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megatron a prime

There is more to Transformers than movies, cartoons, comics and toys. Discuss anything else Transformers here.

Re: megatron a prime

Postby Rial Vestro » Mon Jul 06, 2009 6:22 pm

sto_vo_kor_2000 wrote:
Rial Vestro wrote:Only time I've ever seen Lio Convoy in the US was at a dollar tree and it wasn't even the real thing. He was among many knock off figures including BM Optimus Primal, BW Rattrap, the guy with the clock on his stomach. and non of them were even made to their original size. BW Rattrap who was actully a basic figure, the knock off version could EAT the real one quite literally sence they were all quite hollow and made of cheap plastic. Anyway the Knock off still had the Japanese name.


I've seen those "knock offs" as well.


Not very flattering

But a few Beast Wars Neo's and BW2 figures were available threw Hasbro's online store.

OK but what were their names in thoughs comics? Did they have different names or were they still refered to as Lio Convoy and Big Convoy?


Did you miss when I said "Lio Convoy and Big Convoy were featured in those comics" ????

Maybe I didnt make myself clear...and if thats the case I'm sorry....but I wouldnt have said that were "featured" if their names were different.
'
Yes their names were Big and Lio Convoys.

Also other Japanese counterparts [characters shareing the same molds as US characters] with different names were also used featuring their Japanese names.


So then they still really don't have American counterparts. Even if they were featured in US comics we were talking about their names being different from one country to the next.

So at the most I should refraise my statement to "No American Name" rather than "No American Counterpart" sence he's still Lio Convoy even in the US.

I think several of the G1 characters have the same names in Japan as they do in the US. And the ones that do have different names tend to just have variations of their US names. (Bumblebee = Bumble)
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Re: megatron a prime

Postby sto_vo_kor_2000 » Mon Jul 06, 2009 6:32 pm

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Rial Vestro wrote:
sto_vo_kor_2000 wrote:
Rial Vestro wrote:Only time I've ever seen Lio Convoy in the US was at a dollar tree and it wasn't even the real thing. He was among many knock off figures including BM Optimus Primal, BW Rattrap, the guy with the clock on his stomach. and non of them were even made to their original size. BW Rattrap who was actully a basic figure, the knock off version could EAT the real one quite literally sence they were all quite hollow and made of cheap plastic. Anyway the Knock off still had the Japanese name.


I've seen those "knock offs" as well.


Not very flattering

But a few Beast Wars Neo's and BW2 figures were available threw Hasbro's online store.

OK but what were their names in thoughs comics? Did they have different names or were they still refered to as Lio Convoy and Big Convoy?


Did you miss when I said "Lio Convoy and Big Convoy were featured in those comics" ????

Maybe I didnt make myself clear...and if thats the case I'm sorry....but I wouldnt have said that were "featured" if their names were different.
'
Yes their names were Big and Lio Convoys.

Also other Japanese counterparts [characters shareing the same molds as US characters] with different names were also used featuring their Japanese names.


So then they still really don't have American counterparts. Even if they were featured in US comics we were talking about their names being different from one country to the next.

So at the most I should refraise my statement to "No American Name" rather than "No American Counterpart" sence he's still Lio Convoy even in the US.

I think several of the G1 characters have the same names in Japan as they do in the US. And the ones that do have different names tend to just have variations of their US names. (Bumblebee = Bumble)


Well............its a funny situation.

They have the same names but their stories are a bit different, so I would argure that they arent the same characters.

So they are still "US Counterparts" to the Japanese characters.
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Re: megatron a prime

Postby Editor » Mon Jul 06, 2009 6:33 pm

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Quite a number do share the same name from the original G1 releases as Takara was just following Hasbro's lead but altered some names to convert them into Japanese easily (re: as you stated Bumble from Bumblebee) but some they changed outright rather than risk having to explain the meaning of the name. (as anime/manga readers know, most Japanese characters are named to describe their attributes. Re Sailor Moon=Tsukino Usagi means Rabbit of the Moon)

Because of this they dropped the cumbersome name of Optimus Prime to go with the easier Convoy. Taken from the toy's earlier Diaclone incarnation of Battle Convoy.
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Re: megatron a prime

Postby Son of Primus » Tue Jul 07, 2009 1:36 pm

Leo Prime is the name of a fictional character in the various Transformers universes. He is often referred to by his Japanese name Lio Convoy because his English name Leo Prime wasn't coined by Hasbro until 2006.

http://en.wikipedia.org/wiki/Leo_Prime

Now while I know wikipedia isn't the most reliable source, I do believe they are correct on this matter, seeing how if I remember correctly, IDW's The Gathering referred to Lio Convoy as Leo Prime, and this was the first use of the name they Classics toy from 2006.

Not only that, his bio from the toy for Leo Prime states
LEO PRIME is a career soldier, commander of an elite MAXIMAL black ops unit designated The Pack. So secret is his unit, even most of those in the MAXIMAL Command structure are aware of it only as a rumor. LEO PRIME and his comrades The Pack travel wherever trouble is thickest, often working undercover to deal crippling blows to PREDACON plots.


Which is a direct homage:

The Pack is Lio Convoy's personal team.
Its members include:
Apache
Break
Drill Nuts
Lio Convoy
Longrack
Mach Kick
Razorbeast
Stampy


Again, I could be mistaken on this fact ... but as far as more Convoys than Primes, I agree with you, only because of the Cybertron Cartoon ... other than that, it seems like the most of the "Convoys" are just Optimus in some way:

http://en.wikipedia.org/wiki/Convoy_(Transformers)
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Re: megatron a prime

Postby Rial Vestro » Tue Jul 07, 2009 4:51 pm

sto_vo_kor_2000 wrote:Well............its a funny situation.

They have the same names but their stories are a bit different, so I would argure that they arent the same characters.

So they are still "US Counterparts" to the Japanese characters.


Override and Nitro Convoy have different characters being that one is a male and the other is a fembot but they are still technicaly the same character. As in they share the same mold, coloring, and animation models. The only things that change are whatever Hasbro desides to change in the English dub.

Same with any character that gets shiped over seas allthough I don't know why they change them at all. Why can't they just get an exact translation of the original script insted of changeing the entire plot of the series.

The only practicle reason for not doing this would be in the case where there is no translation for the word or haveing multiple translations for a word. Meaning if they tried to translate the Japanese Script the only way Nitro Convoy could be made into a girl from a male character is if Japan had the same word for both male and female so Hasbro could just pick either one when they got the character.

At any rate, if they look like the same character then chances are, they are the same character. (there are exceptions to this of course. Like how all the Maximal leaders in the beast era looked like Optimus Prime.)
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Re: megatron a prime

Postby sto_vo_kor_2000 » Tue Jul 07, 2009 5:29 pm

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Rial Vestro wrote:
Override and Nitro Convoy have different characters being that one is a male and the other is a fembot but they are still technicaly the same character.


You seem to be contradicting your self.

And to be honest, seing that your an aspiring actor I'm suprised to see you say those words.

The 2 may both be based on the same mold, and they may be each others counterparts.....but any change to the character or the story ,such as different genders ,eliminates the possibility of calling them the same character.

Rial Vestro wrote: As in they share the same mold, coloring, and animation models. The only things that change are whatever Hasbro desides to change in the English dub.

Same with any character that gets shiped over seas


A character is the sum of his\her\its story.If there are any major differences between their stories they just arent the same character.

The same goes when a character is "transferred" overseas.

If Batman is brought to Japan and they make him Japanese instead of american then he no longer is the same character.

If Robin is brought to India and is made a woman its no longer the same character.

If a female robot from a US TF series is made a male in Japan its no longer the same character.

Rial Vestro wrote:allthough I don't know why they change them at all. Why can't they just get an exact translation of the original script insted of changeing the entire plot of the series.


That I agree with.
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Re: megatron a prime

Postby Editor » Tue Jul 07, 2009 6:14 pm

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My understanding for Override was CN wanted to present a strong Female character, seeing the character (in both versions) had a strong relationship with Lori, Nirto was a 'prime' candidate to be gender swapped.

For most purposes the switch worked well, and much better than some gender swaps in TF translation histories.
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Re: megatron a prime

Postby TulioDude » Tue Jul 07, 2009 6:18 pm

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T-Macksimus wrote:I think that no matter the continuity, being a true Prime is to hold to the highest ideals of Honor, Valor, Virtue, Self Sacrifice. To preserve the highest and most noble ideals of the Cybertronian race.


How about Animated Sentinel Prime?He is a Jerk.
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Re: megatron a prime

Postby Editor » Tue Jul 07, 2009 6:22 pm

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TulioDude wrote:
T-Macksimus wrote:I think that no matter the continuity, being a true Prime is to hold to the highest ideals of Honor, Valor, Virtue, Self Sacrifice. To preserve the highest and most noble ideals of the Cybertronian race.


How about Animated Sentinel Prime?He is a Jerk.


Simple answer, the definition of Prime within the animated continuity holds a different meaning.
Complex answer, the character may be a jerk but believes he fills those qualities, and has been able to rise thru the ranks due to actions that do show some aptitude.
Silly answer, He is channeling RID Ultra Magnus, but needed a new name as Animated Magnus kicks too much ass.
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Re: megatron a prime

Postby Siren Prime » Tue Jul 07, 2009 8:29 pm

*applauds*
All your answers aer brilliant.

