Mmmm.
Posted it after I uploaded it for Transfans, but didn't start a new thread as you've already got a Steve White interview.
Double exposure good.
Senior made it easy for this guy to color in the lines.
It's always been a strength -- his TF stuff automatically worked in black-and-white as well as for colour, since it has all those solid shadows and cross-hatches.
When you compare it to some modern comics where the colourist has been expected to guess all of the light angles and where focal points should be it's a much more professional way of approaching art. Composition's becoming a relatively lost skill with all of the photo-referencing shortcuts / drawing backgrounds separately that you get these days. Gah, I sound old.