IDW Transformers: Galaxies #3 Review

Good review! I really enjoyed this backstory chapter, and I'm liking how they are treating combiners. They are doing it right from the start

I don't think I have ever so hard at anything this hard since animated wrek-gar.

I can almost hear Casey Kasem's voice in my head screaming "I'M NOT BUMBLEBEE REPAINTED!"

Did IDWverse ever do anything significant with Cliffjumper, following DoOP? I'm not quite sure where they were going with the set up given in his Spotlight, so I was curious if Roberts or Barber made use of him?

Greetings Seibertronians! This is a treat for all the comic fans out there, Apple Books has posted a three page preview of the concluding part of the "Constructicons Rising" arc in Transformers Galaxies!

Here's the publisher's description:

“Constructicons Rising,” Part Four! With the help of their benefactors, the Constructicons have once more been empowered. And with power, comes a way for them to escape their exile... and tear everything down in the process! The devastating conclusion to the first arc!

Transformers Galaxies #4 is written by Tyler Bleszinski with art by Livio Ramondelli, and is expected February 19th.

Are you getting this? Let us know in the Energon Pub and stay tuned to Seibertron for all the latest news and reviews!

84 days have passed since Transformers: Galaxies #3 was released. Revolutionaries had a 63 day gap between issues 3 and 4 back in 2017 and Lost Light had some rough gaps in between on a few occasions but 84 feels unprecedented and alarming. I'll stop short of saying that IDW (not the book's individual creators) owes any sort of explanation, but will say that this is the kind of thing that kills series and you don't have to take my word for it - ask a comics retailer.

With that out of the way the rest of the review can follow without another mention of it, but it was the elephant in the room here that had to be addressed. If you're reading this review and haven't read Galaxies #4 yet, know that it's a good read that's worthy of your time and the $3.99 (plus tax for many) cover price but do yourself a favor and read issues 1 through 3 again first. You won't regret it!


The issue's events pick up with the Constructicons and the Insecticons ready to execute their plans. The pieces set forth in the preceding issues coalesce here in more-or-less the way you'd expect, which may sound like it's detrimental but this issue is primarily about the action. Each group of Decepticons (yes, they're not technically that yet but c'mon) is doing what they feel they must to survive and break the cycle of control that's caught their lives and suppressed their means to achieve freedom. This issue invites the reader to witness how destruction can be used as a means to an otherwise empathetic end, and while there's some dialogue to catch-up a lapsed or forgetful reader it does bear repeating that the full impact of what Galaxies #4 does is greatly bolstered by recent memories of the trio of issues before it.


Said destruction is very well executed thanks in part to both Livio Ramondelli's art, with its stellar as usual sense of scale, as well as writer Tyler Bleszinski's choice to make sure that by the end of the arc Devastator isn't some mindless behemoth. There was a process taken to get him there, to be sure, but it was laid out convincingly without a huge over-reliance on the earlier introduced Enigma of Combination. Devastator is fully aware of himself as the seventh, shared consciousness of six other sentient beings and while it would have been nice to see him kill at least one character of real consequence, a symbolic panel featuring a representation of such will have to do for now.


The Insecticons have been used sparingly so far but they very nearly steal the show here. While their backstories are almost pitiful, the full brunt of their sociopathic nature is presented and while gruesome isn't a term I'd use to describe it, disturbing might fit the bill here instead. G1 fans will be happy to see some of their signature verbal tics persist along with their general appetite for energon. These feel like the original Insecticons just taken up to 11 and made more brutal, so here's hoping the main book picks them up soon.

Where it all ends up is quite open ended, which is good in one sense as it means the door's left open to more of this story. On the other hand, given the pace of events in the other ongoing there's likely no continuation coming anytime soon making this a great meal that doesn't quite fill you up all the way. That's almost definitely on purpose given an eleventh hour tease of some other characters yet there's still a sense of finality lacking for me, but your mileage may vary.


