate chop someone with your really long sharp ass hand.
Shadowman wrote:James Cameron, though, can do a great action scene, but his dialogue makes Michael Bay look like Shakespeare.
RiddlerJ wrote:Each one will come with an autographed picture of Michael Bay sitting on top of a huge pile of money.
cotss2012 wrote:Shadowman wrote:James Cameron, though, can do a great action scene, but his dialogue makes Michael Bay look like Shakespeare.
Is that why Aliens and the first two Terminator movies are some of the most quotable movies of all time?
Game over, man, game over!
Wigglez wrote:Just remember. The sword is an extension of your arm. Use it as if you're going to karate chop someone with your really long sharp ass hand.
Shadowman wrote:Listen to any of the words that come out of Edward Furlong's mouth in Terminator 2. For fun, listen only to his lines, and see how long it takes to inflict bodily harm on yourself.
RiddlerJ wrote:Each one will come with an autographed picture of Michael Bay sitting on top of a huge pile of money.
First-Aid wrote:Because he's Spock and he's just awesome that way.
5150 Cruiser wrote:Personally, i see nothing wrong with anything you pointed out as being faults or plot holes in the latest Star Trek movie. Mainly because 80% of those "problems" can't be proved faults since we have so little understanding of how black holes really work. And even if we did have enough knowledge, this is Star Trek. Many of the standard rules and laws of physics go out the window.
5150 Cruiser wrote:At some point you have to just sit back and enjoy the ride. If your that critical of a movie that is based on many "facts" that only live in that particular universe, then your never going to have fun.
cotss2012 wrote:Yeah... the blame still lies mostly with the guys who designed a bad engine. The designer of the whole car has to worry about whether the frame should be steel or aluminum, will the airbags deploy correctly, should the seats be made of leather, does anyone still drive a stick shift anymore, where to install the flux capacitor, etc... if you show him an engine that seems to work well enough on the factory floor, then that has to be good enough for him, and it's not his fault if the thing explodes 2 minutes after leaving the parking lot.
cotss2012 wrote:SlyTF1 wrote:No, the feeling you experienced in ROTF was the joy of a Transformers movie in which Optimus doesn't take a whole goddamn hour to show up.
Fixed
Shadowman wrote:SEXFIGHTER wrote:Thats pretty negative mate, if you build it, they will come! Look at Bryan Singer doing X-Men or Nolan doing Batman, there are creative people out there who would jump at the chance to put a big franchise in a good place. Imagine Terry Gilliam or David Cameron doing it, very diferent styles but very well respected, I dont respect Bay. Hes a hard worker, his films make money, but they're braindead and lack heart imho.
Bryan Singer also did Superman Returns, so he's hit-and-miss. Nolan hates overuse of CGI, so he'd never touch a franchise that would require it. And David Cameron is the Prime Minister of England, so I'm not sure why he'd direct. James Cameron, though, can do a great action scene, but his dialogue makes Michael Bay look like Shakespeare.
Imagination, creativity, heart, etc. are all fine and dandy but they don't mean you can do just everything. Being a great race car driver doesn't make you a great fighter pilot.
JOP wrote:So: at times, Red Matter is an utterly lethal material, able to wipe out billions of lives in the blink of an eye; or, a relatively stable form of travel into the past. Which outcome should the audience expect at any given moment? (Is it any surprise that Orci and Kurtzman were called upon to clarify Kirk's reasons for firing on an the incapacitated Narada?)
Predaprince wrote:I am very thankful to have posters like sto_vo_kor_2000 who is so energetic about improving others' understanding and enjoyment of the TF universe
Stormrider wrote:You often add interesting insights to conversations that makes the fledglings think and challenges even the sharpest minds
T-Macksimus wrote:I consider you and editor to be amongst the most "scholarly" in terms of your knowledge, demeanor and general approach
SEXFIGHTER wrote:Lets try and steer away from ACTION for a minute, let's get a good story on the table, not generic robots smashing eachother interlaced with L'oreal advert style scenes.
Wigglez wrote:Just remember. The sword is an extension of your arm. Use it as if you're going to karate chop someone with your really long sharp ass hand.
SEXFIGHTER wrote:Imagine Schumacher had stayed on after Batman and Robin....
RiddlerJ wrote:Each one will come with an autographed picture of Michael Bay sitting on top of a huge pile of money.
cotss2012 wrote:SEXFIGHTER wrote:Imagine Schumacher had stayed on after Batman and Robin....
This is another situation where you can't blame the director. Schumacher had actually wanted to do something similar to Year One, but WB slapped him around a bit and told him to make something more "toy-friendly". Then, they were finally going to agree to his requests with a fifth movie in the continuity, Batman: DarKnight, which would have featured Scarecrow and played heavily with the theme of fear (wow, why does this sound so familiar?), but the project was scrapped because of the poor box-office numbers from Batman & Robin.
Studio execs are morons.
Wigglez wrote:Just remember. The sword is an extension of your arm. Use it as if you're going to karate chop someone with your really long sharp ass hand.
cotss2012 wrote:This is another situation where you can't blame the director. Schumacher had actually wanted to do something similar to Year One, but WB slapped him around a bit and told him to make something more "toy-friendly".
