IDW Transformers: More Than Meets the Eye #29 Nick Roche and Josh Burcham Megatron Variant Cover

he's being tried for multiple counts of genocide standing in a see of Cybertronian skulls, and he's got a creepy smile The hell is going on in his mind?

SW's SilverHammer wrote:

Flashwave wrote:he's being tried for multiple counts of genocide standing in a see of Cybertronian skulls, and he's got a creepy smile The hell is going on in his mind?

I don't think Megatron's all that bashful, in regards to what he's done. >:oP

Let's face it, he doesn't have anything to hide. He's Megatron. They could get Overlord, the DJD, Pharma, Tyrest, and Whirl all hammered and ask them to come up with new horrors and they couldn't come up with anything that Megatron didn't already do. What Megatron is probably smirking about, what he's really keeping secret, is what Optimus has done. He stands on a mountain of skulls knowing that Prime stands on one too.

Synopsis
STAND-OFF! While the crew of the Lost Light react to MEGATRON’s arrival with characteristic maturity (calling him names behind his back and ignoring him when he speaks) one AUTOBOT is convinced that a more direct approach is needed. Guess what happens when a one-time tyrant is told he’s not wanted? Yeah, exactly.



Story

Only a couple of weeks after the last comic, and in fact, the last MTMTE it was too, here we are again back on the Lost Light! Last we saw of space was the floating coffin with Autobot insignia just outside the ship, and it seems as thought captain Megatron decides to bring it on board pretty quickly. Meanwhile, Tailgate (completely absent for pretty much the entirety of Dark Cybertron) is reunited with Cyclonus, and everyone else on the ship.



In another six month flashback, we return to Megatron's planet-wide trial, too. But the centre stage is taken by some behind the scenes Rodimus action (well, more or less) and the prosaic, verbose, eloquent, melodramatic, narcissistic duly appointed ruler of Cybertron itself: Starscream. Who gets even further excellent characterisation, along with the big M himself. He looooves to talk, but he does know what to say. Usually.



But what is really impressive in this issue's writing, as has been for the series pre-Dark Cybertron too, is James Roberts' attention to detail. Or to disseminating details, references, clues, scraps of information about where the story might go, where it came from, with the coffin and Skids and Nautica, Riptide, Nightbeat and the rest of the crew. Add to that a number of little nudges towards other series, shows and lores. Seriously, it's riddled with them.



In terms of actual action, there is probably even less than last issue, but my oh my is there still a lot going on. Chromedome's mourning, Nightbeat's solving, Trailcutter's drinking/forcefielding, THE TRIAL. If anything, it can at times still feel a little cramped if you are trying to pay attention to all the details on the first read.

Art

We get Alex Milne on artwork, confirming and earning his post as the main artist for the series. And it really really works with the tone of the stories being told. And the expressions, especially with Rodimus' reactions during the trial. And Starscream's. But the best parts are some of the perspectives in the ship, around the ship, outside the ship (there's a double page spread that is breathtaking), and Cybertron again, with some excellent montage styled panelwork for the trial scenes.



It's also the first issue with Joana Lafuente on full colours! And she delivers amazingly. There are some plays on light and shadows in the conversation between Nightbeat and Chromedome that really set the tone, and some excellent hues for Trailcutter's scenes and other snippets around the issue.



Lettering is once more a brilliant Tom B. Long, who does some serious fonting and captioning of scenes, with some truly excellent touches to the already stellar visual components. And the covers are brilliant, too: Milne and Priscilla Tramontano stand-off on A, a smug Nick Roche/Josh Burcham B, and a throwback Marcelo Matere and Tramontano incentive (thumbnail).

Thoughts
Spoilerish ahead

Some of my concerns from #28 return here, in terms of multiple storylines. But there is definitely more of a focus and a bringing together of events, causes and consequences. The ending is a ridiculous cliffhanger or three, there may be ghosts, and it all looks absolutely amazing, with some priceless expressions around characters. It feels less like it's building up, and more like a sustained tension of suspense.



As I said above, in some parts it feels as though there is even more cramped into this issue than the previous one, but give it time. And if, on the other hand, it feels like something is missing, maybe it's just Roberts making it so. Read the issue more than once, take your time, and if it's still gone.. then it's definitely an intentional loss. Just ask Nightbeat.

I love the writing and art work. It is some of the best stuff I have read. There just seems to be the right flow of words that fit each character.