The quality art continues for this installment, with Ramondelli not only bringing wonderful scale in the line work but also smart colors to distinguish the time of day, giving perspective to the length of time the issue's story takes. The lighting doesn't stand up to close scrutiny in from panel to panel on every occasion, but when it looks so effectively dramatic I struggle to find much detriment in that. One thing I've noticed over time is that Ramondelli's art looks best to me on a bright phone or tablet, then on paper, then on a conventional computer monitor and writing this review on multiple decices throughout the day confirms this for me once again. The lettering from Jake M. Wood has balloons that jump back and forth swiftly at times but the dialogue remains easy to follow. I do have to offer some criticism to the onomatopoeia insert shown above. While it gets the idea across, associating an un-combining gestalt with a computer keyboard sound is certainly less than familiar.

Livio Ramondelli provides the "A" cover as has been the case for this series so far and this is the cover you can find in this review's news post thumbnail. Sara Pitre-Durocher provides a clean looking Devastator with slick coloring effects for the "B" cover while a pixel-art Shockwave and Devastator grace the ten-copy retailer incentive cover from newcomer (to Transformers, at least) Christina Neofotistou. As always, you can also find all the cover images, full credits for the issue and a list of all the characters that appear in the book through our Vector Sigma Database page for Transformers: Galaxies #4.


Transformers: Galaxies #4 is a worthy finish to a first arc featuring these characters that left me wanting to see more of their journey. The Constructicons managed to introduce some much needed action in a setting and series somewhat devoid of it or even, as it feels at times, the potential for it. A clear plan with careful plotting is evident in this four issue run, further evidenced to me by how it only introduces one really notable element of lore that isn't thoroughly followed-up on by the end of this fourth issue. While a product of happenstance, there's even some nice synergy with Transformers #17 and what's seen from one of its featured characters.

I can't bring myself to call this one perfect but I almost did. It could be the delay's fault, it could be the extremely open-ended nature of its resolution, or you could just know that despite some minor, Scotty-being-picky quibbles Transformers: Galaxies #4 finishes up a four issue arc that on the whole is easily the best Transformers comic output of the past year. Don't forget about this one, show it some support so more Constructicon stories can be made in the future.



Look out for this issue today, February 19th, where you can pick it up at the Seibertron.com eBay store or at your local shop, check here to find the closest shop to you.

Rodimus Prime wrote:The arc is only 4 issues so I'm guessing it won't get its own trade. It would be nice to read the story as 1 book even if it's thinner.

Nope, it's being lumped in as a hardback with a bunch of stories from the main story.

Which is sad, I wanted this alone as a trade, I don't want any of the mainline story

I'm sorry but in a time of peace, a name like deathsarus would set off so many alarm bells Not surprised the natives think he's bee though if they can't see colour.

I'd planned to have a timely review of issue 5 up but IDW didn't get us the media review stuff for the week until late in the day on Monday (usually this happens Friday morning), thus eliminating the weekend time normally available that would have been used to write a review.

Not sure if anyone cares to know that much, but if anyone was looking for a review and wondering what's up, there you have it.

The short version is that it made me smile and Alex Milne is still awesome.

After four issues of the Constructicons and Devastator wreaking havoc, Transformers: Galaxies #5 arrives to start a new sidestory with a new creative team featuring everyone's favorite Mini-Bot Bumblebee...

...as the setup for a running joke about the issue's actual lead character, Cliffjumper. Paired up here with Deathsaurus in one of the most unlikely Transformers tandems imaginable, an off-Cybertron mission to retrieve Energon completes all the setup you need to know. Does the issue pull off this strange alliance? Read on to find out.


Kate Leth and Cohen Edenfield make their writing debut for Transformers comics in this issue, providing some possibly welcome levity after the tonally serious previous arc of Galaxies. A somewhat simple plot is aided by extra helpings of character, as both of the issue's stars receive plenty of time and context as they depart for and commence with their mission. Most of the unnecessary world-building-through-wooden-dialogue from certain other issues of the other ongoing series is absent here, with cues about the status of the world such as the now persistent Energon rationing being presented much more naturally in conversation. Another positive about the writing here is that there's no worry about one main character being the surrogate for one writer with the other for the second, as the characters' voices are distinct and generally true to what G1 fans would expect.


