But Who Is Jazz, Really?
(Spoiler free-ish)
(Spoiler free-ish)
Synopsis
Jazz confronts his past—and the Autobot’s future—in front of millions of television viewers. But will he make the people of Earth understand Optimus Prime's mission... or turn against it?
Hey, I got here eventually
Story
Once again, I find myself apologising for the lateness of this review - let's call it doing an IDW shall we? just to make me feel better - and making it fall so close to all the Transformers: The Last Knight news. On the other hand, the IDW Optimus Prime ongoing in unquestionably good and staying good, so swings and roundabouts!
Topical
The usual framing device that John Barber uses for most of his TF writing is replaced here by a fairly ingenious magazine style interview - the very same interview that has been prepared in previous issues leading up to this one - with the perspective being Jazz, playing along pretty much behind the scenes all along so far.
..except, well, you know..
Jazz, as pointed out in the previous issues, is an interesting choice of character - Cybertronian character - for a first big mediatic approach to Earth after Optimus' power-grab/forced annexation/colonialist actions. And all of those threads come up, and create the crux of the story...
Hmmmmmmmm
But, while Jazz is indeed the main player and spotlight taker in the issue - almost literally - Jetfire and Pyra Magna also take on some very shiny roles, both in flashbacks and present for the former, and the present and a potential future for the latter. There are things afoot, and there are still creases to smoothen out from the past. Hopefully before everything spirals again.
Art
Zama is away from the book again this month, letting Casey W Coller to cover the interior art for a change. And Coller's art has a regularity to it, a crisp, linear feel to the lines and outlines of the character designs and layouts, that may very much appeal to recent readers - and fits perfectly with the framing device of the script.
Just look at it..
The artistic collaboration here is with John Paul Bove, and a special one it is at that. Bove has shown how he can mimic several colour styles in the past (and is the colour wizard behind the Hachette definitive collection, too), but what he does here is keep the continuity with Burcham while also adding a lot of his own shine to it.
..look at it!
Of course, Tom B. Long is on lettering, and the different formats offer a whole new playground for his skills too - I actually wonder how much of his production set went into the final look of the issue, and if so, he was excellent. As for the covers, the thumbnail spotlights the Coller/Bove variant, but all the other versions of excellent art can be found in our database entry!
Thoughts
Spoilerish ahead
The magazine style interview is not an entirely original comics device (recently seen in the likes of The Wicked and The Divine, for example) but the way that it's employed in his issue, and how Barber manages to blend this new toy with his trademark running POV commentary - and how it feeds directly into the story - is extremely pleasing, and satisfying.
OH! THIS is when it happens
The characters, with Jetfire and Pyra Magna taking the biggest chunk, have some very very nice developments in backgrounds and perspective, and there's plotting and planning set up for things about to happen - plus gorgeous designs from Coller and Bove, covers included. Why would you not want to pick up this issue, you cool cats you?
. 
+ out of
+ out of