I have to agree, however, that Animated Sentinel is a JERK!!!
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Re: megatron a prime

Postby Rial Vestro » Wed Jul 08, 2009 2:28 pm

sto_vo_kor_2000 wrote:
Rial Vestro wrote:
Override and Nitro Convoy have different characters being that one is a male and the other is a fembot but they are still technicaly the same character.


You seem to be contradicting your self.

And to be honest, seing that your an aspiring actor I'm suprised to see you say those words.

The 2 may both be based on the same mold, and they may be each others counterparts.....but any change to the character or the story ,such as different genders ,eliminates the possibility of calling them the same character.


Not really. Sence one is supose to be nothing more than the American version of the other.

Tobie from the Sweeney Todd movie was played by a child while in Sierra Rep's production the actor was about late 20s early 30s. You wouldn't call them different characters would you? Major age difference there but other than that they were the same character from the same script. Just the directors choice to cast someone younger or older.

Rial Vestro wrote: As in they share the same mold, coloring, and animation models. The only things that change are whatever Hasbro desides to change in the English dub.

Same with any character that gets shiped over seas


A character is the sum of his\her\its story.If there are any major differences between their stories they just arent the same character.

The same goes when a character is "transferred" overseas.

If Batman is brought to Japan and they make him Japanese instead of american then he no longer is the same character.

If Robin is brought to India and is made a woman its no longer the same character.

If a female robot from a US TF series is made a male in Japan its no longer the same character.


You're compairing two entiarly different things there.

It's like the whole Japanese version of the Go-Bots thing. Yea they used the same toy line but entirely different animation and story line.As far as that goes there really is no Japanese Go-Bots, it's an entirely different series. Nothing about Go-Bots and Machine Robo or whatever it's called is the same, I mean NOTHING. The only thing they share is a toy line but the series itself shares nothing. Go-Bots changed the animation so the characters faces don't even look like their toys. The Japanese series the robots all look exactly like their toys. Cy-kill isn't even a bad guy in the Japanese series but insted seems to be more like Leader-1 or Scooter for Japan.

Cybertron and Galaxy Force are the same series with only minor changes between the two. It's the same as two theaters putting on different productions of the same play. There are bound to be differences between the two productions but they are otherwise the same show.

There's a big difference between a director wanting to take a story or a character in a different direction than the original version and completly starting an entirely new story from scratch.
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Re: megatron a prime

Postby Editor » Wed Jul 08, 2009 2:53 pm

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Cybertron and Galaxy Force have major differences thru out the series.

Galaxy Force was written and produced in Japan as a single story set in it's own continuity. It had no link to Unicron, developed ideas like each planet being led by a Prime, and adopted a different art style to separate it from the previous series in Japan (Super Link)

Cybertron was re-written and re-edited to become part of the AEC continuity, drafting characters into new versions of characters introduced in Armada and Energon.

These changes alone completely alter the nature of the series so the basics of Galaxy Force were tossed aside because of stupid marketing concerns.

Point) Armada Optimus Prime is Energon Optimus Prime is Cybertron Optimus Prime. Micron Legend Convoy/Super Link Grand Convoy is not the same character as Galaxy Force's Galaxy Convoy.
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Re: megatron a prime

Postby sto_vo_kor_2000 » Wed Jul 08, 2009 4:42 pm

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Rial Vestro wrote:
Not really. Sence one is supose to be nothing more than the American version of the other.


Yes really because what "suposses to be" differs from what "actually is".

It doesnt matter that they were both "intended" to be nothing more then the American version of the other because what they intended is different from the finished product.

And in this case there is a major fundamental difference between the Japanese version and the American version.

Thats makes them different characters.

Rial Vestro wrote:Tobie from the Sweeney Todd movie was played by a child while in Sierra Rep's production the actor was about late 20s early 30s. You wouldn't call them different characters would you?


That depends.

How old was the character originally written???

Was the actor playing the part as an adult or a child???

If any of these differ from the source then the character played is not the same one that was written.


Rial Vestro wrote:Major age difference there but other than that they were the same character from the same script. Just the directors choice to cast someone younger or older.


Again your words shock me....coming from an actor.

Just because an actor is older then the character hes playing doesnt mean the character was the same age as the actor.The actor could be 30 playing 15.....the guy playing Clark Kent on Smallville comes to mind.

But if the directer changes the age of the character to a large degree, then the character is no longer the exact character written.

Rial Vestro wrote:You're compairing two entiarly different things there.


Hardly.

If we were simply talking about a change in "Names" you might have a point.

But there are more then a few differences between the sewries in question and a fundimental difference between the 2 characters in question.

Rial Vestro wrote:Cybertron and Galaxy Force are the same series with only minor changes between the two.


Any major change in the story of a character changes the character.

Its no different then multi-universe characters such as DC Marvel or Star Trek have.

The Mirror Universe versions of Kirk,Spock and other known trek characters are different characters from the originals.

The Ultimate Universe versions of Captain America,Spiderman and other known Marvel characters are different characters then the original versions.

The Multible Earth versions of Batman,Superman and other known DC characters are different characters from the original versions.

Override is a different character then Nitro Convoy.

Rial Vestro wrote: It's the same as two theaters putting on different productions of the same play. There are bound to be differences between the two productions but they are otherwise the same show.


Not if they decide to make any major changes to either the characters,the story, or the era in which the story was told.

Rial Vestro wrote:There's a big difference between a director wanting to take a story or a character in a different direction than the original version and completly starting an entirely new story from scratch.


Not if the direction the director wants to take the character wasnt originally part of the characters story or in the source material.

If a director takes a known character from a known play and decides to make the character a different gender or change his sexual orientation [makes him gay] then the director is changing the identity of the character.

And when you do that you change the character into something different.

Editor wrote:Cybertron and Galaxy Force have major differences thru out the series.

Galaxy Force was written and produced in Japan as a single story set in it's own continuity. It had no link to Unicron, developed ideas like each planet being led by a Prime, and adopted a different art style to separate it from the previous series in Japan (Super Link)

Cybertron was re-written and re-edited to become part of the AEC continuity, drafting characters into new versions of characters introduced in Armada and Energon.

These changes alone completely alter the nature of the series so the basics of Galaxy Force were tossed aside because of stupid marketing concerns.

Point) Armada Optimus Prime is Energon Optimus Prime is Cybertron Optimus Prime. Micron Legend Convoy/Super Link Grand Convoy is not the same character as Galaxy Force's Galaxy Convoy.


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Re: megatron a prime

Postby Rial Vestro » Wed Jul 08, 2009 5:18 pm

sto_vo_kor_2000 wrote:
Rial Vestro wrote:Major age difference there but other than that they were the same character from the same script. Just the directors choice to cast someone younger or older.


Again your words shock me....coming from an actor.

Just because an actor is older then the character hes playing doesnt mean the character was the same age as the actor.


That's true but I never said what the actual age of either actor was.

Casting is done buy how old the actor LOOKS not how old they actully are.

The actor could be 30 playing 15.....the guy playing Clark Kent on Smallville comes to mind.


It's probly hard to find a 30 year old who looks 15 though. BTW I thought Clark was at least 16 in that series.

But if the directer changes the age of the character to a large degree, then the character is no longer the exact character written.


I'm not sure the script actully tells how old Tobie is but as the script is wrighten depending on how you interpret the part he could be a child or an adult.

The way it played out in the movie Tobie and Ms. Lovit had a mother and son type relationship with Sweeney being seen by Ms. Lovit as the father of the family. In Sierra Reps Version Tobie was much older and seemed to actully be in love with Ms. Lovit but she was still in love with Sweeney in both versions.

There are several parts in the show that could be interpreted either way. But it's the same script, same lines, same actions, different interpretation.

I'm going to use yet another Play/movie as an example.

The Best Little Whore House in Texas, the play has 2 characters in it that weren't even in the movie. But it's still the exact same story.

On the other hand Paint Your Wagon, the movie is an entirely different story from the play. The main character Ben Rumsin is really the only character in both versions but even he is not the same. The play he was a father and his partner is a character who dies at the start of the play. In the movie the dead person they burry is some guy no one even knows who they just found dead on a trail. That's the only minor change in the two versions the rest gets even more far off from there.

BTW Paint Your Wagon was originally wrighten for the Fallon House theater where I work. The play is set in Columbia allthough the name of the town is never mentioned sence they haven't named it yet several surrounding towns are named in the play. One of them being Sonora, where I was born. Other clues to where the play is set are simply the fact that it's a gold mining town, and that's all Columbia is today, a historical sight for gold miners.

Anyway, Best Little Whore House in Texas I would say the movie and the play are just different interpretations of the same story where as Paint Your Wagon the two versions are too different to even be compaired to eachother.
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Re: megatron a prime

Postby sto_vo_kor_2000 » Wed Jul 08, 2009 6:10 pm

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Rial Vestro wrote:That's true but I never said what the actual age of either actor was.

Casting is done buy how old the actor LOOKS not how old they actully are.


Sometimes anyway.

Rial Vestro wrote:It's probly hard to find a 30 year old who looks 15 though. BTW I thought Clark was at least 16 in that series.


15-16.....what ever, I wansnt being specific.

BTW the character is in his early 20's now.

But also, sometimes a director will cast an older person to play young because he has no choice.

You see that in low budget or school plays.