Almost as soon as I typed that last sentence, a realization swept over that Cliffjumper has zero weaponry throughout this issue and presents little desire for it, immediately offering an obvious counterpoint to said previous conclusion. Since this is a two-parter, we'll let it stand as a TBD. Deathsaurus does live up to a more G1-like characterization, coming off at times as the terrifying Emperor of Destruction and during others as exactly the kind of villain that would be in an '80s cartoon show. Despite the relative faithfulness to his original incarnation, I can't help but miss the excellent, imaginative take on Deathsaurus from More Than Meets The Eye and his fascinating, dramatic inner conflict which added another dimension to him that's missing here.


Speaking of MTMTE, Alex Milne makes a welcome return on this issue, bringing with him the outstanding work that we've all come to expect. Deathsaurus looks as familiar and imposing as ever with the scripting work giving Milne ample opportunity to depict his alt mode in several great sequences. The Probat race depicted within is both unfamiliar and reminiscent of some of his previous depictions of alien races, but where he really shines on this issue is in his depiction of the planet, also called Probat. A gorgeous double-page spread near the beginning of the issue and another scene with Cliffjumper by a fireside later on really show Milne's range, and it's an absolute delight to look at. It likely helps that Josh Perez handles the colors on this issue, making excellent use of lighting and shadow to help cast the mood. A unique palette is also present in a short flashback sequence that leaves no doubt in the reader with regards to what they're looking at.

More of this artistic "Dream Team" is welcome at any time, IDW!


Jake M. Wood is now our regular letterer it would seem, and he deserves credit as well for his role in the artistic presentation. The distinct bubble style and font used for Deathsaurus in alt mode avoids looking like gimmickry and instead elevates the character during the book's later sequences. Series editors David Mariotte and Tom Waltz keep the book well paced throughout and have kept it very accessible to readers that don't follow the ongoing series while also ensuring it fits in with the rest of this new-ish universe.

Four cover options await for this installment, with Milne and Perez's "A" cover used as this review's news story thumbnail image. The other regular cover available features a cheeky Bumblebee by Sara Pitre-Durocher that fits in thematically, while the 10-copy retailer incentive cover from Anna Malkova helps deliver an idea of some of the book's tone. Fans that frequent especially busy shops can possibly look forward to Kei Zama and Josh Burcham's intimidating depiction of Deathsaurus on a 25-copy incentive cover. As always, you can also find all the cover images, full credits for the issue and a list of all the characters that appear in the book through our Vector Sigma Database page for Transformers: Galaxies #5.


The stunning art alone is enough to recommend that Transformers fans keep reading the stellar Galaxies series as it continues to outshine its parent publication in practically every way. The story here is simple and has some twists and turns, though there are a few times where it gets so wordy that one can't envy Wood's job of bubble placement. As the first half of a two-part story arc, the issue's momentum is stymied just as it picks up and releasing its follow-up a week later would have made sense while also clearing some of the backlog of delayed issues that IDW is working through. While that's not to be, it's also something that would only ameliorate a minor negative factor as the issue's characters elevate it in a significant way.

The art on Transformers: Galaxies #5 is a 5/5 while the story, for me, is a 4/5 so let's split the difference -



A late review means this issue is out now, and you can pick it up at the Seibertron.com eBay store or at your local shop, check here to find the closest shop to you.

NOBODY LOVES WHEELIE wrote:Anybody figure out where these Constructicons Rising fits into this reading order?

Anytime after 12 and before 15, in my opinion. Not tied in tightly enough to have one "correct" place so putting it in the roughly intended publication order works for me. The second hardcover coming out in June will provide a more definitive spot.