Back on Track
(Spoiler free-ish)
(Spoiler free-ish)
Synopsis
THE HUNT IS ON! Ever lost something and spent forever looking for it? Try visiting Troja Major, the lost property capital of the universe. Just bear in mind that it's better known by another name: the Howling Town. And the Autobots are about to find out why.
...
Story
I was reminded by other comics staff that we've had a number of voices already on reviews this far, for the new iteration of Transformers: More Than Meets the Eye, but mine was not the one that has appeared yet for Lost Light. It's probably time then, right? Back to the story?
JRo I swear..
One of the issues I've had with the series, much like its predecessor, is the use of the medium of comics as a serialised narrative - they read really well as a collected trade (read volume 1 in one sitting, believe me), but sometimes take odd steps as single issues. This book, however, does not do that, and in fact plays the field extremely well as a morsel of a wider story yet to happen, and previous ones being closed or at least addressed.
The Quest! It is Back!
As we know, James Roberts takes his time on the series to get to know the characters, and characters here are a very important part of the plot: what we discover about Nautica and Velocity, their interactions prior to the Lost Light, wouldn't have made sense while Megatron was still in the picture - but what he does well here is to not sacrifice plot for character development, at all.
Casual Character Trivia
And in terms of highlights, this book has fallen into the category of what Transformers comics can do now, from a socio-political perspective, in terms of identity, representation, and delving further into human issues while using sad gay (can we finally change this to queer?) robots in space. And yes, I'm talking about Anode and Lug, and what we learn about both of them.
Art
After a full arc and a breather, we see a different artist taking charge of a very important issue, plot wise among the rest, and Priscilla Tramontano has some excellent leads in terms of visual continuity with Lawrence's art, while still keeping very much to her own style and approach to the characters.
including Krombopolous Michael, from Rick and Morty
With a change from the usual, Joana Lafuente joins Tramontano on colours, perhaps also aiding in the continuity, but also providing an extremely vibrant and diverse cast of organic presences on Troja Major, taking the best pages out of Lucas' books and making the marketplace as cantina-esque (but well lit) as she can.
Also, sir, are you a Dire Wraith?
In a universe where several characters are identifiable by their speech patters, and those speech patterns are to be made visible, a letterer like Tom B. Long makes sure that we can glean more from the page that you might read at first glance, while also enjoying the sounds of the new setting! Meanwhile, the cover for this review's thumbnail is the variant art by Alex Milne and Josh Perez, very much about the grief aspect of it all, but also more pertaining to the plot of the issue than you might think... All other covers can be found in our database entry right here, including Roche/Burcham, Tom Whalen, and the main Lawrence/Lafuente
Thoughts
Spoilerish ahead
What do you know? We're back looking for the Knights of Cybertron! For real! As I said above, the overarching plot is not sidelined for the characters or subplots, but rather the two work well together in the issue, and we get to find out more about The Quest that started all those 50+ issues ago under another title altogether - but what we find may not be what we were looking for, especially if it was answers.
:smile:
That said, my allusions towards the scene featuring Anode and Lug warrants a couple extra words here, while still wanting to leave it to readers to appreciate: it has some nice callbacks to the last Optimus Prime issue, and Sideswipe's understanding of the new reality; it has a well-developed approach to the issue at hand, sign of good research on the team's behalf; it helps sediment
. 
½ out of
½ out of
