A Good Ending
(Spoiler free-ish)
(Spoiler free-ish)
Synopsis
Elita One, Windblade, and Starscream fight to gain ultimate control of Cybertron! Dark secrets will be revealed in this series finale!
The Galadriel effect in full force
Story
I gushed a lot of my appreciation for a story and a series like Till All Are One once already, in my final review of the ongoing series a couple of months back - you can read that review here, if so inclined, but I want to quote myself to make a major point about this annual:
Till All Are One #12 gave us the best story it could probably and possibly ever deliver; it gave us a resolution between Starscream and Windblade that is not a conclusion; it brought elements together that no other book had really done so far; it redeemed characters without offering them salvation.
Look at where we started..
In my original conclusion to that line of thought, I said that I wished we'd had more time to appreciate, encounter, and explore what lies ahead of all of them much sooner than we actually would. And in that respect, the Annual delivers on changing my mind entirely, just as it revolutionises the stage and status quo of the series' setting - I actually want to see it even more, now.
My face at multiple times in the issue, all in one panel
As it is an issue that I think is best experienced in its entirety and lack of information, I do not want to go into any detail about the plot or the characters here, but I will say that there is a culmination of an incredible number of plots - from the very start of the series way back when it was just Windblade - and one of the best developments in the Hasbro shared universe, as a consequence of First Strike's effect on Cybertron and Cybertronians.
plus, more Combatico-- ok, Vortex
I can't really speak of a 'happy ending', not in the strictest sense of the term, and there are some very heartfelt joyful moments, but (and I'm pretty sure I'm tapping into my thoughts of other media that has come out this month) this long, utterly enjoyable and satisfying read has gone from the 'best ending' TAAO could've had (issue #12) to A Good Ending. A good ground to build a much positive, much wider, much better universe.
Art
There was no other way to conclude the story without artist Sara Pitre-Durocher, who has been involved in the franchise for so long people tend to forget just how much material she's covered in her work, be it comics or packaging art. And what we have here is a testimony to that proximity, with nods to the first Windblade series in opening sequences, revisitations of the glorious Starscream of issue #12, and perhaps the happiest, tiredest, positively relieved Windblade, but also several Cybertronians that have populated the stage this far.
Remind you of anything?
And the feeling of light, the legeresse and relief that come with some of the aspects that are not to be understated - can never be underestimated - throughout the story, among the different inhabitants of the story and the city, could not be possible without the amazing lighting work that Joana Lafuente brings in her colours. The symbolism of dawns and dusks is one that runs all through the TFverse, but we see it here as a full revolution - and you may take that however you want.
Embrace the dawn
In Scott's letter in the backmatter of the issue, the writer acknowledges Tom B. Long's excellent contribution to the issue and the work on the series as a whole, something I was glad to see as a fan of the letterer's work across the board - no less in this annual, where some of the more poignant moments are silent, and handled with extreme masterful care. There is only one variant cover - by artist JN Wiedle - to the main Pitre-Durocher one (which is so full of callbacks that I cannot even), and I've used it to spotlight the thumbnail. Both are glorious. Both deserve visibility. Look at them, and enjoy.
Thoughts
Spoilerish ahead
This is a story of leadership. We have three potential leaders, all of whom are actually, surprisingly, fitting possibilities for this new Cybertron. All three are potential stories to be told about a city, a planet, a civilisation - and by extent, an entire universe that involves more than just the Transformers. One of these is the winner, one of these is the loser, one of these wins something else entirely, and we have the immense pleasure and privilege of being along for the ride with at least two out of three. Pay attention to the dialogue. Pay attention to the words, including the author's letter in the back of the issue. It's all there, all along.
The creative team, probably
I've had comments on the pacing of the book, that it feels a little rushed in parts - and while I can recognise that, I do not think it detrimental to the story, at all. If anything, it heightens the sense of frenzied anticipation for the events taking place, the urgency of it all, and the buzz of a build-up with finally a resolution that can lead to a different future from the pasts and presents we have known in the stories of Transformers so far. And for that, I have to thank the writer, the artists, the colourists, the letterers, the editors.
So thank you, again.
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out of
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