Rial Vestro wrote:I'm not sure the script actully tells how old Tobie is but as the script is wrighten depending on how you interpret the part he could be a child or an adult.

The way it played out in the movie Tobie and Ms. Lovit had a mother and son type relationship with Sweeney being seen by Ms. Lovit as the father of the family. In Sierra Reps Version Tobie was much older and seemed to actully be in love with Ms. Lovit but she was still in love with Sweeney in both versions.

There are several parts in the show that could be interpreted either way. But it's the same script, same lines, same actions, different interpretation.


Different interpretations is a different "animal".

Unless the interpretation is so different that the character is no longer reconcilable.

Rial Vestro wrote:
I'm going to use yet another Play/movie as an example.

The Best Little Whore House in Texas, the play has 2 characters in it that weren't even in the movie. But it's still the exact same story.


No its not.

The adding of a new character with dialog alters the story, even if the characters added are insignificant.

If they were extras just running around I might agree with you, but if the added characters have something to do or say thats part of any scene then its a different story based on the original.

And that right there is how you define the difference.Shows like Star Trek Deep Space 9 or Smaalville both have that disclamer.

"Based on".....Smallvile is based on characters appearing in DC comics.....Star Trek DS9, and YES, the new Star Trek film is based on Star Trek created by Gene Roddenberry

Anytime a core concept or story is altered from the original story its no longer the same story.

It becomes a new story "based" on the original.

Rial Vestro wrote:On the other hand Paint Your Wagon, the movie is an entirely different story from the play. The main character Ben Rumsin is really the only character in both versions but even he is not the same. The play he was a father and his partner is a character who dies at the start of the play. In the movie the dead person they burry is some guy no one even knows who they just found dead on a trail. That's the only minor change in the two versions the rest gets even more far off from there.

BTW Paint Your Wagon was originally wrighten for the Fallon House theater where I work. The play is set in Columbia allthough the name of the town is never mentioned sence they haven't named it yet several surrounding towns are named in the play. One of them being Sonora, where I was born. Other clues to where the play is set are simply the fact that it's a gold mining town, and that's all Columbia is today, a historical sight for gold miners.


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Re: megatron a prime

Postby Rial Vestro » Thu Jul 09, 2009 3:49 pm

sto_vo_kor_2000 wrote:But also, sometimes a director will cast an older person to play young because he has no choice.

You see that in low budget or school plays.


In the matter of school plays you may have that backwards but otherwise you'd be right. Cast a younger person to play older because in the school all the actors are students and there's not alot of plays they could do with kids where they can play their own age.

Now depending on the range of ages in the play and the level of the school, like in High School there could be a mix of people playing parts either younger or older than they really are.

There's allso cases where they could get an actor who started out being the right age for the character but continued to play that role longer than he or she really should have as was the case with the original cast of Power Ranger. I remember seeing an interview with them when they mentioned they were getting too old to play High School students. While the actors were teenagers when they were cast their characters weren't ageing along with the real world.

Rial Vestro wrote:I'm not sure the script actully tells how old Tobie is but as the script is wrighten depending on how you interpret the part he could be a child or an adult.

The way it played out in the movie Tobie and Ms. Lovit had a mother and son type relationship with Sweeney being seen by Ms. Lovit as the father of the family. In Sierra Reps Version Tobie was much older and seemed to actully be in love with Ms. Lovit but she was still in love with Sweeney in both versions.

There are several parts in the show that could be interpreted either way. But it's the same script, same lines, same actions, different interpretation.


Different interpretations is a different "animal".

Unless the interpretation is so different that the character is no longer reconcilable.


Which I don't think is the case with Galaxy Force/Cybertron. They may of said that Cybertron was in the same continuity as Armada and Energon while Galaxy Force is a seperate continuity from Micro Legends and Super Link but Cybertron is honestly just WAY too different from Armada/Energon to really even be called a sequill to them.

Jetfire, Wing Saber, and several other characters in Cybertron are entirely different from their name sakes in the previous series. No one even trusted Cybertron Wing Saber and his character backround exsplaining why no one trusted him had absolutly nothing to do with Energon Wing Saber. They're entirely different characters. Jetfire they wrote off on the web site why he had the accent but what was even the point of that? Wouldn't it of made more sence just to use the same voice actor and not even wright a backround for a new voice that we've never heard before and never even gets mentioned in the series itself.

Other than the offical word from Hasbro and the extra info from the web site there was really nothing in the series to let the general audience know it was the same continuity. To most people Cybertron is still a seperate continuity from Armada/Energon.

Even Energon doesn't have alot to show it's the same continuity as Armada. The story lines of any of thoughs series I really don't see how they fit togeather but at least Energon used some of the same molds from the previous series. (mainly every single Decepticon in Energon started off in the same forms they had in Armada.) Cybertron didn't even have that.

Everything about Cybertron other than the characters names and likeness was entirely new. (By likeness I mean even though they had new molds all 3 Jetfires for example still had simular head sculpts as well as all 3 Hot Shots haveing simular head sculpts.)

Not all the characters looked alike though and going back into how characters were too different to be the same. Cybertron Sideways and Armada Sideways. Well for one thing Armada Sideways was dead by this time and there's no exsplination for his return. They look nothing alike. Their backrounds are entirely different. Armada Sideways had a connection to Unicron and Cybertron Sideways was partnered with Soundwave as members of Planet X. The only thing the two characters have in common is their ability to change allegence. Armada useing his Mini-Cons and Cybertron useing his Cyber Planet Key.

Now given that they are OFFICALLY the same continuity that would make all the Cybertron characters the same characters as their name sakes from Armada and Energon.

Allso given that Cybertron is nothing more than a redub of Galaxy Force all the characters would be same characters as the Galaxy Force versions who share the same mold and coloring. (have to specify coloring due the repaints.)

However given that Galaxy Force never tried to be in the same continuity as it's preddicessors there are bound to be some differences between it and Cybertron but I seriesly doubt any of thoughs differences are as exstreme as the difference between the Cybertron characters and their Armada/Energon counterparts.

The changes caused by being shiped over seas seem verry minor when compaired to the changes made to characters who are supose to be the same characters from Armada and Energon.

I'm more inclined to belive Nitro Convoy and Override are the same character despite the gender switch than to belive that Armada Sideways and Cybertron Sideways are the same character.

Before I even knew about Galaxy Force being in a seperate continuity and Cybertron suposidly being in the same continuity I automatically thought Cybertron was a new continuity. While Hasbro may have tried to change Cybertron to fit in with Armada and Energon they failed. The story no matter what Hasbro says, just does not fit. The characters in Cybertron have never even been to Earth before. The first episode they talked about how Earth was a newly discovered planet that no one knew about so right from the get go how does that fit in the same continuity? Humans, same thing, no one knew about Transformers. Durring Energon Earth and Cybertron were allready WELL aware of eachother. Government groups had be formed just to deal with the commings and goings of people from Earth to Cybertron and Transformers from Cybertron to Earth.

They could of changed the name of the planet and just played it off as a different race who just happen to look human but no it was Earth so it just made no sence that after years and years Earth and Cybertron just forgot about eachother.

Sorry, but in this particular case, Hasbro can say they're the same continuity all they want but without exsplaining all the inconsistancys between the characters and plot there's just no way to link Cybertron in with Armada/Energon. Saying something outside of a series and actully exsplaining it within the plot are two different things. Sence Hasbro failed to exsplain the connection within the plot of Cybertron what actully happened in the series says more to me than what their intentions were with the series.

Rial Vestro wrote:I'm going to use yet another Play/movie as an example.

The Best Little Whore House in Texas, the play has 2 characters in it that weren't even in the movie. But it's still the exact same story.


No its not.


Yes it is, because the two characters missing from the movie really didn't add anything to the main story. They had little sub plots going on that were cut from the movie and thus the characters had no reason to exsist.

The main story remained the same without them.

The adding of a new character with dialog alters the story, even if the characters added are insignificant.


Not really. The only way you could really change the story is with a significant character addition or subtraction.

It didn't really hurt anything to take Shy out of the movie but it would be a whole different story if Miss Mona or Ed Eral were taken from the story.

Minor characters, like say the Deputy, could be cut all togeather. The movie had a deputy but the play didn't. All his lines could be either cut or given to Ed Eral where appropreate. Minior characters can't really change a story. That would be like saying that a story would be completely different if one show used 23 extras and another used 42. They're extras, they don't make that much of a difference and who's going to bother to count them?

The same can be done with Minor characters. Hell there's a scene in Best Little Whore House in Texas where the governer is being interviewed by a group of reporters. All the reporters therefore have lines they say. By your reasoning it would make a huge difference in the story if in one version 6 reporters as 6 questions and in other version the director decideds he only needs 3 reporters and gives each of them 2 questions to ask. All the dialog is still there but half the reporters are gone. How does that make a major change to the story? Besides that it's 1 scene that they're there for. Most minor characters that's all they are is little more than extras with dialog.

And I have corrected alot of people on this. Extras are not restricted to non speaking parts. I've had 2 lines in a play but yet I was still an Extra. Extra does not mean that the person can't speak. It means that they are there to fill space and/or play a nameless character. So anyone who is not named is an Extra not anyone who doesn't speak.

If they were extras just running around I might agree with you, but if the added characters have something to do or say thats part of any scene then its a different story based on the original.