Predaprince wrote:I am very thankful to have posters like sto_vo_kor_2000 who is so energetic about improving others' understanding and enjoyment of the TF universe
Stormrider wrote:You often add interesting insights to conversations that makes the fledglings think and challenges even the sharpest minds
T-Macksimus wrote:I consider you and editor to be amongst the most "scholarly" in terms of your knowledge, demeanor and general approach
Shadowman wrote:SEXFIGHTER wrote:Lets try and steer away from ACTION for a minute, let's get a good story on the table, not generic robots smashing eachother interlaced with L'oreal advert style scenes.
Um, no, that would never work. I'm not hear to watch robots talk about their problems, I'm here to watch them smash each other senseless over them.
sto_vo_kor_2000 wrote:cotss2012 wrote:This is another situation where you can't blame the director. Schumacher had actually wanted to do something similar to Year One, but WB slapped him around a bit and told him to make something more "toy-friendly".
I'm not so sure I believe Schumacher truly wanted something darker, and I dont think he would have done "yearone" any justice.
SEXFIGHTER wrote:Shadowman wrote:SEXFIGHTER wrote:Lets try and steer away from ACTION for a minute, let's get a good story on the table, not generic robots smashing eachother interlaced with L'oreal advert style scenes.
Um, no, that would never work. I'm not hear to watch robots talk about their problems, I'm here to watch them smash each other senseless over them.
I'm not saying NO action, I'm saying let's work out a great story, then work out the action parts later, NOT vice versa.
sto_vo_kor_2000 wrote:I think the only problem with the red matter was that they didn't do a good job of explaining what it was and what it could do, particularly in different cases.
cotss2012 wrote:This is another situation where you can't blame the director. Schumacher had actually wanted to do something similar to Year One, but WB slapped him around a bit and told him to make something more "toy-friendly".
cotss2012 wrote:Studio execs are morons.
SlyTF1 wrote:That would still be boring.
JOP wrote:sto_vo_kor_2000 wrote:I think the only problem with the red matter was that they didn't do a good job of explaining what it was and what it could do, particularly in different cases.
That's very much my take on the issue - I can happily accept that Red Matter-induced black holes both create crushing gravitational force and enable time travel; but Star Trek does little to explain which particular outcome is in effect at any given time. I am of the opinion that a failure of this variety lies primarily with the writing (although in line with my other argument regarding directorial responsibility, JJ Abrams should have preferentially caught and corrected the issue prior to release).
Predaprince wrote:I am very thankful to have posters like sto_vo_kor_2000 who is so energetic about improving others' understanding and enjoyment of the TF universe
Stormrider wrote:You often add interesting insights to conversations that makes the fledglings think and challenges even the sharpest minds
T-Macksimus wrote:I consider you and editor to be amongst the most "scholarly" in terms of your knowledge, demeanor and general approach
SlyTF1 wrote:SEXFIGHTER wrote:Shadowman wrote:SEXFIGHTER wrote:Lets try and steer away from ACTION for a minute, let's get a good story on the table, not generic robots smashing eachother interlaced with L'oreal advert style scenes.
Um, no, that would never work. I'm not hear to watch robots talk about their problems, I'm here to watch them smash each other senseless over them.
I'm not saying NO action, I'm saying let's work out a great story, then work out the action parts later, NOT vice versa.
That would still be boring.
SEXFIGHTER wrote:I read and watched a lot of Schumachers press when Batman and Robin was released. He was completely behind the film
SEXFIGHTER wrote:going so far as to say he'd had enough of Bruce Wayne moping around missing his mum and dad, THIS Bruce Wayne was ditching the baggage etc.
SEXFIGHTER wrote:Also, I doubt the execs insisted on nipples on the Batsuit and close ups of Batmans ass, that was probably for Schumachers own gratification.
RiddlerJ wrote:Each one will come with an autographed picture of Michael Bay sitting on top of a huge pile of money.
cotss2012 wrote:SEXFIGHTER wrote:I read and watched a lot of Schumachers press when Batman and Robin was released. He was completely behind the film
The following is nearly an exact, word-for-word quote from the commentary track: "I made the movie that they wanted me to make". So take that for whatever it's worth. Also, he's somewhat obligated to pimp out the movie at release time, no matter what he thinks about it...SEXFIGHTER wrote:going so far as to say he'd had enough of Bruce Wayne moping around missing his mum and dad, THIS Bruce Wayne was ditching the baggage etc.
Well, considering that the "I miss mom and dad" card can only be played so many times before the franchise gets stale, it was a good call. B&R was instead about Batman's new family: Robin, Batgirl, and Alfred. That direction allowed it to be less grim without being less dramatic.SEXFIGHTER wrote:Also, I doubt the execs insisted on nipples on the Batsuit and close ups of Batmans ass, that was probably for Schumachers own gratification.
What about Alicia Silverstone's ass?
RiddlerJ wrote:Each one will come with an autographed picture of Michael Bay sitting on top of a huge pile of money.
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