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Burn wrote:Why does this voice have to be recognizable? The guy has voice range, he's done numerous voices. Just because an actor does a voice over for a movie does NOT mean they have to use their natural voice.
Leonardo wrote:Burn wrote:Why does this voice have to be recognizable? The guy has voice range, he's done numerous voices. Just because an actor does a voice over for a movie does NOT mean they have to use their natural voice.
Quite right.
My main gripe with Weaving's Megatron was that it sounded very generic. There was nothing remarkable or spectacular about it. I detected very little vocal nuances and very little flavour.
Burn wrote:Why does this voice have to be recognizable? The guy has voice range, he's done numerous voices. Just because an actor does a voice over for a movie does NOT mean they have to use their natural voice.
Wigglez wrote:Just remember. The sword is an extension of your arm. Use it as if you're going to karate chop someone with your really long sharp ass hand.
Raymond T. wrote:My guess is that it was all to compromise with Lorenzo DiBonaventura. From the very beginning he was very vocal at not wanting to use Frank Welker and not using Peter Cullen. There have been stories floating about that Lorenzo got in a big fight with Don Murphy about this. Don wanted Welker and Cullen, Lorenzo didn't.
... feeling that that is what happened and that they used the "Frank's voice is too old" arguement to cover that up.
Bonecrusher27 wrote:Raymond T. wrote:My guess is that it was all to compromise with Lorenzo DiBonaventura. From the very beginning he was very vocal at not wanting to use Frank Welker and not using Peter Cullen. There have been stories floating about that Lorenzo got in a big fight with Don Murphy about this. Don wanted Welker and Cullen, Lorenzo didn't.
... feeling that that is what happened and that they used the "Frank's voice is too old" arguement to cover that up.
What was Lorenzo's problem? What is the problem with Cullen or Welker? They have to know that a large base of support will come from TF fans both present and past, and maybe it's me thinking on a micro scale, but I would do all I could to make sure I capture the greatest number of people for my movie.
I find it incredibly stupid of people who make a film and want to leave its roots so far behind as if any association with a cartoon, comic, etc would alienate people from watching it. On the contrary, I think sometimes its ego just wanting to put a personal stamp on things. You hear the cheers going up when Peter Cullen's voice was officially announced as Prime?
I have been rewatching the G1 Transformers, and I think that Frank Welker would have been fine, if not downright great! They could synthensize his voice a bit maybe, but I find nothing inherently cartoony or non-transferrable to big screen with his voice. To say Frank's voice is "old" is an insult to Frank. If anyone can sound 'old' and powerful like he does in the cartoons, that'd fit well with Megatron, because he is both ancient and powerful.
As it is, although I am a fan of Hugo Weaving, I feel that because of the very few lines he did have, he was wasted. If it had been Welker's, few lines as they were, it would have been memorable.
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Bonecrusher27 wrote:What was Lorenzo's problem? What is the problem with Cullen or Welker? They have to know that a large base of support will come from TF fans both present and past, and maybe it's me thinking on a micro scale, but I would do all I could to make sure I capture the greatest number of people for my movie.
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