Like I exsplained abouve. In some cases dialog can be passed off to other characters who are more important to the story as long is it makes sence for that character to say that particular line. And the 2 characters who were cut from the movie added nothing to main story. They had their own little sub plots that the director decided to cut and just to focus more on the main plot. The main plot did not change any little bit without them around.

Going back to what you said earlier about shipping Batman over seas and makeing him Japanese. Well, if it's a live action series and they're starting a new story line that would then fall into what you said in this post about casting someone who doesn't fit the part because they don't have a choice. I mean, how are they going to find a white actor to play Batman in Japan? He would have to be Japanese. Now if all they're doing is redubbing something that was allready made in the U.S. that's a different story.

A redubbing as I said before is not the same as remake from scratch.

Stepping away from Batman, didn't you post a link on another topic before showing a Japanese Spider-man? That's kinda what I was talking about with Batman. They had a Japanese actor playing that part because they didn't have any white people to play the part. Now if the series had been made in the US and all they had to do redub it than Spider-man could of actully been what he is here in the US. Or sence you never see his face under the mask they could do what they did for Power Rangers. Use all the costumed footage from over seas but refilm a new secret identity origin for the character.

In any case, yes Power Rangers is remarkably different from it's Japanese counterpart. They didn't just dub it for the US but they actully shot their own footage and mixed it in with some of the exsisting footage from Japan. In effect remakeing the entire story from scratch.

Cybertron didn't do that. All they did was make an English dub of a Japanese series. Not much changed other than dialog. Probly the only major change was Override being a fembot.
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Re: megatron a prime

Postby Editor » Thu Jul 09, 2009 4:13 pm

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Rial, I'm not about to hit on everything in your post I'll just make a pointed statement.

I have watched episodes of translated GF. I have watched Cybertron. They did not make a dub of a japanese show. They changed the focus of the storyline, resulting in different explanations to be used for different events. (look up the reasons for the Cybertron Defence Team for one)

This creates a different product than the original.

As somebody that has a background in Anime, (I run conventions, am a former subtitler, and own a sizable collection) I have been involved in the debates around the alteration of many series for the North American and European market. I know the difference between translating a series and rewriting it.

When my group received the scripts for Evangelion, Nadesico and X movies, we translated the script and presented it as faithful as we could to the Japanese script while being presented in proper English. That is how a series is kept to it's source materials. More and more shows have been getting that treatment in recent years like the Gundam series and shows like Bleach and Death Note. What was done for Cybertron is more in line with the 4-kids adaptations of shows like One Piece, Yu-Gi-Oh or Tokyo Mew-Mew (as Mew Mew Power) shows that have been ripped to shreds by fandom for the same kind of edits that Cybertron has.
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Re: megatron a prime

Postby sto_vo_kor_2000 » Thu Jul 09, 2009 4:50 pm

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Rial Vestro wrote:In the matter of school plays you may have that backwards but otherwise you'd be right.


Actully it can go both ways.

I've seen school plays where the actors are playing old characters and much younger characters.

And I've seen the same done in the more "pro" but low budget plays....but not often.

Which I don't think is the case with Galaxy Force/Cybertron. They may of said that Cybertron was in the same continuity as Armada and Energon while Galaxy Force is a seperate continuity from Micro Legends and Super Link but Cybertron is honestly just WAY too different from Armada/Energon to really even be called a sequill to them.

Jetfire, Wing Saber, and several other characters in Cybertron are entirely different from their name sakes in the previous series. No one even trusted Cybertron Wing Saber and his character backround exsplaining why no one trusted him had absolutly nothing to do with Energon Wing Saber. They're entirely different characters. Jetfire they wrote off on the web site why he had the accent but what was even the point of that? Wouldn't it of made more sence just to use the same voice actor and not even wright a backround for a new voice that we've never heard before and never even gets mentioned in the series itself.

Other than the offical word from Hasbro and the extra info from the web site there was really nothing in the series to let the general audience know it was the same continuity. To most people Cybertron is still a seperate continuity from Armada/Energon.


I cant actually speak to the contents of the shows since I watched very little of all 3 shows but I can say this.......

The offical word is that all 3 were connected, there was content of the scripts of Galixy force that was omitted or altered to connect the last show to the other 2 for Hasbros markets.

And again the "changed" Material are as fundamental to the story as the fundamental difference between Nitro Convoy and Override.

Theres a big fundamental difference between introducing a "So called" new universe and a connecting one with pre-established history.

Even if they did a bad job of it.

Now given that they are OFFICALLY the same continuity that would make all the Cybertron characters the same characters as their name sakes from Armada and Energon.


Not necessarily.

while it make make it easier on the fans, theres nothing precluding the possibility that more then 1 TF having the same names.

The changes caused by being shiped over seas seem verry minor when compaired to the changes made to characters who are supose to be the same characters from Armada and Energon.


I would say that a change in gender is far from minor.

Yes it is, because the two characters missing from the movie really didn't add anything to the main story. They had little sub plots going on that were cut from the movie and thus the characters had no reason to exsist.

The main story remains the same without them.


No its not because no matter how little the 2 missing character contributed to the story their conten and roles were removed\altered.

And that alters the story from its original source material.

Plain and simple ,its a changed story based on the original.


Not really. The only way you could really change the story is with a significant character addition or subtraction.


Any change to the source matrial is a change.

Any adding or removing of characters and their plots is a change to the story.

It doesnt matter if you think its a "significant addition or subtraction" because whats "SIGNIFICANT" is a highly subjective and abstract.

What you see as "Significant" to the story I may not, and the director may have an other view all together.

And lets not forget the opinion of the writter, who wrote the character in for some reason.

"Significant is in the eyes of its beholders"....it differs from one person to the next.

Change is change.

Any change to the story can be viewed as significant to someone.

And any change to the source changes the story.


Like I exsplained abouve. In some cases dialog can be passed off to other characters who are more important to the story as long is it makes sence for that character to say that particular line.


Which also changes the story and that other character.

Going back to what you said earlier about shipping Batman over seas and makeing him Japanese. Well, if it's a live action series and they're starting a new story line that would then fall into what you said in this post about casting someone who doesn't fit the part because they don't have a choice. I mean, how are they going to find a white actor to play Batman in Japan?


Your kidding right???

There are many wanabe white actors that have lived and studied in Japan.Steven Seagal for 1.



Now if all they're doing is redubbing something that was allready made in the U.S. that's a different story.

A redubbing as I said before is not the same as remake from scratch.


And if they "Re-dub" and change some fundamental facts it changes the story.
Stepping away from Batman, didn't you post a link on another topic before showing a Japanese Spider-man? That's kinda what I was talking about with Batman. They had a Japanese actor playing that part because they didn't have any white people to play the part. Now if the series had been made in the US and all they had to do redub it than Spider-man could of actully been what he is here in the US. Or sence you never see his face under the mask they could do what they did for Power Rangers. Use all the costumed footage from over seas but refilm a new secret identity origin for the character.


I'm not sure what kind of compareison your trying to make.

Yes I posted a link once to a Japanese Spiderman show, but the Spiderman in that series was a competly different character.

I'm not even sure if he was bit by a Spider, but his character boar no resemblance to Peter Parcker....and I'm not talking about appearance.
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Re: megatron a prime

Postby sto_vo_kor_2000 » Thu Jul 09, 2009 4:57 pm

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Editor wrote:Rial, I'm not about to hit on everything in your post I'll just make a pointed statement.

I have watched episodes of translated GF. I have watched Cybertron. They did not make a dub of a japanese show. They changed the focus of the storyline, resulting in different explanations to be used for different events. (look up the reasons for the Cybertron Defence Team for one)

This creates a different product than the original.

As somebody that has a background in Anime, (I run conventions, am a former subtitler, and own a sizable collection) I have been involved in the debates around the alteration of many series for the North American and European market. I know the difference between translating a series and rewriting it.

When my group received the scripts for Evangelion, Nadesico and X movies, we translated the script and presented it as faithful as we could to the Japanese script while being presented in proper English. That is how a series is kept to it's source materials. More and more shows have been getting that treatment in recent years like the Gundam series and shows like Bleach and Death Note. What was done for Cybertron is more in line with the 4-kids adaptations of shows like One Piece, Yu-Gi-Oh or Tokyo Mew-Mew (as Mew Mew Power) shows that have been ripped to shreds by fandom for the same kind of edits that Cybertron has.


I love Deathnote and Evangelion.

You worked on Evangelion???
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Stormrider wrote:You often add interesting insights to conversations that makes the fledglings think and challenges even the sharpest minds

T-Macksimus wrote:I consider you and editor to be amongst the most "scholarly" in terms of your knowledge, demeanor and general approach

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Re: megatron a prime

Postby Editor » Thu Jul 09, 2009 5:48 pm

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sto_vo_kor_2000 wrote:You worked on Evangelion???


Not the official ADVisions one no. I worked with a group called Arctic Animation. AA was a fan group that operated in the early 90's when anime was still mostly underground working on shows like Orange Road, Maison Ikkoku, Red Hood Chacha, and a bunch of others. we slowed down as more north american companies got into the game so there was little point in working on full series. (until a faster internet, digital TV and peer torrent changed everything again) a list of things we had done (way out of date, and missing things that we already had cease and desist on like Orange Road) can be found at http://www.geocities.com/Tokyo/Teahouse ... anlong.txt

However we still worked on projects for the local events in the Vancouver area.

For the Eva movie Death/Rebirth and End of, One member ordered the Laserdisks as soon as it was available, and we spent about 3 weeks on translations, edits, time-outs and graphics (again computer programs have come a long way in a short time)before presenting it at a number of local events and fan distribution until it's north American rights were finally cleared up.

We did give copys to the english VA's for Gendou and Asuka as for a while they didn't think they would be able to work on the movie themselves, and received a very favorable review from them.

And yes, if you are wondering if this is where my screen name 'Editor" come from, you would be correct.
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Re: megatron a prime

Postby sto_vo_kor_2000 » Thu Jul 09, 2009 6:01 pm

Motto: "Today is a good day to die......but the day is not yet over!"
Editor wrote:
sto_vo_kor_2000 wrote:You worked on Evangelion???


Not the official ADVisions one no. I worked with a group called Arctic Animation. AA was a fan group that operated in the early 90's when anime was still mostly underground working on shows like Orange Road, Maison Ikkoku, Red Hood Chacha, and a bunch of others. we slowed down as more north american companies got into the game so there was little point in working on full series. (until a faster internet, digital TV and peer torrent changed everything again) a list of things we had done (way out of date, and missing things that we already had cease and desist on like Orange Road) can be found at http://www.geocities.com/Tokyo/Teahouse ... anlong.txt

However we still worked on projects for the local events in the Vancouver area.

For the Eva movie Death/Rebirth and End of, One member ordered the Laserdisks as soon as it was available, and we spent about 3 weeks on translations, edits, time-outs and graphics (again computer programs have come a long way in a short time)before presenting it at a number of local events and fan distribution until it's north American rights were finally cleared up.

We did give copys to the english VA's for Gendou and Asuka as for a while they didn't think they would be able to work on the movie themselves, and received a very favorable review from them.

And yes, if you are wondering if this is where my screen name 'Editor" come from, you would be correct.


Kool...........I must have seen some of your work back in the day.
Predaprince wrote:I am very thankful to have posters like sto_vo_kor_2000 who is so energetic about improving others' understanding and enjoyment of the TF universe
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T-Macksimus wrote:I consider you and editor to be amongst the most "scholarly" in terms of your knowledge, demeanor and general approach

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Re: megatron a prime

Postby Rial Vestro » Thu Jul 09, 2009 10:28 pm

sto_vo_kor_2000 wrote:Actully it can go both ways.


Sto, I've said this before. Read the whole statement before you respond to it. :P

Saber Prime wrote:depending on the range of ages in the play and the level of the school, like in High School there could be a mix of people playing parts either younger or older than they really are.


Which I don't think is the case with Galaxy Force/Cybertron. They may of said that Cybertron was in the same continuity as Armada and Energon while Galaxy Force is a seperate continuity from Micro Legends and Super Link but Cybertron is honestly just WAY too different from Armada/Energon to really even be called a sequill to them.

Jetfire, Wing Saber, and several other characters in Cybertron are entirely different from their name sakes in the previous series. No one even trusted Cybertron Wing Saber and his character backround exsplaining why no one trusted him had absolutly nothing to do with Energon Wing Saber. They're entirely different characters. Jetfire they wrote off on the web site why he had the accent but what was even the point of that? Wouldn't it of made more sence just to use the same voice actor and not even wright a backround for a new voice that we've never heard before and never even gets mentioned in the series itself.

Other than the offical word from Hasbro and the extra info from the web site there was really nothing in the series to let the general audience know it was the same continuity. To most people Cybertron is still a seperate continuity from Armada/Energon.


I cant actually speak to the contents of the shows since I watched very little of all 3 shows but I can say this.......

The offical word is that all 3 were connected, there was content of the scripts of Galixy force that was omitted or altered to connect the last show to the other 2 for Hasbros markets.

And again the "changed" Material are as fundamental to the story as the fundamental difference between Nitro Convoy and Override.

Theres a big fundamental difference between introducing a "So called" new universe and a connecting one with pre-established history.

Even if they did a bad job of it.


Could you rephraise the bold statement please. I'm not sure I know what you're talking about.

As for the rest of it. Maybe you should actully watch the so called Trilligy and judge for yourself rather than trusting whatever little bits of it and rumors others have said about it. Quite honestly I think if you took the time to watch the trilligy all the way through you'd understand more of what I was talking about in regards to Cybertron being a stand alone universe despite what Hasbro's intentions for it were.

There really isn't much of anything conecting Cybertron with Armada and Energon. It has as much in common with thoughs series as it does any other Transformers universe. The names and likeness of characters are used but the story and personalitys of thoughs characters are entirely too different to be the same.

Simply because Hasbro was useing Japanese footage and redubbing it there's no possible way they can take a series that was originally ment to be a stand alone series and make it fit to a pre-exsisting universe. The only way Hasbro could of done this would be to remake Cybertron from scratch insted if just redubbing Galaxy Force.

BTW By redubbing I'm not talking about translating. I mean that what ever new dialog they add, replace, or take away, what the characters are saying still has to match what they are doing. Right from the begining of Cybertron the Transformers are trying to hide on Earth simply because that's the only thing that makes sence for the actions in the episode but it does not make sence for a continuity where Earth should allready know about them.

Hasbro no doubt wanted to make Cybertron the squill to Energon but simply for that reason they never had any hope of accomplishing this. Hasbro's intentions for Cybertron were never made apperent in the series, hence Cybertron is still as far as I'm conserned no different than Galaxy Force. Both can and do stand on their own. Cybertron did not have any of the major changes from Galaxy Force nessisary to really tie the story in with Armada and Energon. If you think it did, than please by all means tell me exactly how that's possible when...

A. Humans and Cybertronian are allready WELL aware of eachother in Energon yet in Cybertron it's made apperent in the first episode this is the first time they have ever interacted with eachother.

B. Why are characters like Cybertron Jetfire, Wing Saber, Sideways, and so many others so drastically different from their Armada and Energon counterparts. And how can there even be a Cybertron Sideways when he died in Armada.

I really don't think there's an exsplination for any of this therefor can't be the same continuity.

Hasbro intended it to be the same continuity but it's obvious in the American dub that the series was never intended to be in the same continuity by Takara. Takara made the Animation and allthough it's not a straight translation Cybertron still isn't all that different from Galaxy Force simply because they use the same animation.

I don't know how many ways I can say this. Takara set out to make a new series with Galaxy Force. Hasbro set out to continue an existing series with Cybertron. Sence Hasbro was useing the Galaxy Force footage to make Cybertron they never had a chance to do what they wanted.

If the oppisite were true and Cybertron were made first then Takara would have no choice but to set Galaxy Force in the same continuity as Micro Legend and Super Link and maybe both shows would be better that way but sence it didn't happen that way who knows.

There really isn't alot you can change when you're forced to match dialog with a spicific action. Hasbro would of had better luck cutting any scenes that showed Transformers hideing on Earth sence in Energon everyone on Earth allready knows about them so there's no reason for them to hide in Cybertron if it's the same continuity.

And Jetfire's character change, well that wasn't even a dubbing thing, that was just poor judgement. Why the hell would they think ententionally changing Jetfire's character would make the shows more belivable as the same universe? Keeping the original voice actor playing the same Jetfire from Armada and Energon would of help the connect the new universe. They could of spliced in footage from Energon to retell Wing Saber's origin insted of useing his new one but they didn't. They could of made up a scene to exsplain Sideways returning but they didn't.

Any of these things could of actully helped to make Cybertron a completly different series from Galaxy Force but Hasbro didn't do any of them. As far as I can tell Cybertron is not what Hasbro intended it to be but rather is what Takara intended Galaxy Force to be. A new continuity. Whatever changes were made between the two are minor compaired to the changes that should of been made to actully make Cybertron fit as a sequill to Energon.

You just can't fit a square peg into a round hole... unless of course you cut the corrners off.

Now given that they are OFFICALLY the same continuity that would make all the Cybertron characters the same characters as their name sakes from Armada and Energon.


Not necessarily.

while it make make it easier on the fans, theres nothing precluding the possibility that more then 1 TF having the same names.

Allso given that Cybertron is nothing more than a redub of Galaxy Force all the characters would be same characters as the Galaxy Force versions who share the same mold and coloring. (have to specify coloring due the repaints.)


Are you missing some quote tags? I'm preddy sure that last line was me but it looks like you said it.

At any rate. I've mentioned this before, while in real life it's not uncommon for multiple people to have the same name in fiction there has to be some in story reason for 2 or more characters to share the same name within the same continuity. It's just too confusing for the general audience otherwise.

Fictional characters offten don't even have last names or are seldom heard of and it just becomes easier to refer to them by first name and the fiction they're from. Haveing multiple characters in the same fiction with the same name would just be too hard for fans to talk about in conversation.

Now when the same names are used, there is allways some reason for it. Maybe a group of kids who all share the same name but then to tell them apart they'd all be given a letter, possibly a last innital to easily tell them apart in conversation.

In Beast Wars it was actully said within the dialog of the series who was a G1 character and who was just named after an ancestor. (Starscream and Ravage really being the only G1 characters to interact with BW characters without being uncontious. Not counting the comics of course which include Rattrap's aunt Arcee and probly many others.)

Yes it is, because the two characters missing from the movie really didn't add anything to the main story. They had little sub plots going on that were cut from the movie and thus the characters had no reason to exsist.

The main story remains the same without them.


No its not because no matter how little the 2 missing character contributed to the story their conten and roles were removed\altered.

And that alters the story from its original source material.

Plain and simple ,its a changed story based on the original.


How is it a change in the story when thoughs characters had NO EFFECT on the story. Their little sub plots had NOTHING, NOTTA, ZERO involvement in the main story line. They just happen to be whores who were liveing in that house but other than that nothing they ever did had any effect on the plot.

In other words... they did NOT contribute to the story. They had their OWN story lines that were never told in the movie. The stories of the 2 characters in question never even made a connection with the main plot. You could rewright the whole thing and have their story told first then put the movie version as a sequill and both storys would remain the same other than happening slightly out of order.

Not really. The only way you could really change the story is with a significant character addition or subtraction.


Any change to the source matrial is a change.

Any adding or removing of characters and their plots is a change to the story.

It doesnt matter if you think its a "significant addition or subtraction" because whats "SIGNIFICANT" is a highly subjective and abstract.

What you see as "Significant" to the story I may not, and the director may have an other view all together.

And lets not forget the opinion of the writter, who wrote the character in for some reason.

"Significant is in the eyes of its beholders"....it differs from one person to the next.

Change is change.

Any change to the story can be viewed as significant to someone.

And any change to the source changes the story.


Not true.

If a character has absolutly ZERO impact on a story there is no possible way removing that character can change the story. And when I say ZERO impact that's not a matter of opinion I mean the character quite literally never did one damn thing to drive the plot.

For example. Say I wright a scene where a character tries to stop a bank robbery and gets killed. Now take into account that this character has never been seen before, and obviously will never be seen again. Someone else comes in a desides they don't want to add a character to the scene who just dies and replaces the new character with someone who the audience would have allready seen in a previous scene. Character number 2 is likewise a small part that was only in another scene to deliver pizza. How in the same hell does makeing thoughs 2 insignificant characters into the same character do ANYTHING to change the overall story. Neither one of them contributed anything to the plot, they're just there. The only important thing is that someone be at the bank to try and stop a robbery and get killed. And it has to be someone who otherwise isn't important. He's just there as an extra who dies and nothing more. It doesn't even have to be a man, they could kill a woman. Nothing about the character except for his death has any importance what so ever to the story.

On the other hand if it was changed so the character didn't die at all or was killed on accident when the robber is supose to intentinally shoot them it would either make the character a main part of the story because they would then be the hero who allmost died rather than the corpse no one cares about or change the character of the robber from being a die hard criminal into someone who really isn't all that evil and never intended to hurt anyone.

What matters as a significant change is not "in the eye of the beholder" but rather how much that change alters the overall plot.

As long as can change or cut a scene or character without haveing to change the entire story it's minor. But if you make a change that effects the entire story that would be a major change.

I'll use Star Wars as an example. (456) The newer versions all have large city scapes and things in the backround that weren't in the original relises. Did any of thoughs changes effect the story? No not at all. Scenes were added to Star Wars that were never even incuded in the original versions, did they change the overall story, nope not at all. The changes were only ment to add to the realisum of Star Wars not to change the story.

How much did it change the story to actully show the snow beast? Non. How much did it change the story to show giant worm creatures comming out of the holes in the ground rather than just trowing them in the holes to some unseen creature at the bottom? None.

These are all changes that were made to the original Star Wars movies and non of them did anything to change the plot of the movies.

Like I exsplained abouve. In some cases dialog can be passed off to other characters who are more important to the story as long is it makes sence for that character to say that particular line.


Which also changes the story and that other character.


No it doesn't.

Here's another example.

Original version...

Ed Eral: I'm going to call Miss. Mona up at the ranch and let her know what's going on.

Altered version...

Deputy: You gonna call Miss. Mona up at that ranch and let her know what's going on?

Ed Eral: Yeah, give me some privay would you.

How does that change the story? He still makes the call and the line is still there just said by a different character and it's not even an important line. He could just make the call without saying anything before hand. Nothing said there has any importance to the story what so ever. The only thing that's important about the scene is that he needs to make a phone call.

Here's another one.

(Knock at the door)
Me: I hope that's the pizza I ordered. (answers the door)

Alternate scene

(Knock at the door)
You: (answers the door) Did you order a pizza?

Either way we know my character wanted pizza so what has changed in the story? Absolutly nothing, if this were a scene in a bigger story this scene wouldn't even be important to the overall story so why should it matter who mentions the pizza first or who answers the door? It doesn't.

You make it sound as if every single little thing has to be done exactly the same way word for word, character for character or it's not the same story.

Some times changes are made because they HAVE to be made.

For example Sweeney Todd the original set design called for a 2 story set where the bodies of Sweeney's Victums would be droped through the stage floor. In our production due to limitations with the stage space we could not build the original Sweeney Todd set and Denis Jones the director designed his own version. The story remained the same but the corpses went backwards through 2 large double doors and the chair would re emerge empty rather than dropping them through the floor.

According to you however this simple change in stage direction would then change the ENTIRE story line even though the stage direction has nothing to do with the plot.

I once preformed a scene for drama class and then preformed the SAME scene on a smaller stage at a profecinal theater and guess what, simply because of the change in stage space, my blocking changed. Did the change in blocking change the story? Absolutly not. But again according to you, it has to be done EXACTLY the same way EVERY time or it's an ENTIRELY new story which just is not in any way even remotely true.

Hell if that were true in theater the audiance would be watching a new story every night but they don't watch a new story, they're watching a different preformance of the same exact show.

There's been times when we have cut songs simply because the actress playing that role is sick that day and can't hit the right notes. Now if we had an understudy for every actor which we don't, can't afford it. That would still then be a change.

No matter how you look at it, change is allways going to happen one way or another either for the sake of ditching a character who adds nothing to the overall plot, ditching a line that doesn't help the plot, or just plain because the director's an idiot and doesn't know what the hell he's doing. *cough*Micheal*cough*Bay*cough*

Hell Wrighters rarely even have any say in who gets to play the parts of the characters they wrote. Casting is Director's job so who's to say even that an original performance is not what the wrighters intended the show to be?

The original version of something if you really think about it, is not the original product. It's whatever the creator intended that product to be. Back to Star Wars, the newer version of 456 is what George Lucas orginally intended in the first place so technically the new relice is the original, not the original relice if that makes any sence.

If not a better exsplination would be that the original version of Star Wars relised to the Public was the best George Lucas could do with the technoligy avalible to him at the time. Years later he made changes to it to really bring HIS original concept to life. His original concept is the original version not the original version that we saw.

Stepping away from Batman, didn't you post a link on another topic before showing a Japanese Spider-man? That's kinda what I was talking about with Batman. They had a Japanese actor playing that part because they didn't have any white people to play the part. Now if the series had been made in the US and all they had to do redub it than Spider-man could of actully been what he is here in the US. Or sence you never see his face under the mask they could do what they did for Power Rangers. Use all the costumed footage from over seas but refilm a new secret identity origin for the character.


I'm not sure what kind of compareison your trying to make.

Yes I posted a link once to a Japanese Spiderman show, but the Spiderman in that series was a competly different character.

I'm not even sure if he was bit by a Spider, but his character boar no resemblance to Peter Parcker....and I'm not talking about appearance.


I'm talking about the difference between just re-dubbing and actully makeing a whole new series.

Cybertron was a redub of Galaxy Force. It used all the same footage with all the same characters. They could have removed, added, or replaced footage in episodes that didn't make any sence for it being a sequill but they didn't.

Power Rangers was a whole new story. Different actors playing different characters. Any footage of the original actors out of costume wasn't used at all. They didn't just make a change as simple as changeing the yellow rangers gender, they changed her personality, race, origin, EVERYTHING and not just her. Non of the Power Ranger had anything what so ever to do with their Japanese counterparts in the same costumes. In fact the costumes and zords are the ONLY things that stay the same.

Cybertron and Galaxy Force really, what's different between the two of them? Galaxy Force never tried to be a sequill and Nito Convoy is a male. Cybertron tried to be a sequill, failed in the first episode, and Override is a girl. I really don't see how changeing that one character makes any difference to the series.

Power Rangers and Go-Bots changed every single aspect of their series from the Japanese shows who use the same likeness of thoughs characters.

Cybertron changed one character. Or at least that one character is all anyone ever talks about. If there's more to it than that then please let me know what the changes in the plots where. I really don't see how there can be any plot changes when they're useing the same footage.
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Rial Vestro
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Re: megatron a prime

Postby sto_vo_kor_2000 » Fri Jul 10, 2009 12:10 am

Motto: "Today is a good day to die......but the day is not yet over!"
Rial Vestro wrote:
sto_vo_kor_2000 wrote:Actully it can go both ways.


Sto, I've said this before. Read the whole statement before you respond to it. :P


I did....I still felt like saying that :lol:

Saber Prime wrote:
Could you rephraise the bold statement please. I'm not sure I know what you're talking about.


I was trying to make the same point "Editor" made in his post, althou he did a far better job.

The few changes that were made to connect Cybertron to the 2 shows that came before it may not have been large or perfect but changes were made, no less like "Editor" pointed out, some of those changes lead to other changes, which only served to further alter the original.

No matter how you cut it, they did far more then change a few names, they altered the "premis" of the back story of the show.


Saber Prime wrote:As for the rest of it. Maybe you should actully watch the so called Trilligy and judge for yourself rather than trusting whatever little bits of it and rumors others have said about it. Quite honestly I think if you took the time to watch the trilligy all the way through you'd understand more of what I was talking about in regards to Cybertron being a stand alone universe despite what Hasbro's intentions for it were.


I am more then "well informed" on the matter to understand the point your trying to make.But the issue isint how well the shows were connect but the fact that Hasbro made some fundamental changes to make a connection.

The first is the premis of the main arc, in CYBERTRON there's a Black hole thats caused by the destruction of Unicron in the previous 2 shows.

Galixy force had a completly different explanation for the black hole.

Thats a fundamental change.

Saber Prime wrote:Simply because Hasbro was useing Japanese footage and redubbing it there's no possible way they can take a series that was originally ment to be a stand alone series and make it fit to a pre-exsisting universe. The only way Hasbro could of done this would be to remake Cybertron from scratch insted if just redubbing Galaxy Force.


I disagree.

Better re-writting could have made a far better connection.

Saber Prime wrote:A. Humans and Cybertronian are allready WELL aware of eachother in Energon yet in Cybertron it's made apperent in the first episode this is the first time they have ever interacted with eachother.


Which could have been explained any number of ways.

1 being that Cybertron takes place far in the future, after Humans and TF's have .lose contact.

Saber Prime wrote:
B. Why are characters like Cybertron Jetfire, Wing Saber, Sideways, and so many others so drastically different from their Armada and Energon counterparts. And how can there even be a Cybertron Sideways when he died in Armada.


Again.....if set in the future they could be desendent of the A\E counterparts of new bots taking old names

Saber Prime wrote:I really don't think there's an exsplination for any of this therefor can't be the same continuity.


Wether it fits or not its the same continuity.

Saber Prime wrote: Cybertron still isn't all that different from Galaxy Force simply because they use the same animation.


There are more then enough differences.

Saber Prime wrote:There really isn't alot you can change when you're forced to match dialog with a spicific action.


Nonsense, such changes have been done with Anime shows since the late 60's.

Just look at Battle of the Planets.

Saber Prime wrote:
Are you missing some quote tags? I'm preddy sure that last line was me but it looks like you said it.



Yes I ment to drop that last part.

Sorry I'll fix it.

Saber Prime wrote:
At any rate. I've mentioned this before, while in real life it's not uncommon for multiple people to have the same name in fiction there has to be some in story reason for 2 or more characters to share the same name within the same continuity. It's just too confusing for the general audience otherwise.


In a perfect world there should be some reason but thats not always the case.

Saber Prime wrote:How is it a change in the story when thoughs characters had NO EFFECT on the story.


Because we're not talking about the "effect" of the story but the content of the story.

The "Effect" of the story is a matter or preseption.

The "Content" of the story is a matter of actual matrial.

If the character in question had something to do or say in the story and its removed then the "Content" of the story has been altered.

Saber Prime wrote: Their little sub plots had NOTHING, NOTTA, ZERO involvement in the main story line.


In your ,and the directors, opinion.

The sub-plot in question obviously ment something to the original author other wise he\she wouldnt have wrote it.

Saber Prime wrote: Not true.


Absolutely true.

And as a matter of fact you once told me that the idea of any changen no matter how small, to your characters stories was unbearable.

Saber Prime wrote:If a character has absolutly ZERO impact on a story there is no possible way removing that character can change the story.


Removing the character alone changes the story.

Saber Prime wrote:
What matters as a significant change is not "in the eye of the beholder" but rather how much that change alters the overall plot.


Hardly.

Your talking about how the story would be precieved.

I'm talking about the story itself.

Saber Prime wrote:I'll use Star Wars as an example. (456) The newer versions all have large city scapes and things in the backround that weren't in the original relises. Did any of thoughs changes effect the story? No not at all.


Actully they did a bit, but thats a completly different thing.

None of that actually added to the content of the script....exsepts Solo and Jaba's dialog.Which did add to Hans story.

Saber Prime wrote:How much did it change the story to actully show the snow beast? Non.


Actually it changed a bit for me and I remember a lot of die hard fans being very upset with them showing the snow beast.

Saber Prime wrote: How much did it change the story to show giant worm creatures comming out of the holes in the ground rather than just trowing them in the holes to some unseen creature at the bottom? None.


It gave us a better understanding and that alters the story.

Saber Prime wrote:
These are all changes that were made to the original Star Wars movies and non of them did anything to change the plot of the movies.


You forgot about the biggest one....which had fans pissed off....Greedo shots first.

Saber Prime wrote:No it doesn't.


Yes it does.

It puts that character in a new place saying something new thats not in the source material for that character.

Saber Prime wrote:

How does that change the story?


Dialog change = content change.

Saber Prime wrote:You make it sound as if every single little thing has to be done exactly the same way word for word, character for character or it's not the same story.


Exactly.

Any change makes it a story based on the original.

Its a re-write.

Saber Prime wrote:
Some times changes are made because they HAVE to be made.


Doesnt matter.

Saber Prime wrote:According to you however this simple change in stage direction would then change the ENTIRE story line even though the stage direction has nothing to do with the plot.


It does make it a re-write so its different then the source martial.

Saber Prime wrote:
I once preformed a scene for drama class and then preformed the SAME scene on a smaller stage at a profecinal theater and guess what, simply because of the change in stage space, my blocking changed. Did the change in blocking change the story?


I'm not sure what "blocking" is.

But if it resulted in a re-write of the script then it was a different story.

Saber Prime wrote:There's been times when we have cut songs simply because the actress playing that role is sick that day and can't hit the right notes. Now if we had an understudy for every actor which we don't, can't afford it. That would still then be a change.


Your now talking about adapting a performance because of issues that cant be controled.

But truth be told, even that is a change to the story.

If its not presented in its original form then its different.

Saber Prime wrote:Cybertron was a redub of Galaxy Force.


With fundamental differences.

Saber Prime wrote: It used all the same footage with all the same characters. They could have removed, added, or replaced footage in episodes that didn't make any sence for it being a sequill but they didn't.


Its my understanding they did some removings.

Saber Prime wrote:Cybertron and Galaxy Force really, what's different between the two of them?


3 different issues have already been brought up.
Predaprince wrote:I am very thankful to have posters like sto_vo_kor_2000 who is so energetic about improving others' understanding and enjoyment of the TF universe
Stormrider wrote:You often add interesting insights to conversations that makes the fledglings think and challenges even the sharpest minds

T-Macksimus wrote:I consider you and editor to be amongst the most "scholarly" in terms of your knowledge, demeanor and general approach

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sto_vo_kor_2000
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Re: megatron a prime

Postby Rial Vestro » Fri Jul 10, 2009 3:17 am

sto_vo_kor_2000 wrote:Which could have been explained any number of ways.


But it wasn't. There is no exsplination for it in the series.

[quot]1 being that Cybertron takes place far in the future, after Humans and TF's have .lose contact.[/quote]

That exsplination would work for the Humans who have shorter life spans but not for the transformers.

Being that Galaxy Convoy is not the same character as Grand Convoy or whatever the hell Armada/Energon Optimus Prime was called in Japan he would have no knowlage of the human race. Trying to get us to belive that the American version of Cybertron Optimus Prime is the same character as Armada/Energon Optimus Prime just doesn't work because even Cybertron Optimus Prime kept Galaxy Convoy's persona of "oh this is the first time I've seen a human."

We could exsplain that as this is a different Optimus Prime but he not only has the same name, he allso shares verry simular character traits, they look like the same characters but upgraded, and they even have the same voice.

Besides there's no dialog in Cybertron to sugest that Optimus isn't the same Optimus like there was in Beast Wars to say that Optimus Primal and Optimus Prime were different characters.

There is literally NO exsplination for anything. At least not in the story. The only exsplination that exsists is outside the story and that's the fact that Galaxy Force/Cybertron was never ment to be sequil in the first place.

Saber Prime wrote:B. Why are characters like Cybertron Jetfire, Wing Saber, Sideways, and so many others so drastically different from their Armada and Energon counterparts. And how can there even be a Cybertron Sideways when he died in Armada.


Again.....if set in the future they could be desendent of the A\E counterparts of new bots taking old names


Again, this was never exsplained in story. With the way Transformers age they could verry well be the same characters if it wasn't for the character differences.

And even if they were how would a character who's from Planet X end up with the name of Unicron's herold? (Refering to Cybertron Sideways and Armada Sideways) How would the name even be known in order for the Cybertron character to have it.

The only real reason they both have that name is because they both have the ability to change allegance and act as a double agent when they're really not loyal to either side.

Saber Prime wrote:I really don't think there's an exsplination for any of this therefor can't be the same continuity.


Wether it fits or not its the same continuity.


Sorry but no. They are as much the same continuity as their Japanese counterparts.

Saber Prime wrote: Cybertron still isn't all that different from Galaxy Force simply because they use the same animation.


There are more then enough differences.


Like?

Saber Prime wrote:At any rate. I've mentioned this before, while in real life it's not uncommon for multiple people to have the same name in fiction there has to be some in story reason for 2 or more characters to share the same name within the same continuity. It's just too confusing for the general audience otherwise.


In a perfect world there should be some reason but thats not always the case.


Name one situation where that's not the case. Everything I've seen there's allways some reason for multiple characters to share the same name and there's allways some way to easily seperate the characters when talking about them in conversation.

Saber Prime wrote:How is it a change in the story when thoughs characters had NO EFFECT on the story.


Because we're not talking about the "effect" of the story but the content of the story.

The "Effect" of the story is a matter or preseption.

The "Content" of the story is a matter of actual matrial.

If the character in question had something to do or say in the story and its removed then the "Content" of the story has been altered.


We're talking about the effect of the content in the story. To change the story you have to change the content. How much you change it depends on how big an effect that change made in the content. Better put replace "content" with "Plot", in fact change story to plot as well because they're all the same thing.

Any change that does not effect the plot does not change the plot. Plain and simple.

The way you're putting it. Any change wheater it effects the plot or not, changes the plot.

Better yet, replace effects with change. They mean the same thing too.

In other words you're speaking in oxi-morons again.

Saber Prime wrote: Their little sub plots had NOTHING, NOTTA, ZERO involvement in the main story line.


In your ,and the directors, opinion.

The sub-plot in question obviously ment something to the original author other wise he\she wouldnt have wrote it.


Which has absolutly nothing to do with the conversation.

You said that any change in chatacters or dialog would change the story. I pointed out where two characters were not involved in a story to begine with and were wrighten out of it and yet you still insist that not haveing them changes a story that they were never involved in the begine with.

Saber Prime wrote: Not true.


Absolutely true.

And as a matter of fact you once told me that the idea of any changen no matter how small, to your characters stories was unbearable.


Not entirely true. I just said that any changes made would have to be approved by me. This is to make sure than any changes made don't mess with their original back storys.

For example, was Batman's parrents killed by.

A. A random mugger.

B. The Joker.

C. Mr. Freeze.

or

D. Any of the abouve depending on which continuity you're watching.

Changeing Batman's costume has never made any difference to his story but changeing his backround has.

Any change that doesn't effect the story does not change the story. You could have a dozen retellings of Batman all wearing slightly different costumes but as long as that's the only change it's still the same story. But if you go and change how his parrents died it's not the same anymore. Same Batman but different arch villain. His original goal has allways been vengence for his parrents death allthough that goal changes later in his career which is why it allways made a great story line to have Joker kill them being that he's the villain Batman deals with the most.

Makeing it Mr. Freeze really ruined the story and the two never had the same hatred for eachother like Batman and the Joker do.

Saber Prime wrote:If a character has absolutly ZERO impact on a story there is no possible way removing that character can change the story.


Removing the character alone changes the story.


No it doesn't.

It only changes the story if the character actully has some involvement in the story that can not be righten off to another character.

Saber Prime wrote:
What matters as a significant change is not "in the eye of the beholder" but rather how much that change alters the overall plot.


Hardly.

Your talking about how the story would be precieved.

I'm talking about the story itself.


There's little difference in the two.

How a story is percived may or may not change depending how different the story itself was made.

Shy was one of my favorite characters in the play for Best Little Whore House in Texas yet it still took me about about 2 hours after watching to movie to even realize she wasn't in it. That's how little her character changed the story. The other character I didn't care about so much and it was a whole year before I realized she wasn't in the movie and I still can't even remember her name.

Now you take someone like the Joker and don't include him in a Batman story and people are going to notice instantly. He's a character that has made a major implact in the Batman story. But another character like say King Tut and no one will care. Not haveing King Tut doesn't change anything.

Saber Prime wrote:How does that change the story?


Dialog change = content change.


Dialog does not a story make. It helps to move a story along but there were thoughs days of silent films where storys were made without any dialog.

Saber Prime wrote:You make it sound as if every single little thing has to be done exactly the same way word for word, character for character or it's not the same story.


Exactly.

Any change makes it a story based on the original.

Its a re-write.


But it's still the same story. Changeing 1 word in script does not change the entire story. Actully wrighting your own version of said story from scratch does.

Saber Prime wrote:According to you however this simple change in stage direction would then change the ENTIRE story line even though the stage direction has nothing to do with the plot.


It does make it a re-write so its different then the source martial.


We're not talking about it being different from the source material, we're talking about it being a different story.

Saber Prime wrote:I once preformed a scene for drama class and then preformed the SAME scene on a smaller stage at a profecinal theater and guess what, simply because of the change in stage space, my blocking changed. Did the change in blocking change the story?


I'm not sure what "blocking" is.

But if it resulted in a re-write of the script then it was a different story.


Blocking refers to the actions you preform. Any action is blocking and no changing the blocking does not change the story.

In fact, I was following the blocking that was wrighten in the script with some minor alterations to adjest for the differences in stage space. Hence I was supose to be in an apartment and my apartment shrank the second time I preformed it.

Same dialog, same actions, but there were changes that had to be made due to space.

My high school stage included off stage wings where I could enter the scene as my character was just arriveing home. I was taking off a tie and jacket as directed in the scrip, turning on a radio, adjusting lights, and pooring champaine all as directed in the script both times I did this. The second time was in a much smaller box theater. These are theaters that not only have an audience in front of the stage but to each side as well so there were no back stage wings in fact the only back stage space was the one and only dressing room so rather than entering like I did at school I entered directly from the only place I could enter which not only made the apart smaller but allso made my blocking backwards.

Insted of entering right I had to enter left so from then on everything I did was on the oppisite side of the stage.

I don't know how well you know stage direction but basically there's the center of the stage with is called Stage Center or SC. Now if you're standing SC faceing the audience everything on your right is Stage Right or SR and everything on your Left is SL. If you go out into the audience than everything is from their point of view not yours. So the Audieance allso called the House, Your Stage Right is allso House Left and Stage Left is House Right. Now if you move towards the audience you are going Down Stage and away from the Audience is Up Stage. So you can basicaly seperate the entirel theater into a grid that looks like this.

High School Stage

UR UC UL
SR C SL
DR DC DL

HL HC HR

Box Theater.

HL UR UC UL HR
HL SR C SL HR
HL DR DC DL HR
HL HC HC HC HR

So in high school I would enter SR, cross SL, DR, and whatever else I did. In the box theater I would enter UL, cross UR, DL and whatever else I did.

But not if it really made any change in the story only in my Blocking, nothing else.

Again, blocking does not a story make. It would be insainly dull to watch chatacters standing around doing nothing. Blocking is there there so there's actully a reason to watch. Going back to the days of radio when there was no picture.

Saber Prime wrote:There's been times when we have cut songs simply because the actress playing that role is sick that day and can't hit the right notes. Now if we had an understudy for every actor which we don't, can't afford it. That would still then be a change.


Your now talking about adapting a performance because of issues that cant be controled.

But truth be told, even that is a change to the story.

If its not presented in its original form then its different.


Than everything is different sence nothing is presented in it's original form. Technically speaking the original form is nothing more than a script and a script is nothing more than an unfinished work. Now if said script has the rare opertunity to be directed and wrighten by the same person and said person can actully do everything he intended to do with the script that's a different story but that is even more rare.

There was a righter and director who wrote a part in a play for Fallen with a spicific actor in mind for one of the roles. Well the actor was a stage manager at another theater and never played the part that was wrighten for him. Insted what was presented had a different actor in it. This is different from the original form yet it does not change the story.

Saber Prime wrote:Cybertron and Galaxy Force really, what's different between the two of them?


3 different issues have already been brought up.


Brought up yes, exsplained, no. All that's been said is that there are suposidly fundimental differences between the two but no one has said what thoughs difference are.

I took the time to exsplain the differences between Cybertron characters and their Armada/Energon name sakes. I didn't just say, they're different and leave it at that, I actully took the time to right out what thoughs differences were to the best of my memory.
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Re: megatron a prime

Postby Son of Primus » Fri Jul 10, 2009 12:32 pm

Changing a character, does change the story ... even if it is slight, but it usually does not effect the plot. I have had years of acting experience and will throw out an example that have become quite common place:

Bye, Bye Birdie - Many community/high school theatres have begun to replace the Randy character (a younger brother of the female lead) with a character called Randi (a female, making it a younger sister). This completely changes the dynamic of the family and the interactions between character, which changes the telling of the story - even if slightly. If it is a female, does Randi fawn of Conrad (the lead) like all the other women do? Do we make her too young to care, do we make her a tomboy? How do we explain the character wanting to grow up like her dad? Things like this may not effect the overall plot, but it totally changes the story. In the same respect making Override a girl changed the story, it changed her relationship to other characters, it changed dialogue, etc. ... even if it didn't change the plot of the series (find the Cyber Keys, stop Megatron, save world).

Even a retelling of the story from movie to musical is different. I just finished Disney's Beauty & the Beast, and while they are based on the same Disney characters and story, they are two different animals. Characters have different backstories, songs are added, things are added or changed ... but the plot is the same. You can not call Cogsworth from the show the same as Cogworth from the movie ... one is slowly turning into a clock, the other one has already become a clock. While this doesn't seem to make a big difference, the dialogue is changed to reflect this ... so an entire new scene had to be added to explain what is going on, which was a new take on the sub-storyline of the original show. Plot stayed the same (Beast must find love or forever be cursed, etc.) but interactions and reasons for things happening most certainly changed.

I think the problem that people are having here is that story and plot are being used to mean the same thing. The plot may or may not change in the case of a retelling/retranslation - but the story most certainly will. So changing a characters gender or age does not effect the plot, but it does change the story - so you can not say they are equal